Donald Stacy Art

Modern nude study of red-haired woman reclining seated by American painter, Patricia Gren Hayes (b. 1932), 1979. Signed and dated on verso Provenance: Purchased as part of larger collection of artist's work Unframed. Canvas size: 16"H x 20"W. Patricia Gren Hayes (American, b. 1932) is a Bay Area Figurative & Feminist Art Movement artist who studied at Winnipeg Public Art School in 1950. She received early recognition in Museum and Gallery competitions and exhibitions and was awarded a Special Education in Art recognition by the Winnipeg Museum of Fine Art, and was awarded a scholarship to the Banff College of Fine Art. Further studies were at The University of Manitoba. She was a Member of Winnipeg Free Press Sketch Club and was a Cartoonist and paste-up for a French-English bi-weekly, in Eastern Canada; She studied outdoor impressionism in New York in 1960; in 1962, attended The California College of Arts and Crafts, and in 1976 B.A., U.C. Berkeley where she studied under Elmer Bischoff, David Simpson, Joan Brown, Felix Ruvolo, Yolanda Lopez and Vincent Perez. She started a freelance commercial art business in 1963; copyrighted a National Cartoon, 1976, and served as Exhibition Director for San Francisco Woman Artists Gallery and the San Francisco Museum of Modern Art, 1976-1978. She was a workshop instructor at the San Francisco Woman Artists Gallery, 1977-1985; and was Manager/Owner Stanton Art Gallery, Alameda, CA, 1976-1982. Solo Exhibitions: Berkeley Marina, 1974; Oakland Center for The Visual Arts, "Images of Women", 1979 Group Exhibitions: Oakland's Dept of Education, 1963, Studio One; Alameda County Fair, 1975, 1976, 1978; San Francisco Art Festival, 1969, 1970, 1976, 1977, 1978; San Francisco Museum of Modern Art, 1976, 1977, 1978; San Francisco Women Artists Gallery Exhibition, award winner - 1970, 1977, 1978; Hayward Bay Fair Art Festival, award winner - 1971; Capricorn Assunder Gallery, 1973; Oakland Art Festival, 1973, 1974; Alameda Art Association, 1978; El Cerrito...

Kerry Smith R.E.M. - Murmur Mixed Media on Crescent board Year: 2022 Size: 21x20in Signed, dated by hand COA provided Ref.: 924802-1633 *Black frame with a mirror-gloss finish avail...

Summer Afternoon Stroll Watercolor Lower Eastside - Urban Modernist 1936 Signed Stunning New York City urban modernist watercolor titled "Summer Afternoon Stroll" by Society of Six...

Abstract Work on Paper Mid-Century Modernism Greek American Gouache Drawing. A modernist artist who emigrated to America from Greece in 1904, when he was fourteen years old, Jean Xceron is described as having a reputation as an artist that has mysteriously fallen into obscurity---especially since he was reportedly quite prominent during his lifetime. However, a partial explanation of that omission is the fact that many of his papers and early records have been lost. He was a painter of biomorphic abstractions and did collages, which were influenced by Dadaism. Xceron was active in New York City when modernism was gaining influence. Of him during this period, it was written that his artistic role was "a vital link between what is commonly termed as the first-generation (the Stieglitz group, the Synchromists, etc.) and second-generation, the American Abstract Artists, the Transcendental Painting...

If you have an association with dance, yoga or working out, this unusual modernist painting might be an interesting addition to your space. Artist Albert Michini used several models ...

This original 1940s American Modernist gouache on archival paper painting, "Artists Sketching (California)," captures a dynamic scene of three artists at work against a majestic mountain backdrop. With expressive brushwork and a rich color palette, the piece embodies Frederick E. Shane’s signature blend of realism and modernist abstraction. Signed, titled, and dated by the artist in the lower margin, this remarkable artwork reflects the era’s Regionalist influence and the artist’s keen eye for capturing creative moments in the natural landscape. The painting is professionally housed in a custom archival frame, ensuring long-term preservation. Frame dimensions: 25.5 x 37.5 x 1.5 inches. Image size: 20.25 x 29.75 inches. Provenance: Estate of the Artist, Frederick Shane About the Artist: Frederick E. Shane (1906-1992) A celebrated Missouri Regionalist painter and printmaker, Frederick E. Shane was known for his compelling genre scenes, landscapes, seascapes, and portraits in a variety of media, including oil, watercolor, gouache, tempera, and lithography. While fundamentally a realist, Shane often incorporated elements of abstraction, expressionism, and surrealism, adding depth and emotion to his compositions. During the summers of 1925-26, Shane studied under Randall Davey at the Broadmoor Academy in Colorado Springs, an institution founded in 1919 by philanthropists Spencer and Julie Penrose. Shane remained closely connected to the Colorado Springs Fine Arts Center, the Academy’s successor, throughout the 1940s and early 1950s, participating in Artists West of the Mississippi exhibitions and forming lasting friendships with key figures like Boardman Robinson and Adolph Dehn...

This striking original 1949 gouache and wax painting, titled "Fetishes", is a powerful work by acclaimed New Mexico modernist Howard Schleeter (1903–1976). Rich with symbolic abstrac...

A small, vibrant 1950s Mid-Century Modern mountain landscape painting depicting Aspen, Colorado by famed Chicago artist Harold Haydon. Titled "Western Vi...

Gazing at Lebanese American artist Sally K.'s floral artworks is consuming and empowering. Inspired by the endless variety of beautiful flowers, she creates pop-realistic paintings t...

This original 1940s grayscale watercolor by Charles Ragland Bunnell depicts a semi-abstracted view of the Golden Cycle Mill in Colorado Springs, Colorado. Rendered in subtle gradations of black and gray, the composition reflects the influence of WPA-era Modernism, combining industrial subject matter with expressive abstraction. The work is a notable example of mid-20th-century American Regionalism, capturing both a sense of place and a forward-looking artistic vision. Bunnell’s restrained palette and simplified architectural forms transform the industrial landscape into a dynamic modern composition, emphasizing structure, rhythm, and atmosphere. The subject references the Golden Cycle Mining and Reduction Company, a major contributor to Colorado’s early 20th-century mining industry, located in what is now Old Colorado City. Through this modernist lens, the painting documents an important chapter of Western industrial history. The watercolor measures 8 1/8 x 9 5/8 inches (sight size) and is presented in a custom black frame measuring 18 x 19 ½ x 1 ⅜ inches, making it a refined, display-ready piece for collectors of American Modern art, WPA works, and industrial landscapes. Charles Ragland Bunnell (1897–1968) was a pioneering Colorado modernist, New Deal art...

Woman and Child in the Woods - Midcentury Abstracted Landscape in Oil on Canvas Dramatic abstracted painting of a woman holding a child in the woods by Maley (20th Century). This pi...

Hans Burkhardt The Artist's Wife (1930) Oil on canvas, 20" x 16" 24" x 20 ½" x 1 ½" framed Dated 1930 lower right recto. Annotated "To Elsa HB Louise Burkhardt 1930. HB" verso. ...