Ed Langbein Dinner Plates

This is a very decorative ironstone pottery Large Dinner Plate produced by the Mason's factory at Lane Delph, Staffordshire, England, circa 1818. The plate is circular with a wavy indented edge & moulded floral detail to the inner rim edge . This Plate is beautifully and elaborately decorated in one of Mason's chinoiserie patterns, called Vase and Rock which is sometimes called Peking Vase and tends to be a rarer pattern. The pattern is very richly hand-painted, over-glaze in brilliant enamels of cobalt blue, burnt orange, green, yellow and puce all in varying shades, over a blue transfer printed...

Gustavsberg Argenta plate, Swedish Art Deco. Stoneware plate with silver inlay, circa 1930s, Sweden. Free shipping within the United States and...

Earthenware plate with matt grey glaze depicting a bull by the celebrated French ceramicist Robert Picault, Vallauris, South of France. Signed to base. THE PLATE IS NOT SOLD WITH T...

A lovely antique French majolica floral plate, circa 1890. This beautiful French country style plate has hand painted pink flowers and leaves on a ligh...

Set of 6 Catalina Island Soft Matte Greenish Blue Dinner Plates from the early 20th Century. 9.5" across. 1930's USA.

Greek Pottery Plate, hand painted, signed by artist on reverse. There's a little eggshell chipping, adding to its charm and authenticity. It was brought back from Greece during the 7...

English green Majolica leaf plate circa 1880. one chip on the back.

Neale & Co. Creamware Set of Ten Plates, Puce Feather Edge, Classical Ruins Circa 1780–1785 Each plate is circular with a shaped rim molded with a feather edge, the molded barbs picked out in puce enamel in short radiating strokes and the edge itself gilded, with unusually strong remnants of the original gilding surviving. The well is transfer-printed in puce with a classical capriccio: a ruined arch on Corinthian columns, overgrown with foliage and carrying a broken entablature, stands before a crenellated wall pierced with arched openings, with a colonnade and a second arch beyond and a distant church spire below a hill. The foreground is strewn with fallen column drums, capitals and blocks of masonry, among which two small figures rest at the right. The reverse of each plate is impressed Neale & Co. and carries an old collector's paper label inscribed in ink Neale & Co. 1778–1788, Chaffers page 704; two plates also retain the blue and silver foil retailer's label of Shreve, Crump & Low Co., Boston. Dimensions: Diameter: 8 3/4 inches (22.2 cm) Height: 1 inch (2.5 cm) Marks: Impressed Neale & Co. on the reverse of each plate, a mark used between 1778 and 1795. Provenance: Shreve, Crump & Low Co., Boston (retailer's label) Earle D. Vandekar of Knightsbridge Condition: Good antique condition. The gilding to the rims is rubbed, as is usual on creamware of this age, but strong remnants remain. References: Diana Edwards, Neale Pottery and Porcelain: Its Predecessors and Successors 1763–1820 (London: Barrie & Jenkins, 1987), p. 126, no. 100, for a large stand...

Wedgwood Majolica plate which features pheasants amongst foliage. Coloration: green, blue, ochre, are predominant. The piece bears maker's mark...

This is a lovely set of early 20th century English Victorian ironstone Imari plates by William Whitely Ltd. of London. There are no chips or cracks, and the back markings have some v...

Fantastic set of mid century ceramic bowls, and plates, in the form of Cantelopes. The set consists of: 1 ) Large Covered Serving Bow...

Set of 6 Green Majolica Leaf Plate signed Gien Primefleur Circa 1950.

Set of 3 green Majolica leaf plates from England. This is a lovely set of three majolica leaf plates in varying shades of green. The molds are crisp and they have varying colors o...

This large hand-painted charger was made by Mintons Art Pottery Studio of Kensington Gore, London. The studio traces its origins to the renowned earthenware and fine bone china factory Minton, located in Stoke-on-Trent, Staffordshire England. Colin Minton Campbell, descendant of founder Thomas Minton, took over company management in 1858 and went on to establish Mintons Art Pottery Studio in 1871 for the purpose of hand decorating pottery and tiles. The studio initially operated under the direction of painter and book illustrator William Stephen Coleman and drew upon the talents of artists studying at the Kensington's National Art Training School, now known as the Royal College of Art, as well as those of well-regarded Continental artists. The company was short lived as it was destroyed by an accidental fire in 1875 and was not rebuilt. This large earthenware charger has been hand-painted in polychrome enamel and depicts two young children at play in the nursery. The scene includes multiple colors and textures and features a cherubic toddler seated upon a bed alongside a young girl standing on a blue footstool...

Mid-Century Green Majolica Leaf Plate.