Dorothy Dehner Art

Nickle Drawing Ink and watercolor on laid paper, 1982 Signed and dated lower right in ink The title references a comment that her husband, David Smith, made regarding her drawings. He said that they were only worth a nickle and the name stuck even thought her works are highly prized. The dating of this work reflects the date inscribed on the watercolor. The style and black ink lines with dots terminating the line is a compositional device the artist used in the 1950's. Condition: Very fine/excellent 4 old hinge residue in the corners verso from previous matting Sheet/image size: 7 1/2 x 4 7/8 inches Dorothy Dehner (1901-1994) Painter, sculptor, art writer, and poet, Dorothy Dehner explored abstraction, cubism, realism and surrealism during her artistic journey. Early in her career she was known for painting and for large-cast metal sculptures, but in the 1950s and 1960s, turned increasingly to wood cut into hard-edge geometric shapes. From 1950, she lived primarily in New York City. Dorothy Dehner was born in 1901 in Cleveland, Ohio, but, as a teenager in 1916, moved to Pasadena, California when her parents died. Her artistic interests were initially in acting. She majored in drama at UCLA for the school year of 1922-1923, then moved to New York City to study acting at the American Academy of Dramatic Art. After travel to Europe in France, Italy and Switzerland in 1925, where she saw Cubist and Fauve paintings as well as the great art of the ages, Dehner entered the Art Students League to study sculpture, but switched to painting because she felt the former was bound in academic formula. She studied drawing with Kimon Nicolaides and painting with Kenneth Hayes Miller. In 1929, she studied painting with Jan Matulka. Meeting artist John Graham in that year, he introduced her to Milton Avery, Stuart Davis and Arshile Gorky. She would also take art courses years later at Skidmore College in 1951. Dehner married sculptor David Smith in 1927. She was evidently very helpful in his artistic growth, but friction would develop because Smith allegedly saw his wife as artistic competition. Although she painted and drew Cubist and Surrealist works during their marriage, and realistic ones of life on their Bolton Landing, New York farm during the period 1941 to 1944, Dehner would essentially put her exhibition life on hold until their divorce in 1952. Meanwhile, they traveled to Europe in 1935. She later wrote about Smith, as well as painter John Graham and Jan Matulka, her teacher. Although she had shown in the 1946 Audubon Artists exhibition, winning first prize in drawing, and in the Whitney Annual of 1951, it was the year of her divorce, 1952, that Dehner had her first one-person exhibition at the Rose Fried Gallery...

