Edward Bainbridge Copnall was born in Cape Town, South Africa in 1903, and moved to Horsham, West Sussex in England as a young child after the death of his mother. His father, photographer Edward White Copnall (born 1878, Isle of Wight), lived and worked in Horsham from 1915–62. Copnall's uncle was Liverpool-based portrait painter Frank Thomas Copnall (1870-1948). The Copnall family have a long association with Horsham, the street Copnall Way is named after them. The exterior sculptural scheme for the Royal Institute of British Architects new building in Portland Place, London, completed in 1934, was an important early commission. In the Second World War, he worked as a camouflage officer in the Middle East, building dummies as part of the military deception for Operation Crusader. Copnall lived in Burma from 1955 to 1956, and completed 50–60 paintings, mainly portraits, during that time. He was also commissioned to do a memorial of General Aung San, the first Prime Minister of Free Burma. The statue was unveiled in Burma in 1955. Copnall was the president of the Royal Society of British Sculptors from 1961 to 1966. He wrote A Sculptor's Manual, published in 1971, and Cycles: An Autobiography - The Life and Work of a Sculptor, published in 2001. Copnall’s son is artist John Copnall (1928–2007).
Portrait of a Lady in Blue
By Edward Bainbridge Copnall
Located in London, GB
Edward Bainbridge Copnall Portrait of a Lady in Blue 1903-1973 Oil on canvas, signed lower left and dated '30' Image Size: 24 x 20 inches (61 x 50.7 cm) Contemporary style frame Thi...
Canvas, Oil
$4,620Sale Price|20% Off
Portrait of a Lady - British art Post Impressionist 40s drawing female portrait
By Edward Bainbridge Copnall
Located in Hagley, England
A dramatic head and shoulders portrait of a lady in coloured chalks attributed to noted British artist Edward Bainbridge Copnall. This is just a stunning artwork which dates to circa 1940. Signed Bainbridge Copnall. Provenance. Midlands collection. Condition. Coloured chalks on paper, 16 inches by 13 inches and in good colour and condition. Some staining to edges. Housed in its original gallery frame 21 by 18 inches. In excellent condition. Edward Bainbridge Copnall MBE ( 1903-1973) was a British sculptor and painter. He was best known for his architectural and decorative sculptures featuring allegorical and religious subjects. He was the President of the Royal Society of Sculptors from 1961 - 1966. Edward Bainbridge Copnall was born in Cape Town, South Africa in 1903 and moved to Horsham, West Sussex in England as a young child after the death of his mother. His father, photographer Edward White Copnall (born 1878, Isle of Wight), lived and worked in Horsham from 1915-1962. His uncle was Liverpool-based portrait painter Frank Thomas Copnall...
Chalk
Untitled (Man Reclining on Tile Floor)
By Mark Beard
Located in New York, NY
Graphite and conté crayon on paper Signed and dated, l.r. This artwork is offered by ClampArt, located in New York City. Mark Beard, born in 1956 in Salt Lake City, now lives in Ne...
Paper, Graphite, Conté
$1,765
H 13.39 in W 11.03 in D 0.79 in
Half-length portrait of a Pharisee - In the shadow of betrayal -
Located in Berlin, DE
Hermann Prell (1854 Leipzig - 1922 Dresden-Loschwitz). Half-length portrait of a Pharisee, 1885. Sketch for the right-hand figure in the painting Judas Iscariot, 1886. Pencil drawing heightened with opaque white and black chalk on beige-grey wove paper (papier vélin), 34 x 27.8 cm (visible size), 52 x 45 cm (mount), signed, dated and inscribed "H. PRELL 1885 zu 'Judas'". Minor browning, collection stamp on the reverse. - In the shadow of betrayal - About the artwork This painting is the sketch for the head of the Pharisee offering the coins to Judas in one of Herrmann Prell's major works, the painting Betrayal of Judas, completed in 1886. The painting belongs to the Staatliche Kunstsammlungen Dresden and is illustrated in Adolf Rosenberg: Prell, Bielefeld and Leipzig 1901, p. 21 (Fig. 19). It is especially highlighted in Thieme-Becker (vol. 27, p. 376). Hermann Prell, Betrayal of Judas, 1886 The monumental head, which fills the picture and is distinguished by its ornamented robe, is almost a lost profile, which in the executed painting is justified by the Pharisee's turning towards Judas. Despite the fact that the sitter withdraws from the viewer by turning away, it was necessary to artistically elaborate the motivation for the purchase of one of Christ's disciples, which is why the drawing focuses on the expression of the face, while the 'accessories' are treated in a more summary manner. In characterising the face, Hermann Prell performs a balancing act: since the Pharisee, despite his destructive actions, is an actor in the history of salvation, the head must show a dignity appropriate to the event, but at the same time the physiognomy must also bear witness to the scheming attitude that led to the betrayal. To solve this dilemma, Prell draws on the traditional depictions of the heads of the apostles, shading the face to indicate the obdurate darkness of the spirit and moving the base of the nose slightly upwards while the mouth falls away, thus giving a physiognomic expression to the motivation of the action. The fatal drama of the betrayal is expressed in the monumentalisation of the head and in the thunderous white highlights that contrast with the darkness of the chalk. As a study, considered by the artist to be a work in itself, this drawing reveals the pictorial problems and brainstorming of monumental painting. About the artist In 1872 Prell, who was one of the most important exponents of monumental painting of his time, began studying painting with Theodor Grosse at the Dresden Academy of Art and continued with Carl Gussow at the Berlin Academy in 1876. Hans von Marées taught him in Rome in 1878. More influential on his work, however, were Arnold Böcklin and Max Klinger, with whom Prell had been friends since his student days and with whom he worked together on several occasions. Prell's first major work, which established his reputation as a monumental painter, were the frescoes in the banqueting hall of the Architektenhaus in Berlin in 1881/82, commissioned by the state and depicting the different periods of architecture. Prell then went to Italy for two years to study fresco painting. Other major commissions followed. These included monumental frescoes in the town halls of Worms (1884), Hildesheim (1882-92), Gdansk (1895) and Dresden, the staircase of the Silesian Museum of Fine Arts in Breslau (1893/94), the throne room of the German Embassy in Rome (1896-99) and the staircase of the Albertinum in Dresden (1900-1904). From 1886 Prell taught at the academy of arts in Berlin and in 1892 he was appointed professor at the academy of arts in Dresden. His students included Osmar Schindler and Hans Unger...
Chalk
Untitled (Seated Man Facing Left)
By Mark Beard
Located in New York, NY
Conté crayon on paper Signed and dated, l.r. This artwork is offered by ClampArt, located in New York City. Mark Beard, born in 1956 in Salt Lake City, now lives in New York City. ...
Paper, Conté
No Title
By Anita Kapraljevic
Located in New York, NY
Anita Kapraljevic No TItle 2010 Oil on canvas 150 x 119 cm signed, titled and dated on verso Anita Kapraljevic is born in Mostar and lives in Berlin. She studied in Nürtingen Univer...
Canvas, Oil
"N.Z., " Charcoal Drawing
By Mark Bradley Schwartz
Located in Denver, CO
Mark Bradley Schwartz's (US based) "N.Z." is an original, handmade charcoal drawing that depicts the monochromatic portrait of a woman with long...
Paper, Charcoal
$2,800
H 10 in W 10 in
Self Portrait - cool, expressive, male, figurative, oil and collage on canvas
By Daniel Hughes
Located in Bloomfield, ON
In a closely cropped self-portrait, with snowy beard and hair awry, Dan Hughes explores the theme of observational realism. A moment of emotional tension is amplified by blurred feat...
