Dorothea Tanning Art

Artist: Joan Mitchell (American, 1925-1992) Title: "Fields I" Portfolio: Fields *Signed and numbered by Mitchell in pencil (on second sheet) lower right Year: 1992 Medium: Original E...

Marcel Gromaire (1892-1971) - The Painter. 1943, paper, lithograph, 56x46 cm

Pablo Picasso (after) "Pigeons" limited edition print on Arches paper, Hand signed by Marina Picasso lower right and numbered 327/500 lower left From the estate of Pablo Picasso wit...

Pablo Picasso (after) "Le Bouquet" Bouquet of flowers, abstract floral arrangement. limited edition print on Arches paper, Hand signed by Marina Picasso lower right and numbered 244...

Pablo Picasso (after) "Sylvette De Profil Gauche" limited edition print on Arches paper, Hand signed by Marina Picasso lower right and numbered 329/500 lower left From the estate of...

Marc Chagall Paris L' Opera Le Plafond, Romeo and Juliet at Place de la Concorde and Arc de Triomphe, 1965 Original poster on wove paper Unsigned Limited Edition of 5000 24 3/4 × 38 ...

ARTIST: Salvador Dali TITLE: Shakespeare II Timon of Athens MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Transworld Art/Loinel Praeger/Berggruen EDITION NUMBER: 155/250 MEAS...

Pablo Picasso (after) "Portrait de Marie Therese" limited edition print on Arches paper, Hand signed by Marina Picasso lower right and numbered 274/500 lower left From the estate of Pablo Picasso with an embossed blindstamp in the lower right side of the piece. After Pablo Picasso's death in 1973, his granddaughter Marina authorized the printing of these original lithographs, which have come to be known as the Picasso Estate Collection. The lithographs were meticulously created after the original works (Oil Paintings, Watercolors, Pastels, Charcoal Drawings, etc.) by Master Chromist Marcel Salinas, who worked closely with Picasso in his lifetime. They are printed in an edition of 500 on Arches paper. Embossed with the estate and chromist's stamp seals, along with the legend on the reverse "Approved by the heirs of Pablo Picasso". Image: 19 1/2" x 15". Paper: 28" x 20 3/4". Pablo Ruiz Picasso (1881 – 1973) was a Spanish painter, sculptor, printmaker, ceramicist, stage designer, poet and playwright who spent most of his adult life in France. Regarded as one of the most influential artists of the 20th century, he is known for co-founding the Cubist movement, the invention of constructed sculpture, the co-invention of collage, and for the wide variety of styles that he helped develop and explore. Among his most famous works are the proto-Cubist Les Demoiselles d'Avignon (1907), and Guernica (1937), a dramatic portrayal of the bombing of Guernica by the German and Italian air forces during the Spanish Civil War...

Alexander Calder Lithograph c. 1971 from Derrière le miroir: Lithograph in colors; 15 x 11 inches. Very good overall vintage condition. Unsigned from an edition of unknown. From: Derrière le miroir Published Paris c. 1971. Printed in France. Derrière le miroir: In October 1945 the French art dealer Aimé Maeght opens his art gallery at 13 Rue de Téhéran in Paris. His beginning coincides with the end of Second World War and the return of a number of exiled artists back to France. The publication was created in October 1946 (n°1) and published without interruption until 1982 (n°253). Its original articles and illustrations (mainly original color lithographs by the gallery artists) who were famous at the time. The lithographic publication covered only the artists exhibited by Maeght gallery either through personal or group exhibitions. Among them were, Pierre Alechinsky, Francis Bacon, Alexander Calder, Marc Chagall, Eduardo Chillida, Alberto Giacometti, Vassily Kandinsky, Ellsworth Kelly, Fernand Léger, Henri Matisse, Joan Miró, Saul Steinberg and Antoni Tapies. Alexander Calder was an American artist best known for his invention of the kinetic sculptures known as mobiles. Calder also produced a variety of two-dimensional artworks including lithographs, paintings, and tapestries as seen in his Butterfly (1970). “My whole theory about art is the disparity that exists between form, masses, and movement,” the artist once said. Born on August 22, 1898 in Lawnton, PA, Calder turned to art in the 1920s, studying drawing and painting under George Luks and Boardman Robinson at the Art Students League in New York. Calder moved to Paris to continue his studies in 1926, where he was introduced to the European avant-garde through performances of his Cirque Calder (1926–1931). “I was very fond of the spatial relations,” he said of his interest in the circus. “The whole thing of the—the vast space—I’ve always loved it.” With these performances, along with his wire sculptures, Calder attracted the attention of such notable figures as Marcel Duchamp, Jean Arp, and Fernand Léger. Notably, it was his friend Duchamp that coined the term mobile—a pun in French meaning both “motion” and “motive”—during a visit to Calder’s Paris studio in 1931. His earliest mobiles moved by motors, but Calder soon abandoned these mechanics and designed pieces that moved by air currents or human interaction. Over the course of seven decades, along with his mobiles, he also produced paintings, monumental outdoor sculptures, works on paper, domestic objects, and jewelry. The artist lived in both Roxbury, CT, and Saché, France, before his death on November 11, 1976 in New York, NY. Today, his works are held in the collections of The Museum of Modern Art in New York, the National Gallery of Art in Washington, D.C., the Whitney Museum of American Art, New York, the Art Institute of Chicago, and the Tate Gallery in London. Related Categories Calder prints. Mid Century Modern. 1970s. Alexander Calder and Contemporary Art. Mid Century Modern. Calder clowns.

Lithograph in colors on japon paper. Hand signed and numbered by Salvador Dali. Edition I LXIII/C. Sheet size 29.5 x 21.5 inches. Image size 23 x 15 inches. Frame size approx 34 x 24 inches. Catalogue Raisonné: Field 79-12, pp. 185. Artwork is in excellent condition. All reasonable offers will be considered. About the Artist: Salvador Dalí (Spanish, 1904–1989) was a renowned Surrealist artist known for his enigmatic paintings of dreamscapes and religious themes. The Persistence of Memory (1931), arguably his best known work, visually manifests the strangeness of time, showing clocks melting in an idyllic landscape. “One day it will have to be officially admitted that what we have christened reality is an even greater illusion than the world of dreams,” he once reflected. Born Salvador Domingo Felipe Jacinto Dalí i Domènech on May 11, 1904 in Figueres, Spain, he displayed a great aptitude for the visual arts as a teenager. Three years after his first exhibition at the age of 14, he enrolled at the Academia de San Fernando in Madrid. At school, he emulated many contemporary styles but also the works of Johannes Vermeer and Diego Velázquez. During his visits to Paris in the late 1920s, he was introduced to the Surrealist movement by René Magritte and Joan Miró. Though the concept of Surrealism was new to him, Dalí was already well versed in the psychoanalytic theories of Sigmund Freud. Dabbling in various projects throughout his long career, in 1942 he published the book The Secret...

Lithograph in colors on Arches paper. Hand signed and numbered by Marc Chagall. Mourlot 569 Edition 43/50 (there were also 25 artist's proofs). Image size 22 x 14.5 inches. Sheet size 29.75 x 20.75 inches. Frame size approx 35 x 27 inches. Artwork is in excellent condition. All reasonable offers will be considered. About the Artist: Marc Chagall (French/Russian, 1887–1985) was an artist whose work anticipated the dream-like imagery of Surrealism. Over the course of his career, Chagall developed the poetic, amorphous, and deeply personal visual language evident in paintings like I and the Village...

1960s Francis Bacon lithograph from Derrière le miroir: Well-suited for matting & framing, this original 1960's print is derived from Bacon's ...