Elizabeth Erlanger Art

A collage lithograph from her series Various Flying Creatures by Kiki Smith titled: "bee." Smith has used one of her animal/insect iconic figures for this glassine paper and wove pap...

A collage lithograph from her series Various Flying Creatures by Kiki Smith titled: "squirrel." Smith has used one of her animal/insect iconic figur...

This vibrant red, blue, orange and yellow lithograph is based on the 1961 Rosenquist oil painting Brighter than the Sun (private collection), with fragmented images from advertising,...

Salvador Dali Autumn from the suite “The Seasons.”, 1972 Color Lithograph. Hand signed lower right. Numbered XC / CC. Sheet size: 76 x 56 cm. Published by Mitsubishi Department Sto...

Lithographic poster with a yellow silk screen overlay on 170gsm paper. Released by CIRCA in 2021. Limited edition of 3,000 prints. 89.4 x 25.4 cm. The print comes with a stamped dat...

Full set of four The Arrival of Spring, Normandy exhibition posters. Published by the Royal Academy, London. 2020. Each 76.2 x 50.8 cm. During the pandemic, Hockney created 116 artwo...

Signed by the artist and numbered 49/50 lower left in pencil. Color lithograph on mauve Wookey Hole handmade waterleaf paper. This print features the encounter between an alluring ...

Artist’s in-plate monogram lower left

This is a rare print, #46 in an edition of 96 that Gwendolyn (Gwen) Knight created while visiting Philadelphia's Brandywine Workshop with her late husband, the artist Jacob Lawrence. It is signed, titled, and dated along the lower edge. The print itself measures 22" x 30" and is professionally framed in a contemporary dark wood frame with muted green and gold double mats under UV protective glass. Framed measurements are 29.5" x 38". This print can also be found in the permanent collections of: - Washington State Arts Commission - Telfair Museums - David Driskell Center, University of Maryland - Seattle Art Museum and many private collectors. Gwendolyn Knight was born in Barbados in 1913. When she was seven, her widowed mother entrusted her to close friends who brought her with them to the United States. In 1926, Knight moved with her foster family from their first home in St. Louis to Harlem, where her developing interest in the arts flowered in the creative atmosphere of the Harlem Renaissance. In Harlem, Knight became a daily participant in the workshop of sculptor Augusta Savage, in whom Knight found a mentor, and Savage's studio became a second home. Through Savage, Knight first came into contact with Claude McKay...

Hand signed, dated and numbered by the artist. Lithograph in colors on Special Arjomari with the Gemini G.E.L. blindstamps, Los Angeles. Sheet size 35 x 48 in. Image size 28.25 x 43....

SALE ONE WEEK ONLY Marc Chagall is clearly a Modernist. Though titled "Summer Night" it could just as easily be identified as a scene from Shakespeare...

The 1977 "Milwaukee MECCA MECCA" poster for Robert Indiana is a bold tribute to the unique floor design of the Milwaukee Exposition Convention Center Arena (MECCA). Robert Indiana, a...