Canvas, Oil
$682
H 20.87 in W 17.72 in D 0.6 in
Early 20th Century French Military Portrait, The Brave Soldier
Located in Cotignac, FR
Early 20th Century French pastel portrait of a military officer by Marie Laforge. The painting is signed dated and dedicated bottom right. The subject's name is written but as yet un...
Pastel
$2,750
H 16.54 in Dm 16.54 in
Spring - Chalk design drawing for a Minton plaque by Herbert Wilson Foster
By Herbert Wilson Foster
Located in London, GB
HERBERT WILSON FOSTER (1846-1929) Spring Inscribed with title beneath the mount Chalk on paper, circular Framed Diameter 42 cm., 16 ½ in. (frame size 61 by 58 cm., 24 by 22 ¾ in.) Herbert Wilson Foster was born in Endon, Staffordshire. He attended Hanley School of Art before continuing his studies in London, Belgium and France. His paintings of rural and domestic subjects were exhibited at the Royal Academy between 1873 and 1899. In 1893 he accepted a teaching position at the Nottingham School of Art, where his pupils included Laura Knight and Harold Knight. Works by him are in the collections of the Minton archives; the Wisbech & Fenland Museum; Leicester Art Gallery; Rushcliffe Council and Nottingham Castle Museum. In addition to his work as a painter he worked as a porcelain painter, working at one point on the tile panels in the Victoria & Albert Museum. He is known to have worked at Mintons from 1872 where he specialized in portraits of contemporary personalities, including members of the Royal Family. This head of a girl was probably intended for a painted ceramic wall charger...
Chalk, Pencil, Paper
$6,000
H 23 in W 18 in
Taos (Timeless Ritual) Native American 1939 Indian Portrait Drawing
Located in Wilton Manors, FL
Boleslaw Cybis (1895-1957). Taos (Timeless Ritual), Indian Negro Series, 6 of 18. Conte on paper, sheet measures 18 x 23 inches. Small tear in sheet left margin. Evidence of alter...
Paper, Conté
$6,000
H 41.34 in W 43.31 in D 1.97 in
Vortex - Dynamic Figurative Work, Charcoal and Conté Drawing on Watercolor Paper
By Patsy McArthur
Located in Dallas, TX
Vortex is a contemporary figurative charcoal and conté drawing on watercolour paper that explores motion, gravity, and the expressive potential of the human form. Rendered in rich mo...
Charcoal, Archival Paper, Conté
Study of a peasant woman.
By Jules Pierre van Biesbroeck
Located in Paris, FR
Study of an peasant woman. Red pastel. Signed. This work will be recorded in the catalogue raisonné of the work of the artist currently in preparation. ...
Mixed Media
$2,750
H 16.54 in Dm 16.54 in
Summer - Chalk Drawing Design for Minton charger by Herbert Wilson Foster
By Herbert Wilson Foster
Located in London, GB
HERBERT WILSON FOSTER (1846-1929) Summer Inscribed with title beneath the mount Chalk on paper, circular Framed Diameter 42 cm., 16 ½ in. (frame size 61 by 58 cm., 24 by 22 ¾ in.) Herbert Wilson Foster was born in Endon, Staffordshire. He attended Hanley School of Art before continuing his studies in London, Belgium and France. His paintings of rural and domestic subjects were exhibited at the Royal Academy between 1873 and 1899. In 1893 he accepted a teaching position at the Nottingham School of Art, where his pupils included Laura Knight and Harold Knight. Works by him are in the collections of the Minton archives; the Wisbech & Fenland Museum; Leicester Art Gallery; Rushcliffe Council and Nottingham Castle Museum. In addition to his work as a painter he worked as a porcelain painter, working at one point on the tile panels in the Victoria & Albert Museum. He is known to have worked at Mintons from 1872 where he specialized in portraits of contemporary personalities, including members of the Royal Family. This head of a girl was probably intended for a painted ceramic wall charger...
Chalk, Pencil, Paper