David Wojnarowicz Art

Edition 12 The Platinum-Palladium process is the most stable and aesthetically rewarding of all black and white photographic printing techniques. Produced by coating specially manuf...

All photographs are platinum/palladium prints. These metals are hand coated on 100% rag cotton water color paper with natural deckled edges and contact printed. Since platinum, like ...

Yoshitomo Nara Midnight Truth, 2017 Offset lithographic poster Stamped with title, artist's name, copyright and year Unnumbered 20 1/2 × 14 1/4 inches Unframed published by N's Yard,...

Billy Childish Light through Trees , 2022 Archival print on heavy matt stock 39 x 30.5 cm Edition of 200 signed and numbered by the artist Billy Childish is a prolific British artis...

monumental scale abstract b&w photograph of mesmerizing monochromatic black white water surface with "frameless" glass face mounting SEASCAPE V by Frank Schott 87.5" x 70" / 222 x 177.8cm signed edition of 7 photograph with acrylic glass mounting "Modern Gallery Frameless", a contemporary alternative to classic framing: photo print is mounted onto aluminum composite for archival support and stability, then sealed behind a protective layer of high quality acrylic glass with polished edges all around. A recessed aluminum back frame adds additional stability, allows instant hanging and provides a floating artwork appearance. Work ships from renown museum framing facility in Germany, the only production facility offering glass face mounting at this artwork scale. archival quality fine art pigment print limited art edition published by Edition EKTAlux artist signed + numbered certificate of authenticity ________________________ Frank Schott grew up in Germany and attended the prestigious Academy of Arts in Cologne, studying under Professor Arno Jansen, who was an early influence. Moving to California in 1998, Schott's work has evolved to include the epic landscapes and deserts of the American West as well as architectural, conceptual and more formal environments from both home and his travels. Influenced by a number of photographic peers and precursors such as Candida Höfer, Andreas Gursky, Thomas Struth, Jeff Wall, Michael Wolf, Gregory Crewdson, Ed Rusha...

Roy Lichtenstein As I Opened Fire Triptych (Corlett App.5), 1966, ca. 2001 Set of three (3) Color Offset Lithographs on wove paper. Museum stamped verso. Unframed Museum stamped vers...

Jasper Johns 50th Anniversary of the Whitney Museum of American Art in New York City, 1979 Original lithograph on heavy wove paper 46 × 30 inches Limited Edition of 5000 (unnumbered) Stamped with copyright mark and publisher's blindstamp Published by Stony Johns, Inc. and Gemini G.E.L. Accompanied by Certificate of Guarantee issued by Alpha 137 Gallery Unframed This stunning, impressive, large vintage lithograph...

Andy Warhol 10 Statues of Liberty, Paris, 1986 Offset Lithograph 38 3/4 × 27 inches Edition of 500 Published by: Galerie Lavignes-Bastille, Paris...

A very good impression of this offset color lithograph poster on heavy white wove paper.

Andy Warhol Portraits of the 1970s (Deluxe Limited Edition Monograph with Slipcase, Hand Signed and Numbered by Warhol), 1979 Hand Signed and Numbered Hardback Monograph with 120 Bound offset lithographs and text, held in original slipcase (boxed set). Boldly signed by Andy Warhol and numbered 7, from the edition of 200 on the colophon page. 9 1/2 × 8 1/2 × 2 inches Provenance The original (uptown) Whitney Museum An amazing and historic gift! As dazzling as the Warhol show was in 2019 at the new Whitney Museum -- only his show in the late 1970s at the old Whitney Museum, could offer this Deluxe limited edition collectors item - hand signed and numbered by Andy Warhol - because the latter was published during his lifetime. This rare 1979 First (and only) Edition hardback monograph is held in the original slipcase, and is hand signed by Andy Warhol and numbered 108 out of only 200 on the first front end page (see image). This collectors item features text, accompanied by 120 full page color offset lithograph bound, double sided plates on regular pages. (Total pages are: 145) It was published by the Whitney Museum in collaboration with Random House, in conjunction with the exhibition held at the Whitney Museum of American Art, November 20, 1979 to January 27, 1980. Text foreword is by Tom Armstrong, the Whitney's director. Total pages are: 145. The Warhol portraits included are: Giovanni Agnelli, Marella Agnelli, Corice Arman, Marian Block, Irving Blum, Truman Capote, Cristina Caramati, Leo Castelli, Carol Coleman, Norman Fisher, Kay Fortson, Tina Freeman, Diane Von Furstenberg, Henry Geldzahler, Halston, Brooke Hayward, Barbara Heizer, Michael Heizer, Carolina Herrera, David Hockney, Baby Jane Holzer, Dennis Hopper, Victor Hugo, Alexander Iolas, Caroline Ireland, Charles Ireland, Mick Jagger, Paul Jenkins, Katie Jones, Ivan Karp, Marilyn Karp, Evelyn Kuhn, Jane Lang, Francis Lewis, Sydney Lewis, Dorothy Lichtenstein, Roy Lichtenstein, Daryl Lillie, Joe MacDonald...

