David Hare, a surrealist and Abstract Expressionist sculptor and photographer, was born in New York City on March 10, 1917. From 1936–37, he studied biology and chemistry at Bard College in Annandale-on-Hudson, New York. Hare had no formal training in art but began experimenting. He took up photography in the 1930s and by the end of the decade was working in color. The Walker Galleries in New York exhibited his photographs in 1939. From 1941–44, Hare founded and edited the surrealist magazine VVV with André Breton, Marcel Duchamp and Max Ernst. Peggy Guggenheim presented solo shows of Hare's work in her The Art of This Century Gallery from 1944–47. In 1948, he was a founding member, together with William Baziotes, Robert Motherwell and Mark Rothko, of The Subjects of the Artist school in New York and Hare, became friendly with Jean-Paul Sarte. Hare died on December 21, 1992, in Jackson.
"Untitled" David Hare, Abstract Surrealist Sculpture, Found Objects, Box, Dada
By David Hare
Located in New York, NY
David Hare Untitled, circa 1970s Mixed media 4 x 2 3/4 x 4 inches Provenance The artist Mercedes Matter, New York (gift from the above) Bill O'Reilly, New York (gift from the above)...
Paint, Found Objects, Mixed Media
$700
"Untitled" David Hare, Surrealist Classical Sculpture, Modernist, New York
By David Hare
Located in New York, NY
David Hare Untitled, circa 1970s Mixed media 6 1/4 x 2 inches The artist Mercedes Matter, New York (gift from the above) Bill O'Reilly, New York (gift from the above) “Freedom is ...
Clay, Mixed Media, Oil
"Untitled" David Hare, Abstract Surrealist Sculpture, Found Objects, Bones, Dada
By David Hare
Located in New York, NY
David Hare Untitled, circa 1970s Mixed media 3 x 2 1/2 inches Provenance The artist Mercedes Matter, New York (gift from the above) Bill O'Reilly, New York (gift from the above) “...
Paint, Found Objects, Mixed Media
"Untitled" David Hare, Surrealist Sculpture, Bones, Modernist, New York Artist
By David Hare
Located in New York, NY
David Hare Untitled, circa 1970s Mixed media 4 x 2 x 1 1/2 inches Provenance The artist Mercedes Matter, New York (gift from the above) Bill O'Reilly, New York (gift from the above)...
Clay, Found Objects, Mixed Media
$700
"Untitled" David Hare, Surrealist Work, Chicken Bones, Anthropomorphic, White
By David Hare
Located in New York, NY
David Hare Untitled, circa 1970s Mixed media 4 x 2 inches Provenance The artist Mercedes Matter, New York (gift from the above) Bill O'Reilly, New York (gift from the above) “Free...
Mixed Media, Oil
$8,500
1970 Mod Surrealist Painting Collage David Hare Abstract Landscape Summer Land
By David Hare
Located in Surfside, FL
David Hare Summer Land, 1970 Acrylic or oil paint and collage on board Dimensions: 26 X 36 inches. Framed measuring 29 x 38 inches. Hand signed, dated and titled on tape to verso 'Summer Land 1970 Hare'. Provenance: Hamilton Gallery of Contemporary Art, New York David Hare (1917 – 1992) was an American artist, associated with the Surrealist movement. He is primarily known for his sculpture, though he also worked extensively in photography and oil painting. The VVV Surrealism Magazine was first published and edited by Hare in 1942. Born March 10, 1917 in New York City, New York to father Meredith Hare, a lawyer and mother Elizabeth Sage Goodwin, an art collector. In the 1920s the family moved first to Santa Fe, New Mexico and later to Colorado Springs, Colorado, in hope that the fresh air would help heal Meredith Hare's tuberculosis. His mother founded the Fountain Valley School, where David attended high school. After high school Hare married and moved to Roxbury, Connecticut where he worked as a color photographer. He attended Bard College in Annandale-on-Hudson from 1936 to 1937, studying biology and chemistry. In the late 1930s, with no previous artistic training, he began to experiment with color photography. Using his previous education in chemistry Hare developed an automatist technique called "heatage" in which he heated the unfixed negative from an 8 by 10-inch plate, causing the image to ripple