Derek Harrison Art

This framed 13.5" x 13.5" x 2" oil on linen work by Oklahoma-based artist Marie Kash Weltzheimer portrays three lemons, arranged side by side. They are nestled in a striped blue and ...

This enchanting early 19th-century portrait of a young girl in a pastoral landscape, attributed to the esteemed English portraitist Margaret Carpenter, is a rare and captivating exam...

French painter (early 20th century) - Female Nude with Pearl Necklace. 100 x 70 cm (without frame) - 109 x 79 cm (with frame). Oil on canvas, in gilt wood frame (not signed). The ...

An oil painting of a nude female figure, sitting upon a bed; chest bent over knees, hand on head, seemingly bored. Hues of pink surround the figure due to decorative fabrics that are...

Brightly colored nude by California artist Don Klopfer (1920-2009). Signed and dated "Klopfer 93" upper left corner. Presented in a white slat frame. Canva...

Felix Campean's artwork presents a scene of a human body emerging with astonishing anatomical precision, capturing every detail of musculature and skin with hyper-realistic fidelity....

An incredibly striking study of the male form with the figure set against a colourful background with stylised organic forms. Attractively framed, the painting is ready to be hung an...

Crocodile wildlife painting depicting a balloon-like reptile with a colorful crest, combining animal portraiture, humor and pop surrealist imagery on linen canvas. Sir Tori I is an ...

The Space Between This work foregrounds negative space as an emotional register. The figure’s isolation is intensified by the surrounding darkness, which functions as both void and refuge. Hall’s mastery of chiaroscuro is evident in the way light traces bone and muscle while leaving the face partially obscured, denying easy access to the subject’s inner life. Nathan Brad Hall...

Baby ostrich bird portrait painting combining minimal surrealism, theatrical shadow and contemporary figurative art on linen canvas. Baby Ostrich is an original acrylic painting by Sofía Cristina Jiménez from her Nobody Puts Baby in a Corner series, a body of work exploring isolation, theatrical space, humor and visual ambiguity through simplified animal figures. Combining bird portraiture, minimal surrealist painting and carefully constructed light effects, the work transforms an apparently simple scene into a subtle meditation on presence and perception. At the center of the composition, a small blue ostrich occupies the corner of an undefined architectural space. The figure appears simultaneously vulnerable and self-possessed, creating a psychological tension that gives the painting much of its character. Rather than presenting a naturalistic environment, the artist constructs a stage-like setting where space remains deliberately unstable and open to interpretation. A defining element of the work is the dramatic projected shadow extending behind the figure. The shadow exceeds the apparent scale of the ostrich and becomes an active participant in the composition, suggesting an alternative presence, a hidden narrative or an amplified emotional state. This theatrical treatment of light introduces a surreal dimension while preserving the painting’s quiet and contemplative atmosphere. Throughout the Nobody Puts Baby in a Corner series, Sofía Cristina Jiménez uses isolated figures to explore ideas of vulnerability, displacement and symbolic identity. Humor and tenderness coexist with subtle psychological tension, allowing the works to operate on multiple levels simultaneously. The exposed linen surface remains visible throughout significant areas of the composition, contributing warmth, texture and material presence. The contrast between the raw support, muted background and concentrated blue figure creates a refined visual balance that reinforces the painting’s sculptural quality. Executed in acrylic on linen canvas, the work functions equally as a contemporary bird portrait, a minimal surrealist painting and a distinctive contemporary artwork for residential and design-focused interiors. Medium: Acrylic on linen canvas Series: Nobody Puts Baby in a Corner Condition: Excellent original condition Frame: Unframed Installation: Ready to hang Authenticity: Unique original artwork This work is particularly suited for collectors interested in ostrich paintings...

Acrylic painting focusing on a partial, close-up view of an inflatable peacock figure, emphasizing gesture, construction lines, and the visibility of the raw linen support. This wor...

Balloon peacock portrait painting combining wildlife imagery, pop surrealist aesthetics and metallic inflatable surfaces on raw linen canvas. Lady Phasi II is an original acrylic pa...