Elizabeth O'Neil Verner Furniture

Elizabeth O'Neil Verner framed dry point etching of St. Phillips Church Steeple, Charleston, SC. Early 20th Century

A pair of circa 1930's English prints with gilt frames. Measurements: Height: 9.5" Width: 7.5" Depth: 1"

Verscheyden Randen En Spitsen Architectural Door Framed Print This print measures: 21.5 wide x 2 deep x 24 inches high This print is in Great Vintage Condition with minor marks, de...

Epoque De Louis XIV Framed Architectural Print This print measures: 21 wide x 2 deep x 25 inches high This print is in Good Vintage Condition with minor marks, dents, and wear. We...

Elizabeth O'Neill Verner (American, 1883-1979) Wrought Iron Gate, 1928 etching signed and titled sight: 2 ⅜ by 3 inches frame: 5 ¼ by 7 inches

American print of St. Michael's church on Meeting Street, Charleston, SC. matted under glass in gilt frame. Elizabeth O'Neil Verner, early 20th century.

A set of three hand-colored etchings by Austrian artist and etchmaker Josef Eidenberger (1899–1991). Each etching depicts a iconic structure of Colonial Williamsburg, Virginia, specifically the Wren Building, the Governor's Palace, and Carter's Grove Plantation. The Wren Building, located at the College of William & Mary, is the oldest college building in continuous use in the U.S, and is depicted with a red brick façade, elegant windows, a large tree, spring foliage, and two figures in colonial dress...

Plate #106 from Giovanni Battista Piranesi's Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegnati ed incisi dal Cav. Gio. Batt. Piranesi, Vol. I (Vases, candelabra, grave stones, sarcophagi, tripods, lamps, and ornaments designed and etