Donald Teague Art

David Shingler's (NC based) "Mt. Evans and Bierstadt, Colorado" is an oil painting that depicts a green grassy plain dotted with Pine trees leading to the snow capped mountains in th...

Title: Playa de Sitges Artist: Joan Abelló Prat (1922–2008) Medium: Oil on canvas Dimensions: 33 x 41 cm (12.99 x 16.14 in) Framed dimensions: 37 x 45 cm (14.57 x 17.72 in) Date: 200...

This painting depicts an impressionistic Plein Air scene of a couple under an umbrella by the Eiffel Tower in the rain. The thick brush strokes and fun marks creates an atmosphere re...

Title: Bullfighting Scene Artist: José María Tuser Vázquez (1919-1986) Technique: Oil on canvas Dimensions: 16.1 x 13 inches (unframed) Date: c. 1950-1960 Condition: Good Provenance:...

Two Early Massachusetts Paintings Boy fishing "Beaver Pool" - "The Conway" 1897 Pair of early Massachusetts paintings on walnut wood pane...

A stunning oil painting by Albert Munghard depicting figures by a Dutch Canal, this piece was created after the great Dutch artist of the times Heinric...

David Shingler’s "Mt. Evans and Bierstadt, Colorado" (2016) is an original oil painting on wood panel, measuring 16 x 20 inches (40.64 x 50.80 cm). Known for his dynamic landscapes r...

Title: Cape Maneuver Artist: José María Tuser Vázquez (Barcelona, 1919 – 1986) Technique: Oil on canvas mounted on board Dimensions: 19.7 x 23.6 in (50 x 60 cm) Date: Circa 1980s Signature: Signed "Tuser" in the lower left corner Condition: Excellent; thick, vibrant brushwork and vivid colors well preserved. 📝 Description This painting captures a dramatic moment in the bullfight — the classic verónica — as the matador gracefully halts the bull’s charge with a sweeping motion of the cape. The vivid contrast of magentas, blues, and golds intensifies the theatrical tension between man and beast. The composition is dynamic yet controlled, emphasizing the poise of the torero against the raw force of the bull. The expressive brushstrokes and thick impasto enhance the sense of movement, while the abstracted background ensures focus remains on the central figures. The piece is a striking blend of figuration and emotional energy, characteristic of Tuser’s taurine works. 👤 About the Artist: José María Tuser Vázquez José María Tuser Vázquez was a Spanish painter born in Barcelona in 1919. He studied at the Barcelona School of Arts and Crafts and began exhibiting in the 1940s. By 1947, he had fully devoted his career to bullfighting scenes, developing a distinctive figurative expressionist style with impressionist influences. He collaborated with the magazine El Ruedo, creating numerous illustrations and covers, and designed collectible postcards for Editorial Artigas. His work became well-known in Spanish artistic circles and is now part of both private and institutional collections, including the Club Taurino of London. His paintings have been auctioned internationally, reaching up to $3,000 depending on size and subject. His legacy is that of a painter who masterfully captured the emotion, tradition, and drama of the Spanish corrida. 🎨 Similar Artists José María Tuser Vázquez’s work shares thematic and stylistic elements with: Roberto Domingo – A pioneer of bullfighting art...

A fine impressionist landscape in the Souhegan Valley of New Hampshire, probably Wilton, by American artist Chauncey Foster Ryder (1868-1949). Ryder grew up in New Haven, Connecticut...