and distort. Hare's Surrealist experiments in photography were only one of his many projects. In 1938 he met Susanna Winslow Wilson and the couple soon married. Both David and Susanna pursued their interests in Surrealism and regularly attended Surrealist gatherings in New York Larre French restaurant on 56th street and at Breton's Greenwich Village apartment. In 1940 he received a commission from the American Museum of Natural History to document the Pueblo Indians of the American Southwest, for which he eventually produced 20 prints developed using Eastman Kodak's then-new dye transfer process (a time-consuming and complicated technique). In the same year, he also opened his own commercial photography studio in New York City and exhibited his photographs in a solo show at the Julien Levy Gallery. In the next few years, through his cousin the painter Kay Sage, he came into contact with a number of Surrealist artists who had fled their native Europe because of World War II. Hare became closely involved with the émigré Surrealist movement and collaborated closely with them on projects such as the Surrealist journal VVV, which he co founded and edited from 1941 to 1944 with André Breton, Max Ernst, and Marcel Duchamp. With numerous illustrations by Breton, Leonora Carrington, Marc Chagall, Roberto Matta, Giorgio de Chirico, MarcelDuchamp, Max Ernst, Andre Masson, Joan Miro, Enrico Donati, Dorothea Tanning, and others. Published in only four issues between 1942-44, VVV was an experimental New York-based magazine devoted to the dissemination of Surrealism. Edited by David Hare, the short-lived magazine featured contributions from some of the leading avant-garde artists of the period. David and Susanna divorce in 1945 and Breton’s wife Jacqueline Lamba...
Acrylic, Board
$1,800
H 4 in W 2.5 in D 3 in
Pair of Surreal Miniature Wooden Hand and Foot Chair Sculptures
By Pedro Friedeberg
Located in Houston, TX
Dimensions listed are for each individual hand and the price is for the pair. Artist Biography: Artist and designer Pedro Friedeberg is known for his surrealist paintings, prints, a...
Wood
$1,410
H 10.24 in W 3.94 in D 3.15 in
Musicians. By Constantin Selihanov. Bronze.
Located in Riga, LV
Konstantin Vladimirovich Selikhanov (born June 18, 1967, Minsk) is a Belarusian sculptor, artist, and graphic artist, the grandson of sculptor S. I. Selikhanov. The alley leading to ...
Bronze
$3,400
H 18.5 in W 17 in D 18 in
CHROMA aka Rick Wolfryd ¨KNOCK OUT: from the GREATEST SERIES¨ 2026 2 pieces !!
By CHROMA aka Rick Wolfryd
Located in Cuauhtemoc, Ciudad de México
THE GREATEST!!!!!! ALTERATION ART . . . is a collaboration process between CHROMA aka Rick Wolfryd, fine artist and art dealer with over 40 years experience, and various Mexican Hui...
Glass, Mixed Media
$3,040Sale Price|20% Off
H 78 in W 9 in D 9 in
Diary 2 by John Garrett, 2017, Mixed Media Wall Hanging Sculpture, Contemporary
By John Garrett
Located in St. Louis, MO
John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...
Fabric, Plaster, Wood, Found Objects, Mixed Media, Other Medium
$255
H 15 in W 12 in
Pursuit of Contentment - Original Figurative Mixed Media Narrative Surreal Art
Located in Los Angeles, CA
Robert Lebsack creates artworks using mixed media with ink, acrylic, and charcoal on archival copies of newspapers, textbooks, and sheet music. As a visionary artist, Lebsack weaves ...
Paper, Charcoal, Ink, Mixed Media, Acrylic
$200
H 4 in W 4 in D 1.75 in
"You Are Here" Yellow Sculpture in Acrylic and Thread, 21st Century
By Kelly Kozma
Located in Philadelphia, PA
This sculpture titled "You Are Here: Yellow" is an original artwork by Kelly Kozma made of thread scraps & acrylic on panel. Kozma's work is supported by her practice of collecti...
Found Objects, Acrylic, Panel, Thread
$5,400
H 36 in W 39 in D 5 in
Contemporary Mixed Media Tapestry, Wall Sculpture, Metals, Found Objects, Beads
By John Garrett
Located in St. Louis, MO
Contemporary Mixed Media Tapestry, Wall Sculpture, Metals, Found Objects, Beads John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in...
