Duane Michals Photography

Listing is for UNFRAMED print. Edition 1 of 15. CURRENT EXHIBITION - runs through September 4th, 2016. Any framed photographs purchased during the show will be available after September 4th. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: Since the early ‘90s, gallerist Robin Rice and designer Antony Todd...

"I walked into a timeless place … full of supporting actors and actresses of every conceivable role," Abramson wrote in Light: On the South Side, published by Chicago's Numero Group ...

Kate #2, 2002 by Leonard Freed is an 8" x 10" hand printed, signed by the photographer black and white photograph, stamped "vintage" by the Freed estate on verso (back of print).. Mo...

S. Vincent Dillard Wading Pool Girl - Greenwich Village, New York City, 1968 Gelatin Silver Print 11 x 14 inches (27.9 x 35.6 cm)

Leonard Freed's stamped vintage (verso), 14" x 11," gelatin silver signed print, Kate Bending, is from the Kate series, 2002. A photographer herself, model Kate remains complicit in ...

Kate #4, 2002 by American photographer Leonard Freed is a 8" x 10" signed black and white photograph, stamped vintage on verso (back of print). Model Kate remains forever complicit i...

Contemporary figurative sepia toned photograph of nude male model Sepia toned silver gelatin print, edition 3 of 25 Image size: 8 x 8 inches 17.5 x 16.5 x 1 inches framed with 8-ply white mat and non reflective glass. Signed and dated below image with atelier stamp This contemporary figurative photograph was taken by David Halliday in 1998. The sepia toned silver gelatin print beautifully captures a standing male model on a simple monotone background. The nude model's flawless skin complements the similarly toned sepia backdrop, while contrasts in light and shadow accentuate his toned back and shoulder muscles. The figure's casual pose lends a serene atmosphere to the image. This print, 3rd in the edition of 25, is framed in a custom brown wood Larson Juhl frame with an 8 ply white mat and non reflective glass. The print is signed with an atelier stamp on the lower right. About the Artist: David Halliday's photographs are about beauty, pure and simple. His primary subjects are carefully composed still lifes, portraits and landscapes which he shoots in black and white film with only natural light. He is a purist behind the lens, rarely manipulating his negatives in any way, and a master in the darkroom. His work has an ethereal quality that's translated not only through the subject, but also by the warm colors and sepia tones he uses in his printing. More about the work: A master of light, David Halliday produces lush and elegant images that are both classical and modern. Celebrated for his ‘purist’ eye, he poetically captures the nude male body in a selection of sepia-toned prints from 1996. Rarely revealing the model's face, Halliday prefers to focus on the natural drape of limbs, soft folds of flawless skin, and curvature of the spine. Overall, a stunningly intimate portrayal of the male form done with elegance and charm. Resume: Born 1958, Glen Cove, New York Lives in Schodack Landing, NY EDUCATION 1998 Penland School of Crafts, Penland, North Carolina 1988 The Maine Photographic Workshops, Rockport, Maine 1976-79 Syracuse University, New York 1974-76 Wooster School Community Art Center, Danbury, Connecticut SELECTED SOLO EXHIBITIONS 2013 Threadbare/New Photographs, Arthur Roger Galley, New Orleans, LA McMurtrey Gallery, Houston, TX 2012 The Past Still Present, Ogden Museum of Southern Art, New Orleans, LA 2010 Arthur Roger Gallery, New Orleans, LA Wessel+O’Connor Fine Art, Lambertville, NJ Julie Heller...

A black and white photograph, Thompson and Brown, c. 1980 by George Dureau is a 20" x 16" gelatin silver print, signed and titled recto (front of photo) below the image. Often compar...

An iconic image. Beams of sunlight streaming through the windows at Grand Central Station, New York City, circa 1930. (Photo by Hal Morey/Getty Images) As ...

Kate #15, 2002 by American photographer Leonard Freed is in the photographer's series "Kate." This is an 11" x 14" gelatin silver photograph signed verso (back of photo) by the Freed...

The Kate Series, 2002 by Leonard Freed came perhaps as a welcome reprieve near the end of American photographer Leonard Freed's life before which time the photographer tackled social...

Kate #3, 2002 by Leonard Freed is a 10” x 8” hand printed, signed by the photographer black and white photograph, stamped "vintage" by the Freed estate on verso (back of photograph)....