Donald Teague Art

Claire K. Stringer Study for Forest Fresh Watercolor on Kraft Paper 22 x 30 Eighteenth and nineteenth-century European paintings of “Amazones” riding side saddle through forests in their magnificent skirts have been inspiring Claire and sparking her imagination for a couple years now. They were the wellspring images for her current series Ama-Zone. The Ama-Zone is an imaginary land that Stringer uses as the setting for her exploration of feminine and equine archetypes, myths, and legends, including some of her own invention. Claire’s ultra-vibrant painting Forest Fresh is part of this series. It features a dark-haired, mysterious equestrienne in an antique riding...

WINSLOW HOMER (1836-1910) Fishing, 1878 Charcoal and watercolor on paper 8 13/16 x 10 9/16 inches Signed lower right, “W.H.” PROVENANCE John G. Pierce, Milton, Massachusetts, n.d. Mrs. John G. Pierce, Milton, Massachusetts, by bequest, n.d. Fessenden School, Newton, Massachusetts, by gift, c. 1960 John Nicholson Gallery, 1967 Private Collection, n.d. ACA Galleries, n.d. Herbert A. Goldstone, New York, n.d. ACA Galleries, 1998 William Vareika...

Stunning late 19th century landscape of misty purple hills dotted with small sheep in the Scottish highlands near Dunkeld by Boston artist Miss H. L. Radford (19th Century). Signed a...

LeRoy Neiman Original Watercolor on Paper and Trial Proof Etching. Created 1976 Paper 29 3/4” x 22” Framed 33 3/4” x 25 1/2” Watercolor 11.5...

A stunning oil painting by Albert Munghard depicting figures by a Dutch Canal, this piece was created after the great Dutch artist of the times Heinric...

Hill 1969, paper/watercolor, 17.5x25 cm Herberts Mangolds (1901-1978) Graphic, army officer. In 1920 he graduated from the Artillery Cadet School o...

Winter 1961, paper/watercolor, 26.5x35 cm Herberts Mangolds (1901-1978) Graphic, army officer. In 1920 he graduated from the Artillery Cadet School of Latvian and many military courses. In 1933 he graduated from the Arts Academy of Latvia, Graphic workshop under the guidance of R. Zarins. He participated in the exhibition since 1924. He painted mostly military themes. And also painted landscapes and compositions with oriental motives in watercolors technique. He drew sketches for the plates painting to porcelain factory of Kuznetsova and faience factory. One of the first drawer of Latvian journeyman army in 1922. He i san author of Viesturs Order sign...

LOOK FOR FREE SHIPPING AT CHECKOUT OR GALLERY DISCOUNT Rosie displays bold and bright colors to highlight this abstract landscape piece of art by Texas artist Charlotte Seifert Rosie...

Watercolor on paper Atmosphere -masses of evaporating water in the air- describes Ekaterina Smirnova's paintings best. Working in watercolour, Smirnova has a unique approach to this ...

Eagle Creek Trail, Columbia River Gorge, Oregon - Stylized Landscape in Acrylic Stylized landscape by Central Oregon artist Tirzah Lane (American, 20th Century). The Eagle Creek flo...

In an original Harer frame. Illustrated in "Daniel Garber Catalogue Raisonne" Vol. II, pg. 271, and in book titled "Blue Chips", pg. 33 Jim’s of Lambertville is proud to offer this artwork by: Daniel Garber (1880-1958) One of the two most important and, so far, the most valuable of the New Hope School Painters, Daniel Garber was born on April 11, 1880, in North Manchester, Indiana. At the age of seventeen, he studied at the Art Academy of Cincinnati with Vincent Nowottny. Moving to Philadelphia in 1899, he first attended classes at the "Darby School," near Fort Washington; a summer school run by Academy instructors Anshutz and Breckenridge. Later that year, he enrolled at the Pennsylvania Academy of the Fine Arts. His instructors at the Academy included Thomas Anshutz, William Merritt Chase and Cecilia Beaux. There Garber met fellow artist Mary Franklin while she was posing as a model for the portrait class of Hugh Breckenridge. After a two year courtship, Garber married Mary Franklin on June 21, 1901. In May 1905, Garber was awarded the William Emlen Cresson Scholarship from the Pennsylvania Academy, which enabled him to spend two years for independent studies in England, Italy and France. He painted frequently while in Europe, creating a powerful body of colorful impressionist landscapes depicting various rural villages and farms scenes; exhibiting several of these works in the Paris Salon. Upon his return, Garber began to teach Life and Antique Drawing classes at the Philadelphia School of Design for Women in 1907. In the summer of that same year, Garber and family settled in Lumbertville, Pennsylvania, a small town just north of New Hope. Their new home would come to be known as the "Cuttalossa," named after the creek which occupied part of the land. The family would divide the year, living six months in Philadelphia at the Green Street townhouse while he taught, and the rest of the time in Lambertville. Soon Garber’s career would take off as he began to receive a multitude of prestigious awards for his masterful Pennsylvania landscapes. During the fall of 1909, he was offered a position to teach at the Pennsylvania Academy as an assistant to Thomas Anshutz. Garber became an important instructor at the Academy, where he taught for forty-one years. Daniel Garber painted masterful landscapes depicting the Pennsylvania and New Jersey countryside surrounding New Hope. Unlike his contemporary, Edward Redfield, Garber painted with a delicate technique using a thin application of paint. His paintings are filled with color and light projecting a feeling of endless depth. Although Like Redfield, Garber painted large exhibition size canvases with the intent of winning medals, and was extremely successful doing so, he was also very adept at painting small gem like paintings. He was also a fine draftsman creating a relatively large body of works on paper, mostly in charcoal, and a rare few works in pastel. Another of Garber’s many talents was etching. He created a series of approximately fifty different scenes, most of which are run in editions of fifty or less etchings per plate. Throughout his distinguished career, Daniel Garber was awarded some of the highest honors bestowed upon an American artist. Some of his accolades include the First Hallgarten Prize from the National Academy in 1909, the Bronze Medal at the International Exposition in Buenos Aires in 1910, the Walter Lippincott Prize from the Pennsylvania Academy and the Potter Gold Medal at the Art Institute of Chicago in 1911, the Second Clark Prize and the Silver Medal from the Corcoran Gallery of Art for “Wilderness” in 1912, the Gold Medal from the Panama-Pacific Exposition in San Francisco of 1915, the Second Altman Prize in1915, the Shaw prize in 1916, the First Altman Prize in 1917, the Edward Stotesbury Prize in1918, the Temple Gold Medal, in 1919, the First William A...

Watercolor on paper Atmosphere -masses of evaporating water in the air- describes Ekaterina Smirnova's paintings best. Working in watercolour, Smirnova has a unique approach to this ...