Domenico Purificato Paintings

Paul Kauvar Smith (American, 1893–1977) Shovel Handles, 1953 Oil on board Signed and dated lower margin, title inscribed verso Image: 24 × 18 inches Framed: 30 × 24 × 1½ inches A st...

An exceptional, large, early work by American artist Dorothy Eisner (1906-1984). This painting was recently exhibited at Gracie Mansion in 2019 as part of “She Persists” - a show de...

Charles Levier (1920-2004) Oil Painting on canvas Vase of Flowers, Fleurs Hand signed lower right Dimensions: 34.75 X 20 framed, canvas is 29.5 X 14.75 Charles Levier He was born in...

Eliezer Weishoff (Israeli, 20th century) Still life of kettle (Russian samovar) over a warmer, 1973 Acrylic or oil on canvas Signed, dated and signed again in Hebrew lower right: E. ...

WPA American Scene Social Realism Mid 20th Century Modern Postal Workers Deco CT Arnold Aaron Friedman (American, 1874-1946) "Cancellation Table" 11 1/2 x 26 1/2 inches Oil on Wood ...

Jan de Ruth (Czech/American, 1922-1991) Still Life of Flowers Oil on canvas, Hand signed lower right Verso bears gallery label from Harbor Gallery, Cold Spring Harbor, N.Y. Dimensi...

A lovely scene of the canals in Annecy, France by renowned American artist Emma Fordyce MacRae (1887-1974). This work highlights the geometric nature of the historic architecture al...

Mid century impressionist still life painting. Brilliant colors. Pears and daises. Signed with monogram "Y D W". Dated 1975. Oil on board. Framed.

a reworking of a quieter image with the same child, but children aren't quiet and this needed more vitality, so I added more birds and flowers, anemones. I wanted to evoke an idyllic...

Maurice Asselin (1882-1947) Les Anémones, a bouquet of anemones signed upper right oil on canvas 38 x 46 cm Label of the exhibition Maurice Asselin at the Galerie Schmit in february...

WPA American Scene Social Realism Mid 20th Century Modern Postal Workers Deco D Arnold Friedman (1874-1946) "Dispatch" 11 1/2 x 26 1/2 inches Oil on Wood Panel, 1935 Signed, dated,...

This work epitomizes Prestopino's interest in social realism which captures a quiet interlude in the everyday life of an "everyman." It also provides a contrast for our expectations as we view a tough, blue collar worker, with no one watching, as he sings a melody to the birds. In an original frame measuring 49" x 39" x 3.25" Provenance: Edith Halpert's Downtown Gallery (label verso from 13 w. 113th street, where the gallery was located from 1926 until 1939) Private collection, NYC, c. 1935 By descent About this artist: Born in Little Italy in 1907, Gregorio Prestopino first set out to become a sign painter as the son of New York City immigrants. Instead, his talent provided a life-changing scholarship to the National Academy of Design, and for five years he studied drawing under C. W. Hawthorne. He spent the summer of 1934 at the MacDowell Colony in Peterborough, New Hampshire. His deep involvement with the colony led him to later serve as its director in 1954. Much of Prestopino’s work was in the vein of social realism. During the 1940s and 1950s he became deeply invested in portraying everyday Manhattan and Harlem scenes. He first became interested in the Ashcan school at the National Academy of Design, and remained committed to an interest in working with urban scenes. His lively treatment of people and events revealed his affinity for sixteenth-century artist Pieter Breughel...