Edmund Collein Art

From a portfolio of ten gelatin silver prints from original Meatyard negatives (1959-71) Printed April 1974 Edition of 130 Credit stamp, verso 7 x 7 inches, image 15 x 12 inches, mount This photograph is offered by ClampArt, located in New York City. “This image probably owes some of its inspiration to the abnormal characters in the stories of Flannery O’Connor’s 1955 collection, "A Good Man is Hard to Find." But Meatyard was also looking at Giorgio de Chirico and the European Surrealists and here employs their penchant for the lifeless mannequin figure. A headless dressmaker’s dummy...

Terry O'Neill Sean Connery as Bond 1971 (printed later) silver gelatin print 20 x 16 inches Estate signature stamped and numbered edition of 50 with certificate of authenticity Scot...

Ed Feingersh photographed Marilyn Monroe for Redbook magazine in March 1955 for a story which would follow Monroe through her daily routine, the photography to be candid and shot wit...

Spectator Tennis (1938) Silver Gelatin Fibre Print - Oversized (Photo by H. Armstrong Roberts/Alamy) 1st December 1938. Spectators watching a tennis match at a country club. Addi...

This Photograph titled "Mission San Xavier Del Bac, Tucson Arizona" is a gelatin silver print by noted American photographer Huntington Witherill, born ...

A unique, original silver gelatin black and white photograph. A view of Paris and the River Seine from the Notre Dame Cathedral, circa 1950. Features: Original Silver Gelatin Print P...

Ski Jumping (1964) Silver Gelatin Fibre Print - Oversized (Photo by H. Armstrong Roberts/Alamy) A man skiing downhill and jumping into the air, circa 1964...

Shanghai Backstreet (1926) Silver Gelatin Fibre Print - Oversized (Photo by H. Armstrong Roberts/Alamy) Silhouettes in a Chinese backstreet, Shanghai, China, circa 1926. Additio...

Pennsylvania Station (1930) Silver Gelatin Fibre Print - Oversized (Photo by H. Armstrong Roberts/Alamy) Sun rays streaming through the windows...

Ravishing Rampling 1966 Limited Edition Estate Signature Stamped print The exquisitely beautiful young Charlotte Rampling at The Pair of Shoes, a casino in London, 7th September 19...

Last Bus In London by Bert Hardy Limited Edition silver gelatine print A couple saying goodbye on a bus in Shaftesbury Avenue in London, July 1953 . Original Publication: Picture Post - 6576 - Known Your Piccadilly - pub. 4th July 1953 (Photo by Bert Hardy/Picture Post/Hulton Archive/Getty Images Archive London England) Paper size 12x16 inches / 31 x 41 cm Produced utilising the original negative Numbered and stamped by the Getty Archive London Limited edition to 300 only Silver gelatine fibre based baryta paper print Certificate of authenticity included printed 2024 Ships securely from London. Other sizes and Framing available on request. Bert Hardy Bert Hardy Albert William Thomas Hardy (19 May 1913 – 3 July 1995) was an English documentary and press photographer known for his work published in the Picture Post magazine between 1941 and 1957. Life and work Born in Blackfriars, Bert Hardy rose from humble working class origins in Southwark, London. The eldest of seven children, he left school at age 14 to work for a chemist who also processed photos. His first big sale came in 1936 when he photographed King George V and Queen Mary in a passing carriage during the Silver Jubilee celebrations, and sold 200 small prints of his best view of the King. His first assignment, at age 23, was to photograph Hungarian actor Sakall at the Mayfair Hotel. Hardy freelanced for The Bicycle magazine, and bought his first small-format 35 mm Leica. He signed on with the General Photographic Agency as a Leica photographer, later founding his own freelance firm, Criterion. General Photographic Agency General Photographic Agency a Fleet Street, London agency, sold photos at least between 1880-1950. Picture Post and World War II In 1941, Hardy was recruited by the then editor Tom Hopkinson of the leading picture publication of the 1930s to the 1950s, Picture Post. Founded in 1938 and funded by publisher Edward Hulton, the magazine's first editor was Hungarian émigré Stefan Lorant (1901–97) assisted by Hopkinson, who took over as editor from 1940. The picture-centric, left-leaning and reasonably-priced publication was highly successful and circulation soon rose to over a million. Hardy's photographer colleagues included Felix H. Man (aka Hans Baumann...

'Ian Brown Of The Stone Roses' (silver gelatin print Limited Edition) Originally shot for Dazed & Confused Magazine in Old Street London, 1998. A beautiful...