Duanye Hatchett Art

An abstract mid century painting by Duayne Hatchett . Oil on canvas, circa 1975. Signed verso. Framed. Duayne Hatchett was a visual artist whose work included prints, painting...

An abstract expressionist painting by Duayne Hatchett . Oil on canvas, circa 1990. Signed verso. Framed. Image size, 60"H x 56"L. Duayne Hatchett was a visual artist whose work included prints, paintings, sculpture, and found objects. He was born on May 12, 1925 in Shawnee, Oklahoma. He enlisted in the Air Force where he trained to become a fighter pilot. After leaving the militrary he studied design at the University of Oklahoma. His highly technical military training combined a mathematical intelligence with a love for physics and a daring embrace of new experience, all of which would soon be the tools for his evolution through art. Two major influences interacted on his early development at OU. Emelio Omero, a colleague and close friend of Diego Rivera, introduced him to the revolutionary art ideas of Mexico City, while teaching him a wide range of printing techniques that would culminate in a Masters Degree in Painting in 1952. During this time he met Bruce Goff, a renowned Wright disciple, who was teaching architecture at OU and befriended Hatchett, introducing him to the most avant-garde architecture of that time. He spent his summers while at OU designing for a small sign shop, which introduced him to new materials used for building neon, plastic, and metal signs. The use of new materials and a keen sense for design would soon become invaluable building blocks for future sculpture. During this time he met and married Mary Ellen Jeffries. They would spend their lives together and raise three children, David (me), my brother Dana, and my sister Jeffri. As children, they were immersed in art from childhood and benefited greatly from this loving art and domestic environment. Hatchett was always interested in the techniques of construction, often watching different tradesmen working, understanding how materials are put together to create the manmade environment that surrounded him. While teaching printmaking at Oklahoma City University from 1951 through ‘54, he began to build sculpture employing some of the materials and techniques that he saw workers using. He was beginning to draw the attention of architects and he became interested in their work-trade processes, moving from blue prints to construction. He accepted an invitation from Alexander Hogue...

An abstract expressionist painting by Duayne Hatchett . Oil on canvas, circa 1990. Signed verso. Framed. Image size, 60"H x 56"L. Duayne Hatchett was a visual artist whose work included prints, paintings, sculpture, and found objects. He was born on May 12, 1925 in Shawnee, Oklahoma. He enlisted in the Air Force where he trained to become a fighter pilot. After leaving the militrary he studied design at the University of Oklahoma. His highly technical military training combined a mathematical intelligence with a love for physics and a daring embrace of new experience, all of which would soon be the tools for his evolution through art. Two major influences interacted on his early development at OU. Emelio Omero, a colleague and close friend of Diego Rivera, introduced him to the revolutionary art ideas of Mexico City, while teaching him a wide range of printing techniques that would culminate in a Masters Degree in Painting in 1952. During this time he met Bruce Goff, a renowned Wright disciple, who was teaching architecture at OU and befriended Hatchett, introducing him to the most avant-garde architecture of that time. He spent his summers while at OU designing for a small sign shop, which introduced him to new materials used for building neon, plastic, and metal signs. The use of new materials and a keen sense for design would soon become invaluable building blocks for future sculpture. During this time he met and married Mary Ellen Jeffries. They would spend their lives together and raise three children, David (me), my brother Dana, and my sister Jeffri. As children, they were immersed in art from childhood and benefited greatly from this loving art and domestic environment. Hatchett was always interested in the techniques of construction, often watching different tradesmen working, understanding how materials are put together to create the manmade environment that surrounded him. While teaching printmaking at Oklahoma City University from 1951 through ‘54, he began to build sculpture employing some of the materials and techniques that he saw workers using. He was beginning to draw the attention of architects and he became interested in their work-trade processes, moving from blue prints to construction. He accepted an invitation from Alexander Hogue...

