David Fulton Paintings

Lynn Gertenbach's "Ride at Golden Hills" is a remarkable oil painting that captures a serene moment of a lady riding a horse under a tree, surrounded by lush grass and vibrant scener...

Landscape American Hungarian European Modernism 1938 Realism Long Island WPA era. The canvas measures 18” x 20". The artist signed the stretcher as well as the canvas. The scene depicts a spots in New York where Queens borders with Nassau county, Rosedale, which abuts the Five Towns. The border runs through Hook Creek, another painting we are currently offering. Stephen (Istvan) Csoka was born in Gárdony, Hungary on January 2, 1897 and died in New York in 1989. He is best remembered as a painter and etcher of portraits, nudes, landscapes, genre, and horses. Csoka studied at the Budapest Royal Academy of Art and his memberships include Associate of the National Academy of Design in New York City; the Society of American Etchers in Brooklyn, NY; the Society of Brooklyn Artists; and the Hungarian Etchers Association. Csoka's exhibitions and awards include a medal at the Barcelona International Exhibition in 1929; a prize at the City of Budapest Exhibit in 1930; prizes at the Society of American Etchers in 1942 and 1945; prizes at the Library of Congress in 1944 and 1946; a prize at the Society of Brooklyn Artists in 1944; a prize at the Philadelphia Watercolor Club in 1945; the Corcoran Gallery of Art in 1945; the Carnegie Institute in 1943, 1944, and 1945; the Art Institute of Chicago in 1944; the Los Angeles Museum of Art in 1945; the National Academy of Design from 1940 through 1945; one-artist shows at the Contemporary Artists in 1940, 1943, and 1945; and the Minneapolis State Fair in 1943. *Stephen continued to recieve awards and exhibit his work throughout his life. In 1997, Hofstra Museum sponsored a Retrospective/Centennial exhibition in honor of his birth. Collections representing Csoka's work are the Metropolitan Museum of Art, New York, NY; the Brooklyn Museum, Brooklyn, NY; the Museum of Fine Arts, Boston, MA; the British Museum, London, England; the Bezalel National Museum, Jerusalem, Israel; the Butler Institute of American Art, Youngstown, Ohio; Whistler House Museum of Art, Lowell, MA; the Cleveland Museum of Art, Cleveland, OH; Columbus Museum of Art, Columbus, OH; the Sheldon Swope Art Museum, Terre Haute, IN; the Mobile Museum of Art, Mobile, AL; the Frederick R. Weisman Art Museum, Minneapolis, MN; the Museum of New Mexico, Santa Fe, NM; the Budapest Museum of Fine Arts, Budapest, Hungary; Hungarian National Gallery, Budapest, Hungary, the Museum of the City of Budapest, Budapest, Hungary; the Library of Congress, Washington, DC; Carnegie Museums of Pittsburgh, Pittsburgh, PA; the Chrysler Museum of Art, Norfolk, VA; Georgia Museum of Art, Athens, GA; Hofstra Museum, Hofstra University, Hempstead, NY; Holocaust Museum, Glen Cove, NY; National Academy of Art, New York, NY; New Orleans Museum of Art, New Orleans, LA; New York Historical Society, New York, NY;New York Public Library, New York, NY; National Gallery of Art, Washington, DC; Peabody Museum, Cambridge, MA; Pennsylvania Academy of the Fine Arts, Philadelphia, PA; Reading Public Museum, Reading, PA; Livingston Arts Center, Mount Morris, NY; Ball State Teachers College, Muncie, IN; City College, New York, NY; Fashion Institute of Technology, New York, NY; Hungarian Consulate, New York, NY; Hungarian Heritage, New Brunswick, NJ; Hunter College, New York, NY; IBM Collections; Princeton Print Club...

A rare 19th-century oil by the aristocratic painter and distinguished collector, Count Charles Gaston Esmangart de Bournonville de Saint-Maurice. It depicts an equestrian gathering ...

RAMÓN MARTÍ ALSINA (Barcelona, 1826–1894). "Coastal Seascape with Sailing Boats." Circa 1860 Oil on canvas. Signed lower right. Dimensions: 137 × 97 cm (53.94 × 38.19 in). ; 154 × 1...

A superb example of a Barbizon inspired landscape painted by the "Catford Corot" from the late 19th Century. This very striking image shows the artist at the absolute peak of his abi...

“Sea on Fire” is a moment when the sky bursts into flame above the horizon, and the sea catches its light as if holding a secret. The waves whisper in the language of sunset, rolling...

Conditions: In excellent overall conditions, with no repaint under UV light, original canvas and frame. Signed Lower left "Ls Reinhardt". Dimensions with the frame are approximately...

This captivating oil painting on canvas, executed in 1882 by an unidentified but presumably British master, represents a magnificent example of a marine landscape from the era of Eur...

Marjorie Reed a.k.a. Harvey Day (1915-1996) California, Arizona Artist Size: 18 x 24 Frame: 23.25 x 29.25 Medium: Oil on Canvas "Valley of the Monuments" Marjorie Reed Biography Biography Marjorie Reed a.k.a. Harvey Day (1915-1996) Born in Springfield, Illinois and raised in Los Angeles, Marjorie Reed gained a reputation for paintings of western scenes, particularly Butterfield Overland Stagecoaches and other scenes of cowboys, horses and figures associated with the Overland Mail Route. Sometimes she signed her paintings with men's names including Harvey Day and Fred Day. At age three, she began art lessons from her father, Walter Stephen Reed, a commercial artist, whom she later assisted in the designing of Christmas cards and with illustrations for the Mickey Mouse Beverage Company, affiliated with Walt Disney. In fact, she was so accomplished that shortly after, she was hired by Walt Disney Studios to do animation. But she did not like the regimentation of that work. In the mid-1930s, she studied at the Chouinard Art School and took lessons from Jack Wilkinson Smith, a renowned landscape painter who was a key artist in establishing the Biltmore Salon in Los Angeles. Knowing her love of the outdoors and horses, he encouraged her to roam the countryside. She became a friend of Captain William Banning who had been a stagecoach driver for his father Phineas Banning. She learned the romantic story of the Butterfield Overland Mail Stage, which, from 1857 to 1858, ran from San Francisco to the Yuma crossing on the Colorado River. In her Model-T Ford with her Alaskan Husky dog, she, based in Los Angeles from the late 1930s to late 1940s, traveled the stage-coach route and sketched for the paintings of her project to learn about and sketch various points along the route. Her travels included Palm Springs, which she visited many times after her first stop in 1937, and she also spent time in Julian, a California mountain town. Her "Butterfield Stage" series, about the 1858 Butterfield Overland Stage from St. Louis to San Francisco were completed in 1957 after years of travel and research, and a book titled The Colorful Overland Stage was published with twenty of her color reproductions and text by Richard Pourade. In 1967, she finished a second set of Overland Stage illustrations focused on Arizona. A third set was then devoted to New Mexico and Texas and a fourth set to Oklahoma, Arkansas and Missouri. In her later years, she and her fourth husband, Cecil Creese, a miner, became residents of Tombstone, Arizona in 1963 after living in northern California on the Placer River. According to her daughter, Judy Morris, Marjorie Reed died in 1997, living in the desert near the Butterfield Stage Station in California. Exhibition venues included the Biltmore Salon and Ebell Salon in Los Angeles, the Heard Museum in Phoenix, the Desert Inn Gallery in Palm Springs, and the Palm Desert Art...

G. Harvey (Gerald Harvey Jones) (1933-2017) San Antonio, Austin, and Fredericksburg Artist Image Size: 30 x 48 Frame Size: 44 x 62 Medium: Oil on Canvas Dated 1976 "Fording At Dusk" ...

Marti Alsina oil canvas signed Original Painting Ramón Martí Alsina, also Ramon Martí i Alsina (Barcelona, ​​​​August 10, 1826 - December 21, 1894), was a Spanish realism painter. S...

Before us is a European pastoral rural landscape, created by an unidentified master in the second half of the 18th century. In the foreground of the coulisse composition, among spraw...