Dorothy Marootian Art

Cityscape mixed media on Cavas 70x100 cm Original Art Ready to Hang Architecture Category Painting Year 2013 Mediums, Materials, Styles Mediums Enamel, Oil, Gesso Materials Canvas ...

Vintage abstract expressionist etherial oil painting by Piry Rame (1921 - 2001). Oil on canvas, circa 1960. Signed on verso. Image size, 21L x 16H. Housed in a period frame.

'Echoes of the Avant-Garde: Mid-Century Visions III', oil on board (circa 1970s). Step into a world where the spirit of early 20th-century modernism meets the bold experimentation o...

Landscape Mixed media on canvas 100x100 cm Original Art certificate of authenticity

Wave play is all about the miraculous action of the sea at the edge of earth. It is all about the excitement and motion and the play of colors as the sunlight glistens upon the ocean blues, the sandy beiges, creams and taupes and how it makes you feel! The undertow crashes into the beachfront demanding control of the powerful surf! The gritty texture of nature in this original oil painting never recedes! This marine landscape commands attention with the free feeling abstract expressionism brush strokes, impasto paint application and insistence that it remains an organic reflection of the artist's experiences. International artist Anita Lewis...

Title: Blue Landscape Dimensions: 80x120 cm Artist: Marilina Marchica unique, non-reproducible piece authenticity certificate "Blue Landscape" by Marilina Marchica is a captivating...

Beach Bar Original Abstract Painting Acrylic & mixed media on canvas Image Size: 40 cm x 40 cm x 4 cm Framed Size: 54 cm x 54 cm x 4 cm Sold Framed Beach Ba...

Abstract expression of the Sunflowers in Provence sets the traditional fields ablaze with orange. Painted by Scottish artist Sheila McNab MacMillan, who is known for bold outlines of...

Landscape Oil and Collage on Canvas 116x89 cm 2024 PaperLandscape" by Marilina Marchica is a unique, original artwork (116x89 cm) created using a mixed media technique that combines...

Mid 20th Century French Expressionist oil on canvas of a lake in its frozen landscape by Jacques Pinon. The painting is signed bottom right and is titled on the stretcher and signed to the back of the canvas. Pinon was noted as an artist in various mediums as well as painting, including tapestry and stained glass. His appreciation of colours and forms are very evident in this painting where he has captured a winter landscape but with subtle colours and forms giving movement and a jewel like feeling to the composition. The cold frosty light of the day animating a rural landscape, his use of layers of colour against raw canvas giving the feeling of the glassy lake. Jacques Pinon was a 'Renaissance Man', accomplished in many aspects of art and literature. he painted, worked in stained glass as well as sculpture and tapestry - he studied and worked at the National School of Decorative Art of Aubusson. He was also a poet and published writer. “All the forms of expression of the artist Jacques Pinon are brought together. A journey of fabulous encounters for this artist, his work is impressive, not to mention his work in collaboration with very great artists." Pinon exhibited extensively and internationally including a major exhibition in PARIS in 1954. “JAZZ.HOT” alongside Dali – Courtaud – (les) Delaunays – Dubuffet – Duffy – Leger and Mondrian. He also an exhibited at the Museum of Modern Art – Sacred Art Salon in 1960 in PARIS, at the Salomon Guggenheim Museum in New York and the Foundation Royaumont. His tapestries were exhibited in France in 1969 in the city of Lyon at the Galerie Verrières with GilioliI and Lurcat. His painting and sculpture are at the crossroads of several universes. Lively and luminous like a Corrida afternoon, the light reminds us of the work the artist did for the stained glass windows, he plays with both using different techniques and styles and his thirst for discovering new forms of expression. He came from a noted family of artist and artisans. His great-uncle was Alfred de Musset; his great-grandfather and his grandfather both Courtots from the Gobelins factory in Paris, and his family were all friends of Rodin. In 1952, his meeting with the architect Le Corbusier was a close collaboration around projects carried out with Lucien Herve...

In this oil painting on thick paper, the Armenian artist Vahan Yervandyan presents an abstract composition that ignites a dialogue between two opposite worlds. The interplay of form ...

Signed lower left, 'Hortense M. Gordon' for Hortense Crompton Mattice Gordon (Canadian, 1886-1961) and dated 1949. Previously with: Dominion Gallery of Montreal (stamp, verso). Photo courtesy of Art Gallery of Hamilton, Ontario, Canada. Hamilton artist Hortense Crompton Mattice Gordon was one of Canada’s earliest non-representational painters, embracing abstraction in the 1930s. She was also an active member of Canada's first English-speaking abstract group, Painters Eleven. A scholarship recipient, Hortense Mattice first attended the Hamilton Art School and, subsequently, moved to Chatham, Ontario. Initially focusing on porcelain painting, Mattice quickly began building a portfolio of oils and, from 1908, was exhibiting both her porcelain and landscapes at what is now the Chatham Cultural Centre (1908) and the Art Gallery of Ontario (1909). During this time, Mattice frequently traveled to the United States and, in 1915, visited the National Gallery of Art in Washington, DC, where she would have seen early works by important modernists including Picasso and Matisse. She started her teaching career in Chatham but, having received a job offer from the artist John Sloan Gordon, returned to Hamilton to teach at the Hamilton Art School in 1918. The two artists married in 1920. In 1922, Gordon and her husband took a study trip to France and, inspired by the fervent of Modernist ideas in Paris, expanded her own approaches to art, developing an increasingly soft, loose paint handling style. It was not until the 1930’s, after a few more trips to France and her discovery of Piet Mondrian’s work, that elements of abstraction began to appear in Gordon’s work. After the death of her husband in 1940, Gordon attended the Cranbrook Academy of Art and studied with Hans Hoffmann (1941-1945) whose influence and friendship pushed her to explore non-objective painting. After her training with Hofmann and in Cranbrook, Gordon began to exhibit regularly and with success in both Canada and the United States including at the Riverside Museum (New York, 1947), Creative Gallery (New York, 1952), in Ann Arbor (Michigan, 1952), Phillips Gallery (Detroit, 1952), the Flint Institute of Arts (Michigan, 1952), Mount Allison University (New Brunswick, 1952), the Galerie Agnes Lefort in Montréal and Art Gallery of Hamilton (retrospective, 1960). She was a member of the Contemporary Artists of Hamilton (honorary president in 1948), the Ontario Society of Artists, the Hamilton Women...