An abstract expressionist painting by Duayne Hatchett . Oil on canvas, circa 1990. Signed verso. Framed. Image size, 60"H x 56"L. Duayne Hatchett was a visual artist whose work included prints, paintings, sculpture, and found objects. He was born on May 12, 1925 in Shawnee, Oklahoma. He enlisted in the Air Force where he trained to become a fighter pilot. After leaving the militrary he studied design at the University of Oklahoma. His highly technical military training combined a mathematical intelligence with a love for physics and a daring embrace of new experience, all of which would soon be the tools for his evolution through art. Two major influences interacted on his early development at OU. Emelio Omero, a colleague and close friend of Diego Rivera, introduced him to the revolutionary art ideas of Mexico City, while teaching him a wide range of printing techniques that would culminate in a Masters Degree in Painting in 1952. During this time he met Bruce Goff, a renowned Wright disciple, who was teaching architecture at OU and befriended Hatchett, introducing him to the most avant-garde architecture of that time. He spent his summers while at OU designing for a small sign shop, which introduced him to new materials used for building neon, plastic, and metal signs. The use of new materials and a keen sense for design would soon become invaluable building blocks for future sculpture. During this time he met and married Mary Ellen Jeffries. They would spend their lives together and raise three children, David (me), my brother Dana, and my sister Jeffri. As children, they were immersed in art from childhood and benefited greatly from this loving art and domestic environment. Hatchett was always interested in the techniques of construction, often watching different tradesmen working, understanding how materials are put together to create the manmade environment that surrounded him. While teaching printmaking at Oklahoma City University from 1951 through ‘54, he began to build sculpture employing some of the materials and techniques that he saw workers using. He was beginning to draw the attention of architects and he became interested in their work-trade processes, moving from blue prints to construction. He accepted an invitation from Alexander Hogue...

An abstract expressionist painting by Duayne Hatchett . Oil on canvas, circa 1990. Signed verso. Framed. Image size, 60"H x 55"L. Duayne Hatchett was a visual artist whose work included prints, paintings, sculpture, and found objects. He was born on May 12, 1925 in Shawnee, Oklahoma. He enlisted in the Air Force where he trained to become a fighter pilot. After leaving the militrary he studied design at the University of Oklahoma. His highly technical military training combined a mathematical intelligence with a love for physics and a daring embrace of new experience, all of which would soon be the tools for his evolution through art. Two major influences interacted on his early development at OU. Emelio Omero, a colleague and close friend of Diego Rivera, introduced him to the revolutionary art ideas of Mexico City, while teaching him a wide range of printing techniques that would culminate in a Masters Degree in Painting in 1952. During this time he met Bruce Goff, a renowned Wright disciple, who was teaching architecture at OU and befriended Hatchett, introducing him to the most avant-garde architecture of that time. He spent his summers while at OU designing for a small sign shop, which introduced him to new materials used for building neon, plastic, and metal signs. The use of new materials and a keen sense for design would soon become invaluable building blocks for future sculpture. During this time he met and married Mary Ellen Jeffries. They would spend their lives together and raise three children, David (me), my brother Dana, and my sister Jeffri. As children, they were immersed in art from childhood and benefited greatly from this loving art and domestic environment. Hatchett was always interested in the techniques of construction, often watching different tradesmen working, understanding how materials are put together to create the manmade environment that surrounded him. While teaching printmaking at Oklahoma City University from 1951 through ‘54, he began to build sculpture employing some of the materials and techniques that he saw workers using. He was beginning to draw the attention of architects and he became interested in their work-trade processes, moving from blue prints to construction. He accepted an invitation from Alexander Hogue...

Antique American modernist abstract oil painting by Duayne Hatchett (1925 - 2015). Oil on canvas. Framed.

An abstract painting by Duayne Hatchett from his Trowel Painting Series. Oil on board, circa 1990. Signed. Framed. Duayne Hatchett was a visual artist whose work included print...

Antique American modernist abstract oil painting by Duayne Hatchett (1925 - 2015). Oil on board, circa 1956. Signed. Displayed in a period mdoern frame. Image, 18"L x 22"H.

Early bronze on wood Brutalist sculpture,," Styro-Bronze" by Duayne Hatchett, circa 1955. Duayne Hatchett has developed a personal mode of ...

