Darryl Hughto Paintings

Yari Ostovany is an American abstract artist of Iranian origins. He has lived in Tehran, Cologne, Los Angeles, San Francisco and in Reno. He is currently based in New York City. His ...

Yari Ostovany is an American abstract artist of Iranian origins. He has lived in Tehran, Cologne, Los Angeles, San Francisco and in Reno. He is currently based in New York City. His ...

Shortly before Walt Esslinger died a few years ago, we talked in his small yellow painted studio in Bakersfield. Sixteen years my senior, he’d been my close friend, mentor and running mate since 1960. “You still writing?” he asked. “Yes,” I answered, taking in the space’s renovations he’d recently sub-contracted. Ninety one years old, and he was thinking ahead. “Do me a favor,” he said. “Write the Andy Warhol story.” Walt was a Central Valley guy, an L.A. guy, a Las Vegas guy. A man who knew his way around. “I want you to put on record what happened back then when I bought the soup can painting.” Back then was the fall of 1962. The two of us had been exhibiting our paintings in the L.A. Art Institute’s gallery for locals only. Walt had given legendary Ad Rhinehardt a story about how he and I had been working in both Edward Kienholz’s and John Altoon’s studios (false—we’d only been visiting). One morning, the Institute’s Director, who hadn’t suspected us to be charlatans yet, introduced us to a reed thin, tow headed young man leaning against the main gallery’s wall. “Meet Andy Warhola,” he said. “Andy is from New York.” “Warhol,” the boy/man said. “Painter?” Walt asked him. “Shoe Illustrator.” The director made a snorting noise I took to mean that Warhola or Warhol’s modesty was posed. He mentioned something about Andy having a show on the La Cienega strip of galleries. We exchanged mumbles about how the art world was in flux, nothing more than that, and Walt and I moved on. If this strange cat had anything to look at, we’d see it. It was a Monday, and La Cienega’s twenty some galleries would be opening new shows and serving champagne that evening. North La Cienega Avenue, laid over a network of oil veins decades before, had become the street for the Cool School, a group of artists and gallery people trying to bring Los Angeles’s art scene to life. The galleries were small but proud. Sure, Jazz was born on the Delta and raised in New Orleans, St, Luis and Chicago, but L.A. had fifty-three jazz joints according to Chet Baker, who’d blown with the best. Why then should the West Coast be lagging behind New York in the other truly American expression, abstract art? At the Ferus Gallery that night we found Warhol’s exhibit. “Shit,” I said. Walt grinned. “You no like?” “Not exactly my can of soup,” I said, peeking into the small space, loaded now wall to wall with paintings of Campbell’s Tomato Soup. Walt stepped into the space. “How about the idea of it?” I made my way through spectators looking at once to be confused, amused, enthused and abused. When I came back to Walt he was still smiling. “Why didn’t he silk screen ‘em?” I asked. “That’s probably his next move,” Walt said. “You wanna stay?” Walt’s keen eyes cased the joint. “I see Irving Bloom over there,” he said. “Believe I’ll stick around and talk with him.” Bloom had been operating this popular gallery for some time now. “One hundred a month,” he’d told me. “It’s not like I’m getting rich.” I stood around for a bit, heard a fellow abstract expressionist I’d met tell a young lady who looked to be lost, “Okay that’s the soup. Come with me, baby, and I’ll show you the juice.” Two doors down I stopped at the Primus-Stuart Gallery. A group of people had gathered around a display of soup cans, stacked grocer’s pyramid style in the window. All Campbell’s. All Tomato. A sign leaning against the grouping stated: “Get the real thing. Thirty cents each.” That’s the way it was. Twenty-four galleries forming a gauntlet between La Cienega’s 300 block, all the way up to Barney’s Beanery at the corner of Santa Monica. Hollywood types dressed to the nines, Beats dressed for the times just gone. Champagne popping...

"Untitled" 2019, 25" x 31" horizontal drawing on paper by Argentine-born artist Karina Gentinetta (featured in Elle Decor, the New York Times, Tradi...

Bold figurative abstract in black, white, and red by Daniel David Fuentes (American, 1978-2016). From a collection of his works. Signed "Fuentes" and dated "07" bottom right. Unframe...

Original Red Fish painting by Olga Nikitina. * Title: Red Fish * Size: 40 x 50 cm 16x20" * Materials: oil, stretched canvas, palette knife * Shipping: gallery standards packaging, with tracking number Bright abstract seascape painting will be a good addition to your original oil painting collection. Original art is painted on stretched canvas, sides are painted, READY TO HANG. Fish artwork is signed both sides - in front and at the back by artist Olga Nikitina. Tropical fish painting created with palette knife gives special movement to underwater artwork. Impasto painting with using palette knife gives an incredible deep texture and makes artwork alive. Abstract underwater painting will add some exotic atmosphere to your house or office. Coral reef art, fish painting, fish art, fish artwork, tropical coral reef painting, ocean art, underwater art, marine life painting...

"In A Mood" 2023, 72" H x 96" W. Large scale abstract painting consisting of acrylic, pencils, and oil pastels on canvas by Argentine-born artist Karina Gentinetta (featured in Elle ...

"Masquerade" 2024, 48" H x 60" W. Large-scale, multi-colored abstract painting consisting of acrylic, house paint, pencils, and oil pastels on canvas by Argentine-born artist Karina ...

The canvas comes to life with a captivating yet understated painting, heavy on texture, using antique linen, crafted with a unique blend of dye, pigment, and acrylic. The artist's su...

Materials: oil on canvas, 20x28" Shipping: Rolled in Tube or stretched Style: underwater impressionism, palette knife art, impasto painting Looking for a unique and one-of-a-kind piece of art to add to your collection? Look no further than this stunning underwater painting created by an artist while scuba diving. This oil painting was made with a palette knife and is inspired by the beautiful environment of the ocean floor. The artist's use of bold, vibrant colors brings to life the vibrancy of the underwater world, while the texture created by the palette knife adds depth and dimension to the piece. Whether you're a seasoned scuba diver or simply an art enthusiast, this underwater painting is sure to make a statement in any space. Don't miss out on the opportunity to own a truly unique and beautiful work of art. Order now and add this stunning piece to your collection today! Underwater painting a new fast growing direction in contemporary art. Artwork was created underwater during scuba diving at the depth of 6.1meter, session lasted 83 minutes. The subject of painting is a symbiotic relationship anemones and clown fish...

Underwater painting is a new fast growing direction in contemporary art. Original Art Soft Coral was crated underwater at the depth of 7.6 meters, underwater painting session 76 mi...

Underwater painting is a new very unique fast growing direction in contemporary art. Artwork was created underwater during scuba diving at the depth of 5,3 meters, session 42 minutes. By influence of underwater environment, feeling of no gravity, colorful impression, another reality - It feels different, brain works different, colors and shapes just blows your mind and you feel kind of explosion. Title: Ocean Music Size: 8x8 inches 20x20cm Style: underwater impressionism Technique: palette knife oil painting Underwater art...