Edoardo Landi

Beautiful set of four dining chairs produced in 1973 by LIPTA company in Czechoslovakia. The chairs are made of carved larch wood boards. The chairs show beautiful design originating in the Czechoslovakian folk style. There are beautiful carved details used on the backrest, seat as well as the legs of the chairs. Even the style the backrest is stabilized into the seat shows inspiration in the traditional folk design...

Afra & Tobia Scarpa plywood dining chairs, metal and plywood, Italy, 1973, set of eight. Following the typical geometric line of the Scarpa duo, this particular chair features an er...

Set of Eight Dialogo Chairs Designed by Afra & Tobia Scarpa for B&B Italia, 1973 This set of eight Dialogo chairs features: - Natural beechwood structure - Black lacquered plastic s...

The Environ One Sofa, designed by renowned Italian designer Ennio Chiggio and manufactured by Nikol International in 1970, stands as a rare and remarkable example of Mid-Century Mode...

Gigi Sabadin “Pala” dining chairs for Emme, wood, Italy, 1973, set of two Designed in 1973 by Italian architect and designer Gigi Sabadin, the “Pala” chairs embody the radical experimentation of the Italian Seventies. Their structure reduces the archetype of a chair to an essential gesture: two vertical planes intersected by a suspended circular seat in woven straw. The stark black lacquered wood, resting on a double-base support, highlights the tension between geometric rigor and the organic tactility of natural fiber. Sabadin’s design language resonates with the conceptual explorations of Archizoom, Superstudio, and Gianni Pettena, where furniture transcends function to become a spatial and architectural statement. The radical minimalism of the “Pala” also recalls the self-reduction principles of Enzo Mari...

The Tulip chair, designed by Eero Saarinen in 1956 for Knoll International, is a key piece of mid-century modern design. Saarinen aimed to create a chair that removed the clutter of ...

Pair of Argyle chairs by Charles Rennie Mackintosh for Atelier International, Designed 1897 and exhibited at the Eighth Secession Exhibi...

The “Camaleonda” (Italian word play combining the words ‘chameleon’ and ‘wave’) sofa is Mario Bellini’s contemporary classic. The playful, modular design offers endless options for the user, which also inspired the model’s name. Camaleonda has passed through 5 decades of design history as a true icon. The modules of the sofa defined the aesthetics of an entire era of interior design, thanks to its great success both in terms of the public and critics. It is constantly featured in most international design museums and in the film sets that have defined the collective imagination. The elements that have made this sofa a contemporary classic are the individual modules, their original cutting patterns and the polyurethane padding that forms the characteristic capitonné (a style of upholstery in which the material is drawn in at intervals) design. The seven generous segments of the “Camaleonda” was manufactured with the innovative system of cables, hooks and rings created by Bellini in 1970, which defines the characteristic look and modularity. The fundamental characteristic of Camaleonda is its unlimited modularity, a geometric pattern that allows each element to become an enormous pixel through which to define your home environment. The seven modules’ versatility and the attached tie-rods and rings make it possible to create custom forms. Furthermore, the modules can be unhooked and recombined at will, allowing the sofa to adapt to an evolving taste and needs. A concept which is dear to Mario Bellini: “Of all the objects I have designed, Camaleonda is perhaps the best in terms of its sense of freedom. There are infinite numbers of possible configurations.” Condition: In good vintage condition. Wear consistent with age and use. The three pieces have all been reupholstered recently in a premium bouclé fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information. Dimensions: 98.42 in W x 37.40 in D x 27.55 in H; Seat height 13.77 in 250 cm W x 95 cm D x 70 cm H; Seat height 35 cm Literature: Domus n. 523, giugno 1973, pubblicità; G. Gramigna, Repertorio del design italiano 1950 - 1980, Milano 1985, p. 341. About the designer: Mario Bellini (born February 1, 1935, Milan) is an internationally renowned Italian architect and designer. He received the Golden Compass Award eight times and the Medaglia d’Oro, that was conferred on him by the President of the Italian Republic. The MoMA in New York already dedicated a personal retrospective exhibition to him in 1987. At the time the museum already included 25 of his works in its permanent collection, including a remarkable set of Olivetti machines as well as the furniture for B&B and Cassina. He graduated from the Milan Polytechnic - Faculty of Architecture in 1959 and began working as an architect himself in the early 1960s. Like many other Italian architects, his activities range from architecture and urban planning to product and furniture design. His career as a product and furniture designer began in 1963, and from 1963 to 1991 he was chief design consultant for Olivetti. For many years he designed furnishing products and systems for B&B Italia and Cassina, TV sets for Brionvega, and hi-fi systems, headphones and electric organs...

The Verner Panton fibreglass S chair for Herman Miller, W. Germany 1973 edition. This highly innovative icon of it's time was ground breaking in the process of manufacture and design...

The Environ One Sofa by Ennio Chiggio for Nikol International, 1970, is a rare vintage piece of furniture that exemplifies the best of Mid-Century Modern desi...

Two of the six available chairs are swivel models. All pieces are original; however, the chair tops were refinished at some point. Designed by Eero Saarinen and manufactured by Knol...

Pair of Hans Coray Landi chairs.