Ink and watercolor drawing by Carl Palme, dated 1921 and signed "CP," captures the narrow alleys of Positano. According to a note on the reverse, it is a study for an oil painting measuring 70x60 cm. Works from the early 20th century by Carl Palme are rare, making this piece particularly significant. Drawing 20x24cm. With frame 34x36cm Carl Adolf Palme (1879 – 1960) was a Swedish painter, draftsman, printmaker, and author. Born in Stockholm to bank director Henrik Palme and Anna Lavonius, he grew up on the Svalnäs estate, which is now a guest home and senior residence. Palme's artistic education began in London at the Slade School of Fine Art (1900–1901). He then studied at Wassily Kandinsky's art school in Munich from 1902 to 1904. In 1907, he moved to Paris and became the first Swedish student of Henri Matisse. Palme was instrumental in founding the Académie Matisse, a collective of young Swedish and Norwegian artists who rented a large studio in Paris. Matisse visited weekly to critique their work. This group included notable artists such as Isaac Grünewald, Sigrid Hjertén, and Einar Jolin...

Title: Shepherd in the Pyrenees Artist: Enric Porta i Mestre (1898–1993) Technique: Oil on canvas Style: Post-Impressionism with Expressionist influences Dimensions: Unframed: 23.6 x 31.9 in Framed: 29.9 x 38.2 in Signature: Signed in the lower right corner as "E. Porta". Date: 1956 (according to the inscription on the back). DESCRIPTION OF THE WORK Shepherd in the Pyrenees by Enric Porta i Mestre depicts a rural scene with a striking sense of introspection and evocative charm. The painting portrays a shepherd tending to his flock amidst the mountainous landscape typical of the Catalan Pyrenees. The composition captures the serenity and beauty of nature through vibrant colors and dynamic brushstrokes. The work reflects a Post-Impressionist style with loose, bold strokes and vivid tones, combined with Expressionist influences in its ability to evoke emotions beyond the physical depiction. The energetic and textured brushwork infuses the painting with a lively rhythm, while the rich palette of greens and blues immerses the viewer in the landscape's tranquil atmosphere. In this piece, Porta i Mestre showcases a mastery of color and light, illustrating his deep connection to his homeland and its rural life, which served as a source of inspiration throughout his career. ARTIST BIOGRAPHY Enric Porta i Mestre (La Pobla de Segur, 1898–1993) was a Catalan painter known for his landscapes, still lifes, and costumbrist depictions. Trained in Lleida and Barcelona, Porta debuted in 1922 with an exhibition in the Catalan capital. He later moved to Paris to further his artistic studies, where he connected with avant-garde artists such as Miquel Villà...

A FEAST OF THE GODS WITH VENUS AND BACCHUS Collections: With Appleby Brothers, London, June 1957; Hazlitt, Gooden & Fox, London, 1961; John and Eileen Harris, acquired from the above, to 2015. Literature: Jacob Simon and Ellis Hillman, English Baroque Sketches: The Painted Interior in the Age of Thornhill, 1974, cat. no.12 (as by Louis Laguerre); Elizabeth Einberg (ed.), Manners and Morals: Hogarth and British Painting, 1700-1760, exh. cat., London (Tate Gallery), 1987, cat. no.10 (as by Louis Laguerre); Tabitha Barber and Tim Bachelor, British Baroque: Power and Illusion, exh. cat., London (Tate Britain), 2020. Exhibited: Twickenham, Marble Hill House, English Baroque Sketches: The Painted Interior in the Age of Thornhill, 1974, no.12 (as by Louis Laguerre); London, Tate Gallery, Manners and Morals: Hogarth and British Painting, 1700-1760, 1987, no.10 (as by Louis Laguerre); London, Tate Britain, British Baroque: Power and Illusion, cat. no 92, 2020. CUPID AND PSYCHE BEFORE JUPITER Collections: With Appleby Brothers, London, June 1957; Hazlitt, Gooden & Fox, London, 1961; Anthony Hobson, acquired from the above, to 2015. These recently re-united paintings are the most ambitious surviving baroque ceiling sketches made in Britain in the early eighteenth century. From the Restoration until the rise of Palladianism in the 1720s decorative history painting formed the preeminent artistic discipline in Britain. It was a field dominated by Continental artists including the Italian Antonio Verrio and the Frenchmen Louis Laguerre and Louis Chéron...