David James Art

Hubert Thornley British, (exh. 1858 -1898) Ships at Moonlight, Rochester Oil on canvas, indistinctly signed Image size: 13.5 inches x 11.5 inches Size including frame: 19.5 inches x ...

This late 19th-century oil painting by British painter George William Mote (1832-1909) depicts a shepherd and his flock before an extensive view across the Surrey countryside near Gu...

Large black and white historical picture depicting the ship Virgen de Africa Cadiz, dated 1917. Original frame, 112 x 79 - inches 44 x 31. Good condition.

This late 19th-century oil painting by British artist Walter Waller Caffyn (1845-1897) depicts cattle by a stream near a wood. Caffyn was a Royal Academy-exhibited painter of natural...

Audrey Hepburn on the set of 'Paris When It Sizzles' Vintage gelatin silver print by Vincent Rossell Photographer's credit stamp, Audrey Hepburn ...

This early 20th-century oil painting by British artist David Bates (1840-1921) depicts a rural view in Capel Curig, North Wales. Bates was an accomplished landscape painter who often...

Audrey Hepburn on the set of 'Paris When it Sizzles,' Paris, 1962 by Vincent Rossell Vintage gelatin silver print Photographer's credit stamp, Audrey Hepburn collection stamp and numerical notations verso From the Personal Collection of Audrey Hepburn...

This idyllic late 19th-century oil painting by English artist Edward William Cooke RA (1811-1880) depicts a west-country cove with two cottages, donkeys, figures, and fishing boats. Cooke was a highly renowned painter of marine scenes and landscapes who exhibited extensively at London’s Royal Academy. From our elevated vantage point, the view extends between two quaint cottages and across the beach before sweeping around the sandy coastline. Crystalline waters lap the shore, where moored craft rest. It’s an accomplished rendering of a challenging composition. It’s enhanced by trees, which essentially ‘frame’ the right side, while a wooded track provides interest on the left. Cooke was a keen admirer of the Dutch old masters, and the spirit of the Golden Age underpins this splendid work. In diaries, he recorded how he travelled by donkey to access elevated spots in the southwest, so it’s conceivable that he did so here. In his catalogue raisonné, it lists a work from the same year titled ‘Bay with Donkeys’. Born in Pentonville, London, Cooke was raised in the company of accomplished artists as both his father, George Cooke (1781-1834), and his uncle, William Bernard Cooke (1778-1855), were engravers. As such, they were associated with a circle of Victorian painters who aided Cooke’s early development. These included the highly regarded marine painter Clarkson Frederick Stanfield RA RBA (1793-1867), who provided frequent advice and inspiration. Indeed, as a teenager, Cooke produced numerous drawings after Stanfield’s works. A precocious talent, by the age of nine, he was already displaying an advanced understanding of engraving, particularly for ships, coupled with a natural, seemingly in-built skill as a draughtsman. Many of his early drawings depict pastoral landscapes after the masters, such as Nicolaes Berchem (1620-1683), Paulus Potter (1625-1654), and Karel Dujardin (1626-1678). In an extraordinary turn of events, in 1820, his advanced abilities led to his first commission when he provided botanical illustrations for John Loudon's 'Encyclopaedia of Plants’. These were followed by drawings published in the 'Botanical Cabinet...

This late 19th-century oil painting by British artist Alfred Walter Williams (1824-1905) depicts an expansive view across Barmouth Sands in North Wales. The relaxed golden sands str...

"Dunkeld" by F. E. Jamieson (British 1895-1950) signed lower corner inscribed verso oil painting on canvas, framed canvas: 16 x 24 inches frame: 19 x 27 inches Fine quality antiqu...

The definitive photographic history of how hip-hop blinged out and redefined the world of jewelry, luxury, and style. Signed black-and-white pigment print on Canson Platine paper, 16 x 20 in.; hardcover volume in a slipcase, 9.8 x 13.4 in., 6.29 lb., 388 pages. Whether it’s diamond-encrusted grills, oversized “truck” style chains, bust-down Rolex and Patek Philippe watches, or a Tiffany necklace, jewelry is a cornerstone of hip-hop culture. Glittering, blinged-out jewels are the shining statement of a collective identity: unapologetic, charismatic, and street savvy. Spanning the history of hip-hop jewelry, from the 1980s to today, Ice Cold: A Hip-Hop Jewelry History is a stunning compilation of storytelling and visuals. Hundreds of extraordinary images of every major hip-hop artist on record celebrate how “ice” has become a proclamation of identity and self-expression. Starting with Run-DMC’s gold Adidas pendants and Eric B. & Rakim’s ostentatious dookie rope chains and Mercedes medallions, the jewelry then transforms from street style into a booming design culture. The hip-hop tradition of “show up and show out” reaches new heights with artists like Pharrell Williams, Jay-Z, Gucci Mane, and Cardi B...

Stanley Sporny (American 1946 - 2008) A view into a stream with overhanging branches reflected in the water. A beautiful oil painting that explores the stream bottom as well as the ...