Paul Delvaux Art

Paul Delvaux. Belgian ( b.1897 - d.1994 ). La Belle Anna, La Port De Cannes, 1930 Watercolor, Bodycolor & Pastel on Woven Paper. Signed & dated 1930 lower left. Image size 15.7 inch...

Medium: original lithograph. Printed in Paris in 1975 at the atelier Mourlot and published as the frontispiece of the Mira Jacob catalogue raisonne of Paul Delvaux engraved works. Si...

Lithograph representing Paul Delvaux's painting "small station square" in Saint Idesbald in Belgium. Young girl seen from behind in front of a station and a train. This work is repre...

A very good impression of this large and scarce etching. 1969. Signed and numbered 8/50 in pencil. Printed by Lacourière, Paris. Catalogue reference: Jacob 29

D: 12 (7) cm H: 13 (5,5) cm W: 22,5 (16,5) cm

La Voyante is an original contemporary artwork realized by Paul Delvaux in 1974. Color Lithograph on Arches Paper. Hand signed and numbered on the lower margin. Edition of 25/75. ...

Paul Delvaux 1897-1994 Belgian Study for “L’Acropole” Signed and dated "P.Delvaux 1965" (lower right) Watercolor, pen and ink on paper This preliminary drawing for Paul Delvaux’s greatest masterpiece L’Acropole, which resides today in the Centre Pompidou in Paris, features the artist’s most beloved subject — mystical scenes of nude women. A centrally-placed, stoic woman draped in a long green gown stands with her arms outstretched by her sides. She gazes at another idealized woman in the foreground, lying nude on a chaise lounge, while behind her, multitudes of other women in white dresses undertake a long procession towards a distant door. The captivating scene exudes the unique Surrealist style for which the artist has become known. With this skillful rendering of the surreal setting, Delvaux has mastered depicting nude women in a sensual yet non-erotic manner. The artist drew inspiration from a variety of sources, including the futuristic writings of Jules Verne and the mythos of Homer, and blended them with his subconscious themes, which frequently included the nude female form. In combination with the loose concepts of form and perspective found in the 16th-century Mannerist paintings that Delvaux studied in Italy before World War II, his distinctive style served to create memorable dreamscapes without veering into lewdness. Like the very best Surrealist images, the work is both innovative and engaging. Paul Delvaux's earliest and most lasting influences in his art were the futuristic writings of Jules Verne and the mythos of Homer. After completing his initial artistic training at the Académie Royale des Beaux-Arts in Brussels, Delvaux exhibited with Surrealists Dalí...

’The Dance’ By Paul Delvaux Medium - Lithograph Edition - 8/75 Signed - Yes Size - 360mm x 460mm Date - 1969 Condition - Excellent. 10 out of 10. Colour of print may not be accurate...

Entracte is an original modern artwork realized by Paul Delvaux in 1975. Black and white etching on vélin d'Auvergne du Moulin Richard de Bas. Hand signed and numbered on the lowe...

Strongly colored impression of this scarce lithograph, with full margins. Signed and numbered in pencil by Delvaux, from an edition of 75.

The Secret 1966 Lithograph on wove paper with watermark arches 20in x 25in (64cm x 50cm), paper size 29inx22in and (39inx33in) framed under glass. Pencil signed and numbered, edition 34/75. Ref. no. 4, in: Cahier Paul Delvaux, no. 1, printed by Mourlot, published by Galerie Bateau Lavoir, Paris. Paul Delvaux, (born September 23, 1897, Antheit, Liège, Belgium—died July 20, 1994, Veurne), Belgian Surrealist painter and printmaker whose canvases typically portray transfixed nudes and skeletons in mysterious settings. From 1920 to 1924 Delvaux studied architecture and painting at the Académie des Beaux-Arts in Brussels. His early work was influenced by Post-Impressionism and Expressionism, but after discovering the work of Salvador Dalí, Giorgio de Chirico, and his fellow Belgian René Magritte, Delvaux converted to a Surrealist style in the mid-1930s. He traveled through Italy before World War II, and the Classical architecture he encountered there developed into recurring motifs in his work. During that trip he was also greatly influenced by early 16th-century Italian Mannerist...

This is an original Lithograph by Paul Delvaux printed by the Atelier Mourlot in Paris. It is annotated "Epreuve d'Exposition" bottom left of the image and dated "3-68" in the plate,...

"I have always wanted my colors to sing." -Paul Delvaux This gorgeous and rich lithograph in Black & White by Belgian Surrealist Master Paul Delvaux, is a wonderful example of his ...

Construction d’un temple – Plate n.5 is a b/w original etching and dypoint realized in 1972 (as reported on plate on the lower right margin) by Paul Delvaux. From the collection “Construction d’un temple en ruine à la déesse Vanadé”, this original print came into being from the collaboration of four years among the French author and a member of the Nouveau-Roman group Alain Robbe-Grillet (1922-2008), and the Belgian artist Paul Delvaux (1897-1994). At first, Robbe-Grillet wrote a text, to which Delvaux then replied with a wonderful engraving, Robbe-Grillet then responded with a second text. This is how the building blocks of this beautiful book came together: it was constructed like a temple. The book was printed in an edition of 187 copies, of which only 40 contain the illustrations by Paul Delvaux. Our copy is unnumbered and printed on “Arches” ivory colored paper with the Bateau Lavoir watermark (on the lower right corner), and “Richard Bas” watermark (on the lower left margin). Image dimensions: 31.3 x 44.3 cm This exceptional artwork, representing an interesting composition with a woman depicted like an ancient Greek marble statue...

