Elizabeth Lennie Paintings

The task was to write in a semi-abstract style about one’s impressions and observations of a nude model.

Paul Wadsworth is one of the UK’s leading exponents of Expressionist paintings. His pieces are heavily worked with layers of richly applied paint, the result is paintings that sing w...

Colourful Market Scene signed by Jacqueline VERDET (French, 1931-2023) oil painting on canvas, unframed canvas: 45.5 x 35 inches condition: the work is in overall very sound and good...

Abstract Composition signed by Jacqueline VERDET (French, 1931-2023) oil painting on canvas, unframed canvas: 46 x 32 inches condition: the work is in overall very sound and good con...

Valley House Gallery presented our first exhibition for Houston artist Otis Huband in the summer of 2014. After a hiatus of over 20 years from regular exhibitions, his work was re-in...

This is a beautiful oil painting by Alexis Portilla, using a palette of jewel colors, bold brushwork and pictographs to create an atmospheric piece. Color, lines and shapes that resemble pictographs and vessels convey symbolism. Vessels are a recurring theme in Portilla's work as symbolic of the potential for the ability to hold and receive. Influenced by the emotion of artistic expression in music, poetry and literature, the artist finds bold expression in color, lines and shapes that resemble pictographs, and texture. Oregon 47 x 65 in. Oil on Canvas Signed on verso Ready to hang: Yes Frame: Not applicable Materials: Oil paint, canvas, wood stretchers Alexis Portilla holds an MFA from Columbia University (1990) and a BFA from Pratt Institute. His work is in more than 250 private collections worldwide and in many international public and corporate collections including The New York Public Library, Harvard University, Pepsi Co., Warner Music Group, PricewaterhouseCoopers, Penn State University, Norwest Venture Partners, and Mikasa Corporation. He has exhibited internationally at venues from New York to Hong Kong, including the Grand Rapids Art Museum in Michigan, Hofstra University Museum in New York, and Monmouth Museum in New Jersey. Alexis Portilla's large scale pieces like Anemone, Black Elk, Thor Twins, Tokyo, Chromatic Fantasy are spectacular pieces in terms of the atmospheric brushwork, colors and textures. His bold linear lines, use of symbols, pictographs and strong colors create atmospheric abstracts. “Alexis is a poet in space and a painter of original feeling… He conveys a constant sense of expansion.” Artist Will Barnet (1911-2012), June 2007 “Using simple forms and creating swathes of rich texture, Alexis Portilla builds atmospheric abstract paintings that convey a sense of time having passed. Brushy areas of color suggest the indeterminacy of memory, while bold linear forms speak for the present." - Meredith Mendelsohn, Art News magazine review The artist Alexis Portilla obtained his Masters of Fine Arts at Columbia University in 1990, and his BFA at the noted Pratt Institute. The artist has shown in group and solo exhibitions. His works have been commissioned by major corporations, universities and for private collections. These pieces and others are available for viewing in Los Angeles. Instruction 1993-1994 Faculty /Adjunct Instructor Department of Printmaking Columbia University New York, NY Awards 1983 – 1994 HEOP/SEOG Full scholarship To attend Pratt Institute, Brooklyn, NY 1984-85 Charles A. Dana Internship and Grant, Pratt Institute, Brooklyn, NY Public Commissions: - April 2007 Penn State University -State College, PA Department of Chemistry Public Collections: - 1996 The New York Public Library, New York, NY Department of Prints and Drawings Roberta Waddell Selected Corporate Collections Harvard Club Cambridge, MA Meredith and Grew Boston, MA Farley White Boston, MA Edwards and Angell Providence, RI Acadian Asset Management Boston, MA Proskauer Rose Boston, MA Mikasa Corporation, Tokyo, Japan First Atlantic Capital, New York, NY Warner Brothers, New York, NY —- SELECTED PUBLIC COLLECTIONS Bryant University, Smithfield, RI Harvard University, Cambridge, MA The New York Public Library, New York, NY Penn State University, State College, PA (commissioned work) SELECTED PRIVATE AND CORPORATE COLLECTIONS Collection of Padma Lakshmi Mikasa Corporation, Tokyo, Japan Pepsi Co., Purchase, NY PricewaterhouseCoopers, Boston (commissioned work) Norwest Venture Partners, Palo Alto, CA Warner Brothers, New York, NY First Atlantic Capital, New York, NY Excel, Bermuda Edwards and Angell, Providence, RI Meredith and Grew, Boston, MA Farley White, Boston, MA Acadian Asset Management, Boston, MA Proskauer Rose, Boston, MA New Star Financial, Boston, MA Cross Harbor Capital, Boston, MA Weil Gotshal & Manges, Providence, RI Partner Reinsurance, Pembroke, Bermuda Hale & Dorr, Washington, DC Bingham Dana & Gould, Boston, MA Total System Services, Columbus, OH Biogen Inc., Cambridge, MA Millennia, Boston, MA Renaissance Worldwide, Waltham, MA Goodwin Proctor & Hoar, Boston, MA and New York, NY X.L. Pembroke, Bermuda Odyssey America RE, New York, NY Greystone Realty Corp., Westport, CT Limerock Partners, Westport, CT Michael Page...

