Dennis Sheehan Paintings

➡️Vivid Antique scene Landscape⬅️ ⏩It is signed J Ch Millet.⏪ Jean Charles Millet (1892-1944) How did Jean-Charles Millet, the grandson of the celebrated painter, become a master ...

“Being There,” an original oil on canvas by Robert K. White, is a piece for the true collector. White’s careful attention to detail and vivid use of browns and reds project from the painting, immediately capturing the viewer's attention and highlighting the artist's keen ability to capture emotion and life - all in a brushstroke. White's talent for depicting light and shadow provides the foundation for him to deliver subjects and scenes to the viewer's eye. This masterful work would make a great addition to an art collection and enhance most any home, perfect for those who have an affinity for cityscapes, theater, and architecture. In the artist’s own words, “I don’t paint what is inside of me; I paint what I see outside of me. I’m an observer. If I see something and I feel an affinity for it, something just clicks in my head. I’ll make the decision right then and there to paint that particular subject during that particular moment. It’s a perfect moment. Once something has caught my eye and I’ve heard the “perfect” click, it’s like a photograph has been taken in my mind’s eye. I only have a few days of clarity with that image. I have to start the painting quickly or else it will be gone and I will lose that image forever.” Artist: ROBERT KENNETH WHITE...

Jim’s of Lambertville is proud to offer this artwork by: John Francis Murphy (1853 - 1921) John Francis Murphy is increasingly recognized today as one of the leading American Tona...

Bruce Crane (1857 - 1937) November Oil on canvas 25 x 30 inches Signed lower right Robert Bruce Crane was an American painter. He joined the Lyme Art Colony in the early 1900s. His ...

➡️ Beautiful study Landscape⬅️ Title: Sur les bords du Loing (Seine et Marne France) Jean Baptiste Camille Corot Medium: Oil on canvas Period: Likely mid-19th century Framing: A wid...

Hal Robinson American, 1867-1933 River in Early Autumn Oil on canvas 25 ⅛ by 30 ¼ in, w/ frame 32 ⅜ by 37 ½ in Signed lower left A New York landscape painter, Hal Robinson became k...

Ashley John is proud to offer this artwork by: John Fabian Carlson (1874/75 - 1945) John F. Carlson was one of the leading American landscape p...

An oil painting by American artist Rachel Personett (b. 1991, Hawaii) of a woodland scene in October. Yellow foliage adorns the trees and fallen brown leaves cover the ground in this...

Jean-Charles Cazin Ploughing on the Hillside Signed lower left Oil on board 6 1/2 x 6 inches The son of a well-known doctor, FJ Cazin, he was born at Samer, Pas-de-Calais. After st...

Untitled Riverscape, an original oil on canvas by George Thompson Pritchard, is a piece for the true collector. An impressively calming nature of this plein-air painting draws you in...

Signed Lower Right Known for his Tonalist-style landscape paintings, John Francis Murphy was referred to as the "American Corot" because of his similarity to the painting style of Camille Corot (1796-1875), one of the original Barbizon...

George Henry Smillie (1840 - 1921) Stone Wall, Autumn, 1879 Oil on canvas 9 1/2 x 15 inches Signed and dated lower right Provenance: Skinner, Boston, September 19, 2014, Lot 389 The career of George Smillie (1840-1921) followed the arc of nineteenth-century U.S. landscape painting. Trained in the Hudson River School tradition, Smillie successfully adapted to changing U.S. tastes and growing interest in European trends. In the late 1800s, he moved to tonalist paintings full of brushwork and influenced by French Barbizon painting. By the end of his career, he had lightened his palette to produce works similar to those of the U.S. impressionists. Yet in all styles, he was never less than competent, and his tonalist work is among the best produced in the United States. Like many nineteenth-century painters, George Smillie’s artistic training began with the study of printing. His father, James Smillie...