Metal
$1,410
H 10.24 in W 3.15 in D 2.76 in
Musician. By Constantin Selihanov. Bronze.
Located in Riga, LV
Konstantin Vladimirovich Selikhanov (born June 18, 1967, Minsk) is a Belarusian sculptor, artist, and graphic artist, the grandson of sculptor S. I. Selikhanov. The alley leading to ...
Bronze
$745
H 39.25 in W 33.25 in D 2 in
Large, Unique Abstract Surrealist Oil Painting in the Chicago Imagist Tradition
Located in Chicago, IL
A Unique, Unusual and Striking Abstract Surrealist Painting Completed in the Chicago Imagist Tradition by Notable Artist, Stanley Dean Edwards (Am. Born 1941). Titled "The Last Living Face in Pompeii", the painting is oil and acrylic on canvas presented in its original frame. The artwork shows a unique synthesis of Post-War Surrealist influences, including the avant-garde Italian artist Enrico Baj and the vibrant palette of the Chicago Imagist school, namely Ed Paschke and his contemporaries. The collage-like references in the composition recall the artwork of sculptor H.C. Westermann and others experimenting with assemblage, found objects and the integration of inanimate objects. Artwork size: 38 1/2 x 32 inches; Framed size: 39 1/4 x 33 1/4 inches. Signed "Edwards", lower right; signed, titled and dated on reverse. Provenance: The Artist; Private Collection, Chicago, IL (circa 2010). Born 1941 in Joliet, Illinois, Stanley Dean Edwards moved to Chicago early in life to pursue his life as an artist. His mother was a Chicago public school teacher, and his father was a Methodist minister. He studied painting and design at the School of the Art Institute of Chicago (SAIC), receiving a BFA in 1967. While at SAIC, Edwards was influenced by Vera Berdich's printmaking classes and Daniel Massen's design classes. After a brief stay in New York (1967-1970), where he was profoundly shaken by urban rioting and general upheaval of this time, Edwards returned to Chicago and later set up a studio in the Pilsen Neighborhood. Edwards is primarily a figurative painter whose work is informed by both Surrealism and Constructivism. Early hard-edge paintings from the mid-1960's feature a series of screaming babies set in brightly colored environments. These works offer religious suggestions, as the infants are paired with ecclesiastical figures presented atop an altar. Other protagonists of his series include dogs and faceless men. (1) In the early 1960's, Stan Edwards was part of a diverse group of artists that included George Kokines, Ray Siemanowski, Michael Hurson and Peter Holbrook among others. These artists and Edwards were part of that decade's vanguard and their work was included in an exhibition titled, "Twelve Chicago Artists" at the Walker Art Center. The curator was Jan Van der Marck. Edwards called his paintings of babies, dogs and erotic torsos from that period "image painting" because they were taken not from the model stand but cast off photo images. One painting from this period, Infant in Altar IV, is a 60" x 60" an oil and acrylic painting and was loaned by the National Museum of American Art at the Smithsonian to the Museum of Contemporary Art for its fifty year retrospective titled, "Art in Chicago, 1945 to 1995." The painting is part of the Martha Jackson memorial collection at the National Museum of American Art. (2.) Recent paintings, which Edwards calls "Icons for a New Era: Assembled Art Imagery," feature iconic images composed of items from popular culture; witty titles often allude to the materials from which they were made. The found objects, vibrant colors, and slick presentations of his works indicate their relationship to and a continuation of Pop art. Both humorous and sinister, Edwards' paintings reflect the psychological uneasiness associated with the close of the twentieth century. (3.) One painting of this series titled Surveyor is a 66" x 60" oil and acrylic painting and appears in the book Humor