Aubrey Roemer Photography

Albert WATSON (*1942, Scotland) Red Hat, Paris, 1993 Chromogenic print from a polaroid positive face mounted to acrylic (Diasec) Sheet 238 x 182,5 cm (93 3/4 x 71 7/8 in.) Frame 239 ...

Mixed Media on wood. Resin finish. Homage to late great Andy Warhol. Pop Art. About the Artist: Seek One has been featured in Forbes, Maxim, Haute Luxury among others. He ...

Mixed Media on wood. Resin finish. Homage to the late great Grace Kelly. About the Artist: Seek One has been featured in Forbes, Maxim, Haute Luxu...

Patrick Burns No Charges original newsprint, acrylic, polymer, resin on panel 32h x 48w in 81.28h x 121.92w cm PB0004 Patrick Burns b. 1987, Cleveland, OH Bio I like to explore t...

Signed limited edition contact sheet print of The Rolling Stones singer Mick Jagger by Brian Aris, taken from a session at Brian’s London studio Signed limited edition 20x24" print,...

Signed print taken from an original color slide of Kurt Cobain's floating guitar by Kirk Weddle. This slide was taken during the famous swimming pool sessions with Nirvana for the re...

Signed print taken from an original color slide of Nirvana taken by Kirk Weddle. This slide was taken during the famous swimming pool sessions with Nirvana for the release of Nevermi...

Signed limited edition 16x20" print of Debbie Harry, lead singer of US band Blondie, photographed in London in 1978 by Brian Aris. Limited edition number Brian Aris limited edition ...

Playgirl (Heavenly Falls) 2016, 50x50cm, Edition of 10. Archival C-Print based on the Polaroid. Certificate and signature label. Artist inventory number: 19598. Not mounted. ...

Set of 2 prints, both pre-matted with black mats. David Bowie by Brian Duffy from the 1973 Aladdin Sane album cover sessions. One print is the original cover, the second is the "eyes open" version, released for the first time to celebrate the opening of "David Bowie Is...

Edition of 3 More sizes on request. Tyler Shields is an American Photographer, screenwriter, director and former professional inline skater who has been labeled by some as “Hollywood’s favorite photographer”. He is best known for his unparalleled, controversial, shock evoking photographs of Hollywood Celebrities. Shield’s images often incorporate violence and eroticism, such as his 2011 photograph of Lindsay Lohan in which she appears seductive while being covered in blood and holding a knife. Continuing to push the boundaries, in preparation for his Life Is Not A Fairytale (2011) exhibit in 2011, Shields collected blood from twenty celebrities to paint with, onto a canvas. Shields also appeared to stage the “shooting” of a party-goer with a gun the same year at a release party for his book “Collisions” as an appropriated piece of performance art en homage to the cans of Fluxus artist, Piero Manzoni. Shields is not shy to controversy, in 2012 he also released a photograph of Francesca Eastwood, burning, sawing and biting a $100,000 Hermès Birkin Bag for a photoshoot. Moreover, his series “Suspense” (2013) portrays and depicts stars such as Emma Roberts, Francesca Eastwood and Lydia Hearst frozen in mid-air falling and voluntarily jumping off buildings and bridges creating a sense of movement, adrenaline, and excitement. “Suspense is not about death; it’s about life” explains Shields. Rather than focusing on the person in the frame, these images are more concerned with the action, environment, and landscape. In 2015. Shields created the series “Historical Fiction” which focuses on historical events such as the deaths of James Dean, John F Kennedy, Dr. Martin Luther King among many more historical events. This series put the American Civil Rights Era at the forefront of his work, as these images explore dark moments in history with many of them honing in on moments that confront the country’s racist past. Furthermore, in 2015 Shields created his hit series “Chromatics” which surrounds the theme of “beauty in chaos” captured through freeze frames of surreal, technicolor violence with colored powder. In order to create this violence, he lined up 20 people up against each other and made them fight with powder. Shields’ talent goes beyond shock. His unique, sinister and daring lens through which he composes and creates his work enables him to push boundaries and experiment with tweaking the Hollywood mystique. The mystery behind his relationships and habits captivate the media, not unlike the art world’s best-known friend of the famous, Andy Warhol. _Photography, nude, woman, naked, story teller...

Richard Corman Keith Haring 1 - NYC, 1985 (hand signed twice), 2022 Photographic print on Hahnemühle Photo Rag Ultrasmooth paper mounted on Dibond aluminum board. (Hand signed and numbered on both the front and back of the board) Hand signed and numbered 1/10 twice (front and back) and also titled on the back by Richard Corman Frame Included: gorgeously housed in a wood frame, hand painted in orange This photograph of Keith Haring was taken in 1985 at his 676 Broadway studio, by celebrated photographer Richard Corman while on assignment for L'Uomo Vogue. By that time, Corman had already taken some of the most memorable and iconic photographs of Madonna and later Basquiat - so it was fitting that this stylish Italian publication would choose him to photograph Keith Haring - already a major New York art star at the time. Corman's iconic photograph of Haring was reprinted in 2022 in a limited edition, and was featured in the exhibition "I Shot The Messenger!" - a solo presentation of his work at Frevo in New York City from September 11 to November 11, 2022. It is held in a bespoke wooden frame hand painted in orange. This gorgeous print is signed twice: Richard Corman signed, titled, dated and numbered one of only ten (1/10) on the back in black marker, and also boldly signed and numbered in black marker on the front. A video of the artist signing this work will be provided to the purchaser. (see still photos of Corman signing this work.) Measurements: Frame: 41.5 x 38.25 x 2 inches Photograph: 40 x 36.75 inches Exhibition History: "I Shot the Messenger", Frevo Gallery, New York, New York, 2022 Richard Corman speaks on his first encounter with Keith Haring: "To my surprise, when Keith answered the door, this unassuming building revealed to me a labyrinth of finished and unfinished artworks, bursting with color. I was familiar with Keith's graffiti in the subway stations, his murals, and the unique language of his art which raised awareness of AIDS and fought against the infiltration of illegal drugs. However, while positioning him around the space and working to capture something special during our time together, I realized this person was undeniably an original. His calm presence defied his free spirit, which revealed itself as he placed himself in front of my camera. These images offer up a glimpse at the confidence and price that Keith had in his own unique language for communicating his message to the world." About Richard Corman: While Richard Corman’s photography varies widely in subject matter, it is always intensely focused on the infinitely varied expressions of the human spirit. Ken Burns, documentarian and director, describes Richard’s work as: "Artistic vision dedicated to the highest aspirations of human endeavor... the photographs record in big moments and small, among the famous and ordinary, the gifted and challenged, larger truths relevant to all of us." As a portrait photographer, Corman has worked with a thrilling breadth of subjects from Nobel Peace Prize recipients Nelson Mandela and Elie Wiesel...