Amazing mixed-media modernist sculpture /painting hand executed by Duayne Hatchett, titled, sky.... Wood, acrylic and fabric... Powerful image, Duayne Hatchett has developed a personal mode of expression that defines physical beauty and solicits a universal response. His work has encompassed a broad and diverse artistic spectrum, from the Mexican influenced printmaking and painting of the late 1940s to the found object junk metal sculpture of the 1950s and early 1960s, to the architectonic sculpture and Minimalist painting of the 1960s through 1970s, and on to the abundant paintings, sculpture and printmaking of the last forty years. His unique visual language has been created through the ingenious manipulation of various materials, the discovery of techniques and processes, and the invention of tools. This is work that conveys a powerful, clear, and unified expression of form, reflecting our environment specifically and generally. His artworks invite both interaction and contemplation, allowing us to unlock our memories and our senses through the act of observation. Duayne Hatchett Solo Exhibitions 2009 Duayne Hatchett:Form, Pattern & Invention, a Retrospective, Burchfield Penney Art Center, Buffalo, NY 1993 Works On Paper Plus; Goldman/Greenfield Gallery, Daemen College, Buffalo, NY 1992 Recent Paintings and Drawings; Alexander Hogue Gallery, Univerity of Tulsa, Tulsa, Ok 1991 Abstract Paintings by Duayne Hatchett; Barbara Schuller Gallery, Buffalo, NY 1990 Duayne Hatchett, New Paintings; Concept Art Gallery, Pittsburg, PA 1987 Crossing Dimensions, Paintings and Sculpture; Adams Art Gallery, Dunkirk, NY 1982 Duayne Hatchett Sculpture and Paintings; Michael C. Rockefeller Art Center, SUNY Fredonia, Fredonia, NY 1982 Recent Paintings and Drawings; University of Tulsa, Tulsa, OK 1980 Photography and Sculpture; Flint Institute of Art, Flint, MI 1979 Duayne Hatchett; Nina Freudenheim Gallery, Buffalo, NY 1977 Sculpture; Nina Freudenheim Gallery, Buffalo, NY 1975 Duayne Hatchett: Recent Paintings and Sculpture; David Gallery,Pittsford, NY 1975 Duayne Hatchett: Recent Paintings; OK Harris Gallery, NYC 1974 Duayne Hatchett: Recent Paintings and Sculpture, Albright-Knox Art Museum, Buffalo, NY 1973 Duayne Hatchett, RIT Sculpture Invitational, Bevier Gallery, College of Fine and Applied Arts, Rochester Institute of Technology, Rochester, NY 1970 Hatchett; Royal S. Marks Gallery, LTD. NYC 1969 Hatchett; Royal S. Marks Gallery, LTD. NYC 1969 Hatchett: Drawings; Tulsa, Unversity, Tulsa, OK 1968 Hatchett; Royal S. Marks Gallery, LTD. NYC 1968 Artist At Work; Otterbein College, Westerville, Ohio 1966 Hatchett; Royal S. Marks Gallery, LTD. NYC Selected Group Shows 2013 Hatchett3, Indigo Gallery, Buffalo, NY 1998 Soledad Salame, Duayne Hatchett,Carmen Einfinger, Gloria Ortiz Hernandez; Jacqueline Rothschild Fine Art, NYC 1994 Group Exhibition; Anderson Gallery, Buffalo, NY 1994 In Western New York; Albright-Knox Art Gallery; Buffalo, NY 1991 Group Exhibition; Adams Art Gallery; Dunkirt, NY 1990 The Eloquent Object; The Evolution of American Art in Craft Media Since 1945; The National Museum of Modern Art, Tokyo, Japan 1989 The Eloquent Object; The Loch Haven Art Center; Orlando, FL 1989 The Eloquent Object; Virginia Museum of Fine Arts, Richmand, VA 1989 In Western New York, Albright-Knox Art Gallery, Buffalo, NY 1988 The Eloquent Object; Museum of Fine Arts, Boston, MASS 1988 The Eloquent Object;, Chicago Cultural Center, Chicago, ILL 1987 The Eloquent Object; Philbrook Museum of Art, Tulsa, OK 1987 Ten Perspectives; An Exhibition of Scupture currated by Robert Booth, Adams Gallery, Dunkirt, NY 1987 The Wayward Muse; Albright-Knox Art Gallery, Buffalo, NY 1985 Invitational Sculpture Exhibition; Gallery Bridgestone; Toranto, Canada 1984 Selections from the Permanent Collection; Burchfield Art Center, Buffalo State College, Buffalo, NY 1984 6 Sculptors from Western New York; Gallery Bridgestone; Toronto, Canada 1983 The Sculptor As Draftsman; Selections From The Permanent Collection; Whitney Museum of American Art, NY NY 1982 Outside of New York City; From Drawings to Sculpture; Lowe Art Gallery, Syracuse University, Syracuse, NY 1981 Outdoor Sculpture at the Aquarium of Niagra; Niagra Falls...

A monumental abstract painting by Duayne Hatchett titled "Equilibrium". Staggering between his trowel series and his hard edged work that proceeded it, this is a seminal piece. Her...

Strong and aggressive strokes weave in and out from the center of the canvas in a symmetrical pattern. The pattern recalls the mark making of Richard Serra. An extremely graphic and ...