Work is beautifully framed. Crisp and beautiful impression, full margins. Early Edition. Edition 3/75 - Great Price! Signed and numbered in pencil - Provenance: Sotheby's, Amsterd...

Construction d’un temple – Plate n.6 is a b/w original etching and dypoint realized in 1972 (as it is reported on plate on the lower-right margin) by Paul Delvaux. From the collection “Construction d’un temple en ruine à la déesse Vanadé” came into being from the collaboration of four years between the French author and a memeber of the Nouveau-Roman, Alain Robbe-Grillet (1922-2008), and the Belgian artist Paul Delvaux (1897-1994). Firstly Robbe-Grillet wrote a text, to which Delvaux then replied witha wonderful engraving, Robbe-Grillet then responded with a second text. This is how the building blocks for this beautiful artist's book came together, upon which it was then constructed like a temple. The book was printed in an edition of 187 copies, of which only 40 contain the illustrations by Paul Delvaux. Our copy is unnumbered and printed on “Arches” ivory colored paper with the Bateau Lavoir watermark (on the lower right corner), and “Richard Bas” watermark (on the lower left margin). Image dimensions: 31.3 x 44.3 cm This beautiful artwork representing a woman looking at another woman pictured like ancient Greek marble statue...

PAUL DELVAUX 1897-1995 Antheit, Huy 1897-1995 Veurne (Belgian) Title: The Siren La Sirène, 1969 Technique: Original Hand Signed and Inscribed Lithograph in Colours on Arche...

PAUL DELVAUX 1897-1995 Antheit, Huy 1897-1995 Veurne (Belgian) Title: Phyrné, 1969 Technique: Original Hand Signed and Inscribed Lithograph in Colours on Arches Wove Paper ...

Hand signed. Edition of 35 prints. During his career, Paul Delvaux was inspired by different movements, and one of these was the Surrealism. Although he was not an official member o...

Paul Delvaux Measures: 258 x 359cm watercolor pen drawing original 1920 page 4 du carnet nr 9 off Paul Delvaux original work authentic certifified by Isy Brachot Docteur en Droit ...

PAUL DELVAUX 1897-1995 Antheit, Huy 1897-1995 Veurne (Belgian) Title: The Sea is Near La Mer est Proche, 1966 Technique: Original Hand Signed and Inscribed Lithograph on Arc...

India ink/Wash on paper Signed and dated on lower left The work is housed in Four Thousand Five Hundred Dollara Frame with Master Museum matting We could sell the work with the ma...

Edition of 187 Signed

Edition of 75 + EA Signed

Published Galerie Bateau Lavoir,Paris - Printed by Fernand Mourlot, Paris. Edition of 75 + EA Signed

Paul DELVAUX Leda and the Swan, 1970 Engraving (Georges Leblanc workshop) On vellum applied on vellum 32 x 24.5 cm (c. 12.6 x 9.4 inches) Limited edition of 200 unnumbered copies V...

Paul DELVAUX Elegant Woman, 1970 Engraving (Georges Leblanc workshop) On vellum applied on vellum 32 x 24.5 cm (c. 12.6 x 9.4 inches) Limited edition of...

Paul DELVAUX Tribute to Women, 1970 Engraving (Georges Leblanc workshop) On vellum applied on vellum 32 x 24.5 cm (c. 12.6 x 9.4 inches) Limited edition of 200 unnumbered copies Ve...

Paul DELVAUX The Virtues, 1970 Engraving (Georges Leblanc workshop) On vellum applied on vellum 32 x 24.5 cm (c. 12.6 x 9.4 inches) Limited edition of 200...

Paul DELVAUX Muses, 1970 Engraving (Georges Leblanc workshop) On vellum applied on vellum 32 x 24.5 cm (c. 12.6 x 9.4 inches) Limited edition of 200 unnumbered copies Very good con...

Paul DELVAUX Sensuous Dream, 1970 Engraving (Georges Leblanc workshop) On vellum applied on vellum 32 x 24.5 cm (c. 12.6 x 9.4 inches) Limited edition of 200 unnumbered copies Very...

Paul DELVAUX Delight, 1970 Engraving (Georges Leblanc workshop) On vellum applied on vellum 32 x 24.5 cm (c. 12.6 x 9.4 inches) Limited edition of 200 unnumbered copies Very good c...

Paul DELVAUX Desire, 1970 Engraving (Georges Leblanc workshop) On vellum applied on vellum 32 x 24.5 cm (c. 12.6 x 9.4 inches) Limited edition of 200 unnumbered copies Very good co...

Paul DELVAUX The Empress, 1974 Original stone lithograph Signed in pencil Justified HC (aside the edition of 50 numbered copies) On Arches vellum 100 x 70...