Edouard Lievre Decorative Objects

An extremely rare, museum quality pair of Ferdinand Barbedienne ormolu and champlevé enamel vases, circa 1870, certainly designed by Louis Constant Sevin...

Ferdinand Barbedienne, A French Ormolu and Champleve Enamel Jardiniere, C. 1870, The Design Attributed to Louis Constant Sevin. An exceptional qualit...

Ferdinand Barbedienne, An Exquisite Suite of Three French Ormolu and Champleve Enamel Jardinieres / Garniture C. 1870, The Design Attributed to Louis Constant Sevin. Comprising of t...

Ferdinand Barbedienne, A French Ormolu and Champleve Enamel Jardiniere, C. 1870, The Design Attributed to Louis Constant Sevin. An exceptional qualit...

A fine pair of champlevé enamel candlesticks in a chinoiserie style by Ferdinand Barbedienne (1810 - 1892), made in Paris ca.1880. Signed "F. Barbedienne" They are an example of the ...

With an Arabesque rim and decorated with lizards, dragonflies and vines. These unusual vases reflect the European fascination Japan at the turn of the century and delightfully inco...

Émile Coriolan Hippolyte Guillemin, the famous French sculptor, designed these exquisite bronze figural torchères in circa 1880. Guillemin was an accomplished artist, who regularly exhibited at the Salon in Paris from the 1870s-1890s. Indeed, Guillemin showcased the original models for these candelabra at the Salon of 1872 to great acclaim. Guillemin’s designs were realised in bronze by the famous metalworker and foundry owner, Ferdinand Barbedienne. The Barbedienne factory was of the leading producers of artistic bronzes in the 19th century. The firm enjoyed great success, winning multiple awards at the major International Exhibitions of the period. The torchères are signed, ‘Ele Guillemin’ and stamped, ‘F. Barbedienne. Fondeur’, with an ‘A. Collas’ reduction stamp. Described in Barbedienne’s catalogue of 1886 as ‘Deux Femmes, Indienne et Persane’, these torchères take the form of an Indian and Persian woman. Each figure holds a five-light candelabrum above her head, composed of scrolled branches, wide gadrooned drip-pans, and foliate urn-shaped capitals. The Persian woman wears loose trousers, with a small top and short jacket. The Indian woman is dressed in a knotted skirt...

A wonderful pair of bronze vases with high relief by Bardedienne. France, circa 1870.  

A Very Fine Pair of Late 19th Century Napoleon III Rouge Griotte Marble and Patinated Bronze Four Light Candelabra By Levillian and Barbedienne Signed F. Levillian and F. Barbedienn...

A fine quality pair of French Ormolu-Mounted Chinese Porcelain Vases mounted as lamps in mottled blue-ground glaze. Resting on square ormolu base with garland band and ormolu banded ...

Pair of very elegant classicist candlesticks in fine patinated bronze, signed BARBEDIENNE. The execution of the casting is extremely finely worked with delicate leaves on the outer wall of the candlestick, with a head of antiquity on the upper part of the stem which flows into the lower part with fluting and side volutes. The 3 curved legs stand on raised feet with delicate strappy sandals. Measures: The diameter at the top is 3.5cm and at the bottom 13.5cm Ferdinand Barbedienne (* August 6, 1810 in Saint-Martin-de-Fresnay, Calvados department, France; † March 21, 1892 in Paris) was a French sculptor, bronze ware manufacturer, and gallery owner. One of the most important and popular Éditeurs d'art, or publishers of art articles, he had most of the French sculptors of his time under contract. Life and work Ferdinand Barbedienne was the son of a farmer. At the age of 13, he learned the Craft of saddlery. In 1822 he moved to Paris, where he first worked as a clerk in a wallpaper shop. He received start-up capital from his employer to open his own store, which he set up on Rue Notre-Dame-de-Lorette in 1834. He pursued the idea of exhibiting bronze statues in addition to his core business and mass producing them in small format. In 1838, he joined forces with the mechanic Achille Collas, who had developed the machine á reduction (réducteur for short); a device based on the principles of the pantograph that could reproduce three-dimensional objects in any size - reduced or enlarged. On November 29, 1838, both signed the founding contract for the company Société Ferdinand Barbedienne et Achille Collas, which aimed to commercially exploit the mechanized production of sculptural works for an initial 20 years. Barbedienne took care of the commercial management of the company, while Collas contributed the patent on his invention and seven existing machines, and with his profound knowledge of machinery was responsible for the production processes. Together they decided on the subject matter of the objects, the selling prices, and all other financial matters. In 1841, they produced casts of the Apollo of Belvedere, the Spinario, and 21 pieces with the motif of a bas-relief of the Parthenon. These were followed by versions of the Laocoon group, the Venus of Arles, and the Borghese Fencer, among others. Special interest was initially shown in works from antiquity, for which casts from the Atelier de Moulage in the Louvre served as models. The company continued to produce works by representatives of the Renaissance such as Michelangelo, Donatello, Giovanni Bologna or by French sculptors such as Jean Goujon, Jean-François Flamand, Pierre Puget, François Girardon, Antoine Coysevox...

Pair of strict classicistical fire gilded candlesticks France 1840, signed Barbedienne. Strict classicist design with square base, flowers and leaf ornaments in different finish. Decorated and smooth elements in alternation create otically balanced object. The widest part of the stem is 4.0cm Ferdinand Barbedienne (* August 6, 1810 in Saint-Martin-de-Fresnay, Calvados department, France; † March 21, 1892 in Paris) was a French sculptor, bronze ware manufacturer, and gallery owner. One of the most important and popular Éditeurs d'art, or publishers of art articles, he had most of the French sculptors of his time under contract. Life and work Ferdinand Barbedienne was the son of a farmer. At the age of 13, he learned the Craft of saddlery. In 1822 he moved to Paris, where he first worked as a clerk in a wallpaper shop. He received start-up capital from his employer to open his own store, which he set up on Rue Notre-Dame-de-Lorette in 1834. He pursued the idea of exhibiting bronze statues in addition to his core business and mass producing them in small format. In 1838, he joined forces with the mechanic Achille Collas, who had developed the machine á reduction (réducteur for short); a device based on the principles of the pantograph that could reproduce three-dimensional objects in any size - reduced or enlarged. On November 29, 1838, both signed the founding contract for the company Société Ferdinand Barbedienne et Achille Collas, which aimed to commercially exploit the mechanized production of sculptural works for an initial 20 years. Barbedienne took care of the commercial management of the company, while Collas contributed the patent on his invention and seven existing machines, and with his profound knowledge of machinery was responsible for the production processes. Together they decided on the subject matter of the objects, the selling prices, and all other financial matters. In 1841, they produced casts of the Apollo of Belvedere, the Spinario, and 21 pieces with the motif of a bas-relief of the Parthenon. These were followed by versions of the Laocoon group, the Venus of Arles, and the Borghese Fencer, among others. Special interest was initially shown in works from antiquity, for which casts from the Atelier de Moulage in the Louvre served as models. The company continued to produce works by representatives of the Renaissance such as Michelangelo, Donatello, Giovanni Bologna or by French sculptors such as Jean Goujon, Jean-François Flamand, Pierre Puget, François Girardon, Antoine Coysevox...