Edward Bawden Art

Drypoint etching with engraving printed in black ink on Japanese mulberry paper, 4 1/2 x 3 3/8 inches (113 x 84 mm), full margins. In superb condition. A beautiful New York City river...

One of the greatest and most influential films of all time, Lawrence of Arabia was originally released in 1962. Based on the life of T.E. Lawrence, the film was directed by David Lea...

ADOLFO MEXIAC (Mexican b.1927 - ) DESPERTAR, (Awakening) 1960 Linoleum cut signed, titled and dated. image 19 1/4 x 27 1/2. Sheet 24 x 31 1/2 Generally very good condition save for a loss along the top sheet edge and creasing in the lower right part of the sheet. This print was most likely produced at the TGP (El Taller de Grafica Popular...

Framed original vintage London Underground poster Kay Gallwey painted this poster in 1987. Flamingos wade through the water on spindly legs looking for fo...

Sunil Das - Horse - 8 x 5 inches (unframed size) Ink on Paper ( Unframed & Delivered ) Sunil Das was one of India's most important postmodernist painters and rose to prominence thro...

Designed by concert poster artist Bellmer Wright, this beautiful poster was created in 1968 to promote a live concert of The Velvet Underground at the world famous Avalon Ballroom in...

Directed by the great Steven Spielberg and produced by Kathleen Kennedy "Jurassic Park" was released in 1993 and both terrified and amazed audiences worldwide. Going on to spawn a franchise still in full swing today, the film based on Michael Crichton's 1990 novel became the highest grossing film of all-time upon its release, and was also a huge critical success. Featuring the iconic logo from Chip Kidd, this rare original US One-Sheet poster is the teaser design reading "Summer 1993" with the alternate logo colourways. The poster is double sided, created for display in cinema light...

An enchanting Southern landscape by the mother of the Charleston Renaissance. A native of Charleston, South Carolina, and educated under the tutelage of Thomas Anshutz at The Pennsylvania Academy of Fine Arts, O'Neill Verner was a teacher, a mother, an artist, an ardent preservationist, and a skilled autodidact. Having previously focused on painting, in the early 1920s she found herself deeply moved by printmaking as a media, and especially so by the simple, peaceful themes and tableaus she discovered in Japanese art. She embarked on a effort to teach herself Japanese printmaking techniques, and in the process, produced the charming images of every day life in Charleston and its environs that earned her recognition as a cultural icon in her day, and in more modern times, as the mother of the Charleston Renaissance, which flourished well into the 1930s. In 1923 she opened a studio in Charleston where she focused on documenting the local color and the architecture and landscape that distinguishes Charleston as one of the South's most beautiful cities, all the while applying the gentle and poetic thematic sensibilities of Japanese printmaking. O'Neill Verner soon found herself in high demand when municipalities and institutions throughout the country sought commissions from her to document the beauty of their grounds and historic buildings. She worked as far north as the campuses of Harvard and Princeton, and extensively across the South, including in Savannah, Georgia, where through sweeping commissions she was able to marry her love of southern preservation and art. O'Neill Verner was a lifelong learner, and continued a path of edification that led her to study etching at the Central School of Art in London, to travel extensively through Europe, and to visit Japan in 1937, where she studied sumi (brush and ink) painting. She was a founding member of the Charleston Etchers Club, and the Southern States Art League. Her works are represented in the permanent collections of leading museums across the American south, and in major national institutions including the Metropolitan Museum of Art, Boston's Museum of Fine Art, and the Smithsonian American Art Museum. O'Neil Verner...

"Winch" British Linocut Grosvenor School Machine Age 1930 Woman Artist Print "The Winch" 1930. 7 3/4 x 11 (sight) inches. Linocut in colors on tissue...

A beautiful turn-of-the-century lake view of Chicago by an American artist known for his Texas landscapes. Etching with drypoint on watermarked Umbria laid paper with deckle edges, 7 1/4 x 10 7/8 inches (182 x 275 mm), full margins. Signed and numbered 4/25 in pencil, lower margin. In good condition with adhesive residue at the sheet edges on the verso, does not show through to the recto. A lovely Lake Michigan landscape...

A superb impression of this color linoleum cut. Signed and numbered 29/50 in pencil by Picasso. Printed by Arnéra, Vallauris. Published by Galerie Louise Leiris, Paris. Catalogue r...

Etching with drypoint on cream wove paper with deckle edges, 4 3/8 x 12 3/4 inches (233 x 323 mm); sheet 9 1/2 x 15 3/4 inches (240 x 338 mm), full margins. Signed and numbered 4/75 ...