E. Colin & Cie Furniture

Rare French Art Nouveau Chandelier, circa 1900s.

Gilt bronze mounted continental Porcelain clock. Porcelain and gilt bronze mounted continental clock. Loius XVI style. Figural and floral painted scenes. Features open escapement...

A beautifully cast matching pair of patinated bronze figural torcheres in the manner of Clodion modeled as classically draped young girls with garlands of flowers in their hair and h...

This impressive example of an early 20th century French Rococo palace size clock set comes from the prestigious E. Colin & Cie of Paris foundry. The sculpted ensemble is detailed with crisp elaborate scrolling accented with a full figure cupid with quiver atop the clock. The clock & candelabras are decorated in a brilliant gold doré' finish. The set was commissioned by Tiffany & Co. & featured in the 1900, Paris Exposition. The clock has Roman numerals & bears "Tiffany & Co." on its stunning white enamel face. This face is surrounded by floral scrolls. Beneath is the face of Bacchus, framed by a pair of mythological fish. Complimenting this key wind clock...

1900s French bronze black framed crystal chandelier. This chandelier has eight lights and has been newly wired.

An Empire gilt bronze clock mantel, circa 1800 The case surmounted by an Alexander the Great bust. Dial signed: "Rocquet à Paris” France.  

Lenzkirch Art Nouveau Jugendstil mantle clock This German clock features stylized accents heavily influenced by the Art Nouveau and Jugendstil era. I...

Magnificent and rare Vienna Secession Art Nouveau chandelier. Striking Austrian design from the 1900s. Original patinated brass frame, chain and ceiling plate. Inside the frame are t...

This mantel clock is rooted in early 19th-century French design yet timeless in its appeal. The body of the clock is finished in a lustrous black ebony, contrasted with the bronze gi...

A very fine pair of French 19th-20th century neoclassical style patinated cast iron figural torchères by A. Durenne, Paris, each representing a figure of a standing young maiden, her arms raised forward while holding a a flaming urn gas light (Now electrified) with a frosted glass flame, each raised on a veined grey marble column stand, both cast-signed 'A. Durenne, Paris'. Antoine Durenne was an internationally renowned French art founder. He attended École Nationale Supérieure des Beaux-Arts in 1842. Durenne purchased a small foundry in Sommevoire, near the Val d'Osne, Haute-Marne, France and established The Durenne firm, circa Paris, 1900. Cast-iron had been in production during the 18th century but its inferior status to the more fashionable and delicate wrought iron had generally confined its use to architectural work. By the early 19th century, however, rapid developments of the Industrial Revolution combined with the simultaneous burgeoning of a new middle class provided the impetus for a dramatic Expansion in its application and in a short space of time a proliferation of iron foundries across Europe and America thrived on the production of everything from inkstands to railway stations. The use of cast-iron for garden ornament became particularly widespread at this time, as the possibilities for its mass-production at a fraction of the cost of bronze made it the material of choice for outdoor statuary...

A Large and Impressive Italian 19th Century Patinated Bronze Figural Torchere, after a model by Niccolò Roccatagliata (Genoa 1593 - Venice 1636). The triangular foot base with projecting putti supporting the stem and oval reserves within cartouche motifs, one containing the initials "S.D" with an olive tree in-between and a bull-head below. The stem knot with figures of winged caryatids and festoons and upper part with cherub heads, acanthus leaves and egg and bead patterns and topped with a later white glass globe. The decorative system refers to the documented artistic production of the Venetian workshop of Niccolò Roccatagliata and takes inspirational model from the base of the Renaissance bronze of the Scuola Grande di San Teodoro in Venice, a work signed by Andrea del Bartolomeo di Alessandri known as Brescianino. Electrified. Circa: Venice, 1850-1880. RELATED LITERATURE L. Planiscig, Venezianische Bildhauer der Renaissance, Vienna, 1921, figs. 661-664; C. Avery, 'Andrea del Bartolomeo di Alessandri detto il Bresciano" lavator di gettar di Bronzo": candelabri, satiri e battenti', M. Ceriana and V. Avery (eds.), L'Industria artistica del Bronzo del Rinascimento a venezia e nell'Italia settentrionale, Venice, 2008, pp. 233-252. Similar models of this torchere were part of the interior decor collection at the Vanderbilt Mansion in New York (see black and white photo). The Cornelius Vanderbilt II House was a large mansion built in 1883 at 1 West 57th Street in Manhattan, New York City. It occupied the frontage along the west side of Fifth Avenue from West 57th Street up to West 58th Street at Grand Army...

rench Napoleon III Bronze & Glass Mantel Clock By Vincenti & Cie Circa 1870 Dimensions : 19" Tall X 9.25" Wide X 6" Deep This stunning clock was made Vincenti & Cie in the late 19t...