Doris Marten Sculptures

David E. Peterson Puzzle #83, 2013 Acrylic, Exotic wood, MDF, UV resin 2 piece set of 60h x 8w x 2d in (30h x 7w x 2d in. and 30h x 8w x 2.5d inches) 152.40h x 20.32w x 5.08d cm Thi...

Angela Lane’s three-dimensional abstract canvases are organic structures that synthesize distinct elements. The core of the work is the painter’s pursuit ...

Bussie Parker Kehoe’s Bounty exemplifies her innovative practice of transforming recycled house paint into sculptural paintings. Built entirely from layered and carved pigment, the w...

Angela Lane’s three-dimensional abstract canvases are organic structures that synthesize distinct elements. The core of the work is the painter’s pursuit ...

Angela Lane’s three-dimensional abstract works are organic structures that synthesize distinct elements. The core of the work is the painter’s pursuit of ...

David E. Peterson – Puzzle #119 (2022) Acrylic, Birch wood, Art Resin 32 x 13 x 3 inches Dynamic, architectural, and deeply textural, "Puzzle #119" by David E. Peterson seamlessly...

Round red lips clay mosaic wall sculpture in high relief with hand molded and fired ceramic elements. This circular wall relief reinterprets the lips motif through a dense aggregatio...

Hexagonal lilac grey clay wall sculpture in hand molded ceramic relief designed for modular panel installation. This wall-mounted clay sculpture is constructed from hand molded natural clay, low-temperature fired and spray-finished in a muted lilac grey tone. The surface develops through intertwined tubular strands compressed into a compact hexagonal format, generating a dense ceramic relief defined by repetition and controlled accumulation. The lilac grey coloration introduces a cooler chromatic register compared to the yellow counterpart in the series. Rather than relying on saturation, the piece articulates depth through shadow and subtle tonal variation. The braided clay elements create a continuous tactile structure, where light interacts with the relief to produce shifting gradients across the surface. The hexagonal support establishes a geometric boundary that contrasts with the organic curvature of the clay forms. This tension between containment and expansion is central to the work’s spatial presence. The sculpture functions independently as a clay wall relief...

HUGO G. URRUTIA B. 1974, Mexico Hugo G. Urrutia is a multidisciplinary artist-designer, interested in the cross-pollination between art and architecture. His artwork challenges the...

Hexagonal yellow clay wall sculpture in hand molded ceramic relief conceived for modular wall installation. This wall-mounted clay sculpture is constructed from hand molded natural ...

Hexagonal gold clay wall sculpture in hand molded ceramic relief designed for modular wall installation. This wall-mounted clay sculpture is composed of hand molded natural clay, low-temperature fired and spray-finished in a metallic gold tone. The surface develops through compact braided strands compressed within a hexagonal structure, creating a dense ceramic relief defined by repetition and tactile accumulation. The gold finish intensifies the sculptural depth of the piece. Rather than functioning as a flat metallic surface, the color interacts with the relief geometry, producing shadowed recesses and reflective highlights. The intertwined clay elements generate a continuous textured field, emphasizing material density and structural cohesion. The hexagonal format establishes a precise geometric boundary that contrasts with the organic flow of the braided forms. This balance between geometry and material fluidity defines the visual language of the work. The sculpture operates both as an independent clay wall relief...

This piece is made by casting Hydrocal FGR95 (a very hard plaster) on top of an oil clay pattern. Once cured, the oil clay is removed, then paint and brass leaf are applied to the su...