Gleb Derujinsky Art

This will be shipped direct from the artist to you or your framer. In this photograph a silhouetted horse follows a silhouetted figure closely as they trek through a field. The use of abstracted figures helps emphasize the emotional aspect of Kelly's main theme: the bond between humans and animals. Pete Kelly finds his inspiration in nature and the landscape. Specifically focusing on, "The reclamation by nature of urban settings", Kelly finds a particularly strong aesthetic and power in the beauty of the urban landscape. "I try to see beauty around me, drawing beauty from ugliness by capturing close up textures of fading paint or graffiti, or by reducing the shape of the subject to silhouette." Kelly's fascination with photography, the quality, and flexibility of the medium began at a very early age. Born in England in 1966, and as the son of a military man, Kelly spent most of his childhood growing up in West Germany. After leaving school Kelly enrolled in a photography course with the R. A. F Photographic Unit, based in Wildenrath in Germany. Although this initial training lasted only six months, it established a life long passion and dedication to photography. Already an avid traveller, Kelly initially decided to return to the UK,
to study Graphic Design at Stockport College, before moving to America in 1987. After completing an Internship at an innovative commercial photography studio in America,
Kelly began working as a Photographers Assistant. Working closely with a range of photographers allowed him to intrinsically develop his own
refined sense of aesthetic as well as develop and master photographic theory and technique. Now working as a Fine Art Photographer in his own right,
 Pete Kelly utilizes the most cutting edge equipment and techniques,
 painting with photography by compositing and layering photographs...

Monroe Throws the First Pitch 1958 Frank Worth Marilyn Monroe with Ralph Edwards on a baseball diamond, throwing the first pitch to start a game in 1958. Marilyn Monroe was an Am...

Rue Mouffetard Size: 23.6 x 15.7 inches. Edition 6 ex. 5AP Unframed Printed later 1964, Uwe Ommer, a young 20-year-old photographer who recently arriv...

New Mexico Old Boys by Homer Sykes Aztec, New Mexico, June 1971. Men playing dominoes in a bar with a pool table. 1970s USA oversize 30 x 20 inches ...

Blondie Backstage By Martyn Goddard Signed Limited Edition Debbie Harry of Blondie backstage at Alice Cooper gig (Blondie support band) Phila...

Detail of The Three Graces, Antonio Canova (1757-1822), National Collection of Sculpture, Victoria and Albert Museum © Victoria and Albert Museum, London Beautiful Extra Large 60 x ...

Amodaj created the Hoop and Ball series of photographs in June 2010 with dancer and author Shawnrey Notto. The photographs were based on an earlier series of drawings Nenad made of Notto wearing parts of the deconstructed wedding dress during his figure drawing study in Michael Markowitz’s 23rd Street studio in San Francisco. The hoop skirt serves as an augmentation device, a skeletal extension meant to alter the visual perception of the human form. To realize the full associative power of the hoop, Amodaj created a counter-shape to the hoop, a white sphere (the Ball) made from plaster strips, to match the cloth texture and placed it in a dynamic relationship with his model. Notto improvised the poses from Nenad’s drawings in constant slow motion. The whole project was done in two 3-hour sessions with no rehearsals and no replays. The minimalistic setting, uniform lighting, and central vantage point shift perception from a trivial reality to a metaphysical one. The intent was to induce the spectator to spontaneously alternate between the three aspects: the human form, the symbolic function of the skirt, and the geometry of the cone and sphere. The spontaneity of dynamic poses and the imperfections of a handheld camera balance this sparse imagery. The exhibition presents a selection of 15 photographs from a project collection of over a hundred. Most of the series are gelatin-silver prints from a 35 mm film, with a few exceptions for large-scale digital color prints. Amodaj was influenced by the work of Bernd and Hilla Becher's typologies of industrial buildings and František Drtikol’s nudes. In the spirit of Becher’s “typologies,” Amodaj’s Hoop and Ball series of photographs explores endless mutations of the hoop skirt architecture, a clothing item with a curios geometric form that can be classified as a “flexible cone.” It is a form that appears both in nature and in artifice: flowers, bells, horns, nuclear power plants...

Rue Mouffetard Size: 23.6 x 15.7 inches. Edition 6 ex. 5AP Unframed Printed later 1964, Uwe Ommer, a young 20-year-old photographer who recently arriv...

Untitled XIII, (s-15-S4-0012). 2010 by Nico Baixas From the Series Chiromorphose Archival Pigment Print on Hahnemuhle fine art paper Image size: 100 H cm x 100 W cm. Frame size: 127...

Danza de Fortuna by Ricky Cohete Black and White Photography Archival Pigment print Medium size: 36 in H x 24 in W. Edition of 10 + 1AP Unframed 2020 All prices are quoted as "initi...

Alas Tres, by Ricky Cohete From the series "Acto Uno" Archival Pigment print Medium size: 24 in H x 36 in W. Edition of 10 + 1AP Unframed 2020 Black and White Photograph All prices...

Rue Mouffetard size: 20 x 16 inches. Edition 12 Unframed Black and white edition 1964, Uwe Ommer, a young 20-year-old photographer who recently arrive...