David Storey Art

Kate Heiss Snettisham Sweet Chestnut Limited Edition Linocut Print Edition of 30 Image Size: H 30cm x W 30cm Mounted Size: H 40cm x W 40cm x D 0.5cm Made in 2017 Signed and numbered on the front. Edition numbers may vary from the photo. Please note that in situ images are purely an indication of how a piece may look. Snettisham Sweet Chestnut is a limited edition linocut print by Kate Heiss. The work depicts two Silver Washed Fritillary butterflies feeding on the blossom of the sweet chestnut tree. Kate Heiss is a textile designer and print-maker who has worked with a wide range of fashion brands including Fenchurch, Miss Selfridge and the Japanese fashion designer Michiko Koshino...

A Dynamic, 1945 Mid-Century Modern Cubist Studio Scene, Artist's Sketch Class by Noted Chicago Painter, Harold Haydon (Am. 1909-1994). Artwork size: 11 x 8 1/2 inches, unframed, mo...

(Comes framed in a maple floater frame, ready to hang.) This is one of a series we have posted on 1stDibs. The first got more clicks and saves on its first day than any of the many hundreds of artworks we have ever posted. If you search on "G. Campbell Lyman" on 1stDibs you can see others in this series. Here's a recent message from a 1stDibs buyer of a painting in this series, a seasoned collector: "Love your work. We collect colorists like Wolf Kahn and Jennifer Bartlett, whom I commissioned a piece from that is in the entrance of Mayo Clinic. We are old fans...

Secret Admirer (Pink), 2013 Signed, numbered, with thumb printed (in verso_by the artist 4-color screenprint on hand-torn archival art paper 22.5 x 22.5 inches Edition 15 of 70

This screenprint has vibrant red and black tones on wove paper Created in 2006, It is hand signed in pencil and numbered from the edition of 118. 32 by 24 3/8 inches (image), 36 3/4 ...

"Superficie 324" is a 1988 screen print (serigraph) of a 1959 painting by Capogrossi. This is one of his famous "comb" or "fork" works that he perfected in the 1950s and continued to create for the remainder of his life. The blocks of primary red and yellow colors give a bright, joyful feel and contrast to the strong bold black that was Capogrossi's consistent color for the "combs". With no allegorical, psychological, or symbolic meanings, these structural elements could be assembled and connected in countless variations. Intricate and insistent, Capogrossi's signs determined the construction of the pictorial surface. This piece is identified along one side: Giuseppe Capogrossi By SIAE 1988 Silvio Zamorani Editor Via Saccarelli, 9 10144 Torino Italy Tel. (39)(11) 4730554 Progetto Grafico (Graphic Project): Studio Walter Benjamin. Serigrafia (Screen Print): BISI Torino. Capogrossi was born in Rome. After obtaining a degree in law in 1923–1924, he decided to study painting with Felice Carena at Accademia di Belle Arti di Roma. In 1927 Capogrossi embarked on a formative trip to Paris together with fellow artists and acquaintances Fausto Pirandello, Corrado Cagli and Emanuele Cavalli...

This large, abstract image celebrates the 13th Annual Community Holiday Festival, 1983 at Lincoln Center. It is signed and numbered by the artist from the edition of 144 (plus 18 APs) and was printed at Fine Creations, NY. This print comes directly from the publisher, Lincoln Center Editions...

The limited edition was printed at Fine Creations Inc. and has the printer's blind stamp on the bottom right. It was published by Lincoln Center for the Performing Arts. The availab...

Bernardo Navarro Tomas (Cuba, 1977) 'New York City #10', 2017 mixed media on japanese paper 12.3 x 17 in. (31 x 43 cm.) ID: NAA-310 Hand-signed by author

Pablo PICASSO (after) Faun Head, c. 1961 Original linocut on invitation card of Madoura Gallery (Cannes) Printed signature in the plate 15 x 7 cm (c. 6 x 3 inch) Very good condiio...

Bernardo Navarro Tomas (Cuba, 1977) 'Untitled', 2017 mixed media on japanese paper 12.3 x 17 in. (31 x 43 cm.) ID: NAA-306 Hand-signed by author

Untitled screenprint published in 1972 in an edition of 42. This is example number 4.