Osmos Ink, watercolor, and wash on paper Signed and dated by the artist lower left (see photo) Condition: excellent Sheet size: 24 3/4 x 18 7/8 inches Frame size: 37 x 29 inches Created during one of the artist's most productive time periods. Provenance: Private Collection, Hudson River Valley Dorothy Dehner (1901-1994) Painter, sculptor, art writer, and poet, Dorothy Dehner explored abstraction, cubism, realism and surrealism during her artistic journey. Early in her career she was known for painting and for large-cast metal sculptures, but in the 1950s and 1960s, turned increasingly to wood cut into hard-edge geometric shapes. From 1950, she lived primarily in New York City. Dorothy Dehner was born in 1901 in Cleveland, Ohio, but, as a teenager in 1916, moved to Pasadena, California when her parents died. Her artistic interests were initially in acting. She majored in drama at UCLA for the school year of 1922-1923, then moved to New York City to study acting at the American Academy of Dramatic Art. After travel to Europe in France, Italy and Switzerland in 1925, where she saw Cubist and Fauve paintings as well as the great art of the ages, Dehner entered the Art Students League to study sculpture, but switched to painting because she felt the former was bound in academic formula. She studied drawing with Kimon Nicolaides and painting with Kenneth Hayes Miller. In 1929, she studied painting with Jan Matulka. Meeting artist John Graham in that year, he introduced her to Milton Avery, Stuart Davis and Arshile Gorky. She would also take art courses years later at Skidmore College in 1951. Dehner married sculptor David Smith in 1927. She was evidently very helpful in his artistic growth, but friction would develop because Smith allegedly saw his wife as artistic competition. Although she painted and drew Cubist and Surrealist works during their marriage, and realistic ones of life on their Bolton Landing, New York farm during the period 1941 to 1944, Dehner would essentially put her exhibition life on hold until their divorce in 1952. Meanwhile, they traveled to Europe in 1935. She later wrote about Smith, as well as painter John Graham and Jan Matulka, her teacher. Although she had shown in the 1946 Audubon Artists exhibition, winning first prize in drawing, and in the Whitney Annual of 1951, it was the year of her divorce, 1952, that Dehner had her first one-person exhibition at the Rose Fried Gallery in New York City. She met Louise Nevelson in the same year while making prints at Stanley Hayter's Atelier 17. It was at this time that her career began to take off, and she was working with the lost-wax sculptural process in the making of her bronzes. The following year, 1953, the Museum of Modern Art added one of her watercolors to its collection, and she was in a group exhibition at the Metropolitan Museum of Art. In 1955, she was in a three-artist show at Willard Gallery in New York City, where she would exhibit through 1976, and a one-person exhibition at the Art Institute of Chicago. From 1955 on, Dehner returned primarily to sculpture, working in a variety of materials over the years including bronze through the mid-1970s, then wood and Corten steel, moving from small to large scale. Her bronze sculpture, "Young Pharaoh," 1969, is a geometric, two-dimensional, abstract totemic figure similar in concept to "Scaffold" fourteen years later in 1983, a two-dimensional totemic structure, three layered-lintels high constructed in Corten steel. Dehner was a visiting artist at the Tamarind Lithography Workshop in 1970-1971, awarded an Honorary Doctorate in Humane Letters from Skidmore College in 1982, and received an award from the Women's Caucus for Art in 1983. She had major retrospective exhibitions of her work at the Jewish Museum in New York in 1965, City University of New York, 1991, Katonah Museum of Art, 1993, and Cleveland Museum of Art, 1995. Dehner's work is in numerous public collections. A long-lived artist, Dorothy Dehner was in her nineties when she died in 1994. Courtesy: AskArt Sources: Jules and Nancy Heller...

Watercolor and pen and ink on cream wove paper. Signed and dated in ink by Dehner. Dimensions with the frame are 12 x 15 inches.

Watercolor and pen and ink on cream wove paper. Signed in ink by Dehner.

These intimate small format drawings were given the name of "Nickle Drawings" by the artist's husband, the sculptor David Smith. Smith asserted that they were only worth a "nickle" hence the name. Signed with the artist's initials and dated lower left Dorothy Dehner’s Work in Selected Public Collections The National Museum for Women in the Arts, Washington, D.C. The Metropolitan Museum of Art, New York The Museum of Modern Art, New York The Phillips Collection, Washington, D.C. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C. National Museum of American Art, Washington, D.C. Storm King Art Center, Mountainville, New York Seattle Art Museum, Seattle Minnesota Museum of Art, St. Paul Jewett Art Center, Wellesley College, Wellesley, MA The Cleveland Museum of Art, Cleveland AT&T Headquarters, Basking Ridge, NJ Philadelphia Museum of Art, Philadelphia Phoenix Art Museum, Phoenix Museum of Art, Boston Jane Voorhees Zimmerli Art Museum, Rutgers, The State University of New Jersey, New Brunswick Munson-Williams-Proctor Institute Museum of Art, Utica, NY The British Museum, London Executive Mansion...

Formulation, an abstract midcentury Brutalist sculpture by Dorothy Dehner. Signed and dated, 1969. Dimensions: 13.5" W x 9" H Condition: Excellent.

'The Maiden Aunts', etching, 1955, edition 35. Signed, dated, titled and numbered '34/35' in pencil. A superb impression, on cream wove paper, with full margins (1 to 1 5/8 inches), ...

Dorothy Dehner (1901–1994) was an American multi-disciplinary artist notable for her impressive career especially between the end of World War II and the start of the Feminist moveme...

Resin tabletop abstract sculpture by New York artist Dorothy Dehner (1901 -1994), Dehner studied at UCLA, American Academy of Dramatic Art...

This item is located in our New York City warehouse. Little gem of a Dorothy Dehner, American (1901 -1994). Wife of the sculptor David Smith and an underrated artist herself. Her wo...

Small abstract bronze sculpture by Dorothy Dehner. Signed and dated.

Signed and dated (at lower right): Dorothy Dehner 54; (at lower left): Aerial To Infinity 5/35 Dorothy Dehner was born in Cleveland, Ohio in 1901. She attended The University of C...