in Art by Nicholas Roukes, published by Davis Inc. The book is widely used as a text for art and design projects. (4.) In October of 2002 Edwards presented a retrospective exhibition of his work at the Illinois Institute of Art where he taught art and design in the foundation program. His lecture and exhibition were presented as part of "Chicago Artist's Month" sponsored by the Department of Cultural Affairs for the City of Chicago. In 2004 Edwards completed a major commission for the new Veterans' Administration building in Chicago. The commission centered on patriotic themes and one large 6 and 1/2' x 10' painting is dedicated to prisoners of war. Five others are 48" x 48" and depict the military branch seals, and four paintings 32" x 32" are based on 19th century patriotic engravings. Stan Edwards, who retired from the Illinois Institute of Art in 2009, lives and works in Chicago, Illinois. Sources: (2. & 4.) Press release (1. & 3.) "Art in Chicago 1945 1995, MCA.) COLLECTIONS: Selected corporate & institutional collections National Museum of American Art/Smithsonian Corcoran Gallery of Art Ceco Corporation Crain Communications Thrall Railcar Company American Hospital Association Plyzynski & Associates, Inc. NYC North American Jet Corporation Ball State University Illinois Institute of Art at Chicago State University of New York Harris Bank & Trust Dallas Theater Center Electronic Media Magazine Johnson Controls Central National Bank of Cleveland Associates Commercial Corporation Corporate Art Source Veterans' Administration Commission, Chicago, 2004 Ten site specific paintings Siemens Corporation COLLECTIONS: Selected private collections Walter & Dawn Clark Netsch Beatrice "Buddy" Mayer Douglas Ross Larry Aronson Marc & Ilana Platt Phil & Joan Krone Craig & Janet Duchossois Sally Fairweather Shirley Hardin Brian Boyer Pritzker collection James Speyer collection Michael Greany Ed & Lindy Bergman Collection Leigh Block Collection Professor Harold Platt Professors Lew Erenberg & Susan Hirsch Dr. David Gross Professor Mihaly Csiksentmihalyi Dr. Paula Young Dr. & Mrs. Imre Hidvegi EXHIBITIONS: Selected exhibitions Biennial Drawing Exhibition, Art Institute of Chicago, 1962 Momentum II, Lexington Hall, University of Chicago, 1964 The Sunken City Rises, Hermann Hall, Illinois Institute of Technology,1964 Eye on Chicago, Hermann Hall, Illinois Institute of Technology, 1964 29th Corcoran Biennial, 1965, Washington, D.C. Inaugural exhibition, Fairweather-Hardin, 1965 Society for Contemporary Art, Art Institute of Chicago, 1965 12 Chicago Painters...
Mixed Media, Acrylic, Oil
Daum Montre Molle Sculpture
By Salvador Dalí
Located in Hollywood, FL
ARTIST: Salvador Dali TITLE: Daum Montre Molle Sculpture Designed by Salvador Dali for Daum MEDIUM: pate de verde glass and bronze sculpture. Pate de ve...
Glass
$329Sale Price|30% Off
H 10.24 in W 6.11 in D 1.19 in
Modeling Clay And Granular Paste Relief On Ping Pong Racket With Ocean Seascape
By Vera Vizzi
Located in FISTERRA, ES
Modeling clay and granular paste relief on a ping pong racket finished in acrylic, a compact mixed-media wall relief that evokes wind, sea and sudden light. This work repurposes a q...
Paste, Clay, Acrylic, Found Objects
$500
H 4 in W 4 in D 4 in
popart wall sculpture contemporary interior 3-D plexi astroboy peanut pop art
By Steve Casino
Located in New York, NY
Hand made wall sculpture He is represented by Krause Gallery in NYC Steve Casino resides in Kentucky, but as he quips the small town atmosphere doesn't mean he isn't a world class ...
Metal, Wire
Sold
H 25 in W 8 in D 7 in
"Untitled" David Hare, Surrealist, Anthropomorphic, Modernist, Ab-Ex Sculpture
By David Hare
Located in New York, NY
David Hare Untitled, circa 1949 Bronze 25 x 8 x 7 inches Provenance Kootz Gallery, New York Collection of Samuel Kootz New York Estate of the above Collection of Dr. Joyce Kootz, Ne...