James Rosenquist Castelli Gallery poster (hand signed and inscribed by the artist to the art dealer Richard Feigen), 1980 Offset lithograph poster Signed, dated and inscribed by Jame...

Larry Rivers "The Music Festival of the Hamptons / July 18-27 1997" poster, Not hand signed. [Dimensions: 24" H x 18" W] Larry Rivers (born Yitzroch Loiza Grossberg) (1923 – 2002) was an American artist, musician, filmmaker, and occasional actor. Considered by many scholars to be the "Godfather" and "Grandfather" of Pop art, he was one of the first artists to merge non-objective, non-narrative art with narrative and objective abstraction. Rivers took up painting in 1945 and studied at the Hans Hofmann School from 1947–48. He earned a BA in art education from New York University in 1951. His work was quickly acquired by the Museum of Modern Art. A 1953 painting Washington Crossing the Delaware was damaged in fire at the museum five years later. He was a pop artist of the New York School, reproducing everyday objects of American popular culture as art. He was one of eleven New York artists featured in the opening exhibition at the Terrain Gallery in 1955 along with Paul Mommer, Leonard Baskin, Peter Grippe During the early 1960s Rivers lived in the Hotel Chelsea, notable for its artistic residents such as Bob Dylan, Janis Joplin, Leonard Cohen, Arthur C. Clarke, Dylan Thomas, Sid Vicious and multiple people associated with Andy Warhol Factory and where he brought several of his French nouveau réalistes friends like Yves Klein who wrote there in April 1961 his Manifeste de l'hôtel Chelsea, Arman, Martial Raysse, Jean Tinguely, Niki de Saint-Phalle, Christo & Jean Claude, Daniel Spoerri or Alain Jacquet, several of whom, like Rivers, left some pieces of art in the lobby of the hotel for payment of their rooms. In 1965, Rivers had his first comprehensive retrospective in five important American museums. His final work for the exhibition was The History of the Russian Revolution, which was later on extended permanent display at the Hirshhorn Museum and Sculpture Garden in Washington, DC. He spent 1967 in London collaborating with the American painter Howard Kanovitz. In 1968, Rivers traveled to Africa for a second time with Pierre Dominique Gaisseau to finish their documentary Africa and I, which was a part of the groundbreaking NBC series Experiments in Television. During this trip they narrowly escaped execution as suspected mercenaries. During the 1970s, Rivers worked closely with Diana Molinari and Michel Auder on many video tape projects, including the infamous Tits, and also worked in neon. Rivers's legs appeared in John Lennon and Yoko Ono's 1971 film Up Your Legs Forever. From 1940–1945 he worked as a jazz saxophonist in New York City, changing his name to Larry Rivers in 1940 after being introduced as "Larry Rivers and the Mudcats" at a local pub. He studied at the Juilliard School of Music in 1945–46, along with Miles Davis, with whom he remained friends until Davis's death in 1991. Larry Rivers was born in the Bronx to Samuel and Sonya Grossberg, Jewish immigrants from Ukraine. In 1945, he married Augusta Berger, and they had one son, Steven. Rivers also adopted Berger's son from a previous relationship, Joseph, and reared both children after the couple divorced. In 1949 he had his first one-man exhibition at the Jane Street Gallery in New York. This same year, he met and became friends with John Ashbery, and Kenneth Koch. In 1950 he met Frank O’Hara. This same year he took his first trip to Europe spending eight months in Paris, France, reading and writing poetry. Beginning in 1950 and continuing until Frank’s death in July of 1966, Larry Rivers and Frank O’Hara cultivated a uniquely creative friendship that produced numerous collaborations, as well as inspired paintings and poems. In 1951 Rivers’ works were shown at the Tibor de Nagy Gallery where he continued to show annually (except 1955) for about 10 years. In 1954 he had his first exhibition of sculptures at the Stable Gallery, New York. In 1955 The Museum of Modern Art acquired Washington Crossing the Delaware. This same year he won 3rd prize in the Corcoran Gallery national painting competition for “Self-Figure.” Rivers’ also painted “Double Portrait of Berdie” in 1955, which was soon purchased by the Whitney Museum. In 1957 he and Frank O’Hara began work on “Stones,” a collaborative mix of images and poetry in a series of lithograph for Tatyana Grosman company ULAE. During this time he also appeared on the television game show “The $64,000.00 Question” where along with another contestant, they both won, each receiving $32,000.00. In 1958 he again spent time in Paris and played in various jazz bands. In 1959 he painted Cedar Bar Menu...