I think of my paintings primarily as landscapes. Recently, these landscapes appear to be more manufactured than organic. At first glance the subjects seem to be monumental forms such...

“Girl with Balloons” was created from a vision aritst Cindy Shaoul had during the height of the pandemic. She wanted to create a piece with a light heart but also translate a message...

Theresa Bernstein Untitled, circa 1990 Signed lower right Oil on canvas 16 x 20 inches Theresa F. Bernstein was born in Philadelphia in 1895 to cultured, middle-class immigrant par...

Sonia Gechtoff False Faces, circa 1950-52 Signed lower right Oil on canvas 30 x 22 1/4 inches Sonia Gechtoff was born in Philadelphia to Ethel "Etya" and ...

Diego Barboza - 1945-2003 Hand signed and dated 1988 Oil on Canvas Diego Barboza was born the Carabobo street of Maracaibo, Venezuela on February 4, 1945. He was a Venezuelan Neo Figurative Painter who is among the most famous and influential figures in Venezuelan art history. Diego Barboza opened a new chapter in Latin America, beyond the surreal or the magical realism of the Modern Latin American Masters. He created a new language of dislocation and transgression. Personages became distorted to the point that was very exaggerated forms His figures twisted and contorted without losing their presence or their pull. Extremities muscles, and bones burst into an explosive compound of divergent and convergent lines. Through eruptive brushstrokes and fractured outlines. Barboza created a world of illusions. Barboza was born into a upper-middle-class family. He stopped going to school at 12 years old, and he registered himself at the School of Visual Art in the City of Maracaibo Venezuela. Barboza studied at the School of Visual Arts in Caracas, Venezuela. Barboza began his training as an artist at age 12 in his native Maracaibo when he left formal education to enroll in the then School of Plastic Arts of Zulia, then Julio Arraga School of Plastic Arts, where he was a student in the modeling, collage and Drawing of Angelina Curiel. His first collages, in the sixties, show the influence of American Pop Art. In 1967 he exhibited at the Ateneo de Caracas his series 'Los Ratones', a proposal then 'criticized by critics as unprecedented in Venezuela'. In his tribute to the film "Nosferatu" Friedrich Murnau included 32 drawings as well as two-dimensional objects. In 1968 he moved to London where he studied at the London College of Printing. From that time is his '30 Girls with Nets', an action in which 30 students of the London College of Printing, dressed in black and covered by white nets, toured London public places, behaving naturally. His 'street expressions', which he later called 'poetic actions', symbolized a breakdown of social restraints through unusual behaviors that sought to provoke public reactions. Upon his return to Venezuela in 1973, Barboza continues with this line of work, being recognized as one of the initiators of Venezuelan conceptual art. In the 1980's Diego Barboza turned to painting, the New Venezuelan Figuration. Here belongings and the feminine figure fill the work of that time, in which he embodied his intimacy and daily life through scenes of furnishings and flowers that included objects from his workshop and home. His nudes were made from live model, then to follow the path of distortion resulting in their unmistakable females: a figure that represented their personal way of appreciating beauty. Barboza presented his first individual exhibition at the Centro de Bellas Artes of Maracaibo Venezuela. In 1963, he traveled to London when the Conceptual Art movement