Bronze
Sold
H 68 in W 17 in D 13.5 in
"Dancer" David Hare, Male Nude, Figurative Sculpture, Mid-Century Surrealist
By David Hare
Located in New York, NY
David Hare Dancer, circa 1955 Bronze with integral stand 68 high x 17 wide x 13 1/2 deep inches “Freedom is what we want,” David Hare boldly stated in 1965, but then he added the caveat, “and what we are most afraid of.” No one could accuse David Hare of possessing such fear. Blithely unconcerned with the critics’ judgments, Hare flitted through most of the major art developments of the mid-twentieth century in the United States. He changed mediums several times; just when his fame as a sculptor had reached its apogee about 1960, he switched over to painting. Yet he remained attached to surrealism long after it had fallen out of official favor. “I can’t change what I do in order to fit what would make me popular,” he said. “Not because of moral reasons, but just because I can’t do it; I’m not interested in it.” Hare was born in New York City in 1917; his family was both wealthy and familiar with the world of modern art. Meredith (1870-1932), his father, was a prominent corporate attorney. His mother, Elizabeth Sage Goodwin (1878-1948) was an art collector, a financial backer of the 1913 Armory Show, and a friend of artists such as Constantin Brancusi, Walt Kuhn, and Marcel Duchamp. In the 1920s, the entire family moved to Santa Fe, New Mexico and later to Colorado Springs, in the hope that the change in altitude and climate would help to heal Meredith’s tuberculosis. In Colorado Springs, Elizabeth founded the Fountain Valley School where David attended high school after his father died in 1932. In the western United States, Hare developed a fascination for kachina dolls and other aspects of Native American culture that would become a recurring source of inspiration in his career. After high school, Hare briefly attended Bard College (1936-37) in Annandale-on-Hudson. At a loss as to what to do next, he parlayed his mother’s contacts into opening a commercial photography studio and began dabbling in color photography, still a rarity at the time [Kodachrome was introduced in 1935]. At age 22, Hare had his first solo exhibition at Walker Gallery in New York City; his 30 color photographs included one of President Franklin Roosevelt. As a photographer, Hare experimented with an automatist technique called “heatage” (or “melted negatives”) in which he heated the negative in order to distort the image. Hare described them as “antagonisms of matter.” The final products were usually abstractions tending towards surrealism and similar to processes used by Man Ray, Raoul Ubac, and Wolfgang Paalen. In 1940, Hare moved to Roxbury, CT, where he fraternized with neighboring artists such as Alexander Calder and Arshile Gorky, as well as Yves Tanguy who was married to Hare’s cousin Kay Sage, and the art dealer Julian Levy. The same year, Hare received a commission from the American Museum of Natural History to document the Pueblo Indians. He traveled to Santa Fe and, for several months, he took portrait photographs of members of the Hopi, Navajo, and Zuni tribes that were published in book form in 1941. World War II turned Hare’s life upside down. He became a conduit in the exchange of artistic and intellectual ideas between U.S. artists and the surrealist émigrés fleeing Europe. In 1942, Hare befriended Andre Breton, the principal theorist of surrealism. When Breton wanted to publish a magazine to promote the movement in the United States, he could not serve as an editor because he was a foreign national. Instead, Breton selected Hare to edit the journal, entitled VVV [shorth for “Victory, Victory, Victory”], which ran for four issues (the second and third issues were printed as a single volume) from June 1942 to February 1944. Each edition of VVV focused on “poetry, plastic arts, anthropology, sociology, (and) psychology,” and was extensively illustrated by surrealist artists including Giorgio de Chirico, Roberto Matta, and Yves Tanguy; Max Ernst and Marcel Duchamp served as editorial advisors. At the suggestion of Jacqueline Lamba...
Bronze
Sold
H 43.5 in W 33.625 in
"Cronus Dining (Night)" David Hare, Abstract Surrealist Mythological Painting
By David Hare
Located in New York, NY
David Hare Cronus Dining (Night), 1971 Acrylic, ink, paper collage on paper on board 39 1/2 x 29 5/8 inches “Freedom is what we want,” David Hare boldly stated in 1965, but then he ...
Ink, Acrylic, Board
Venus Rising
By David Hare
Located in San Francisco, CA
A rare, five-color lithograph by David Hare (American, 1917-1992) from 1987 titled "Venus Rising" Printed by Lynne D. Allen. Printed with aluminum yellow...
Lithograph