started, he had the support of the London New Art Lab Gallery. On March 7, 1970 Barboza displayed his first work on Conceptual Art, which he called Art of Action. In London with the performance of 30 Girls with nets (30 Muchachas con redes). His second work was Nets and Hats in markets and restaurants (Con sombreros y redes en mercados y restaurantes). In London UK. His third The Centerpiece (El Ciempies) and the fourth Expression on a laundry-mat (Expresiones en una lavandería) In 1974. Baboza returned to Venezuela. Where he presented two very important Conceptual Art works: The Armadillo Box (La Caja del Cachicamo) and from the School of Athens to the New School of Caracas (De la Escuela de Atenas a la Nueva Escuela de Caracas). Closing his cycle of Conceptual Art creation. IN Venezuela a sort of impromptu academy started up at Claudio Perna’s house. Eugenio Espinoza, Roberto Obregón, Antonieta Sosa, Alfred Wenemoser, Yeni and Nan, Sigfredo Chacón, Diego Barboza, Luis Villamizar, Margherita D’Amico, Pedro Terán, Alfredo del Mónaco, as well as international figures who happened to be visiting Venezuela such as Antoni Muntadas, Charlotte Moorman, and Roman Polanski would gather there. Venezuela, especially Caracas, was a rich field of action for modernism in South America. Venezuelan Geometric Abstraction, Op art and Kinetic Art dominated through crucial figures like Jesús Rafael Soto, Gego, Alejandro Otero, and Carlos Cruz Diez, the country’s kinetic art made a fundamental contribution internationally. The Greater London Arts Association and the Arts Council of Great Britain did several exhibitions of (North, Central, South, London, Wales, Scotland and Ulster) to show the actual Visual Arts in all of the United Kingdom and Diego Barboza was invited for this event with a solo exhibition, expressions around a cylinder (Expresiones alrededor de un cilindro). Diego has made numerous solo and group exhibitions, obtaining rewards since 1963. He is represented in the most important museums of Venezuela, as well as in England, Brazil, Colombia and Cuba. In 1986 he was awarded the Municipal Visual Arts Award of the Municipal Council of the Federal District and in 1997 he received the National Prize for Plastic Arts granted by the National Council of Culture, CONAC. Select Group Exhibitions 1964 Ateneo de Caracas, Caracas, Venezuela 1965 Salón Arturo Michelena, Valencia, Venezuela 1968 Salón Oficial Museo de Bellas Artes, Caracas, Venezuela 1971 Art Spectrum London, London, Great Britain 1972 Serpentine Gallery, London, Great Britain 1973 Midland Group Gallery, London, Great Britain 1974 Galería BANAP, Caracas, Venezuela 1975 Casa de Las Américas, La Habana, Cuba Museo de Bellas Artes, Caracas Galería de Arte Nuevo, Buenos Aires, Argentina 1976 Museo de Arte Moderno, Bogotá, Colombia Museo de Arte Contemporáneo, Sao Paulo, Brazil Museo de la Tertulia, Cali, Colombia Bienal de Venecia, Venecia, Italy 1979 Centro de Artes y Comunicación, Buenos Aires, Argentina 1980 Galería NBC, Memphis, Tennessee, USA 1981 Galería de Arte Nacional, Caracas, Venezuela Museo de Arte Contemporáneo, Medellín, Colombia Museo de Bellas Artes, Caracas, Venezuela 1986 Museo de Arte La Rinconada, Caracas, Venezuela 1989 Galería Venzor, Chicago, Illinois, USA 1990 Museo Bellas Artes, Santiago de Chile, Chile 1992 Ambrosino Gallery, Coral Gables, Florida, USA 1993 Museo de Arte de Petare, Caracas, Venezuela Centro de Arte Lia Bermúdez...

Sax Berlin's Skull series form part of his Neo-Expressionist works. Berlin works with speed on these pieces, gives them a sense of urgency. In "person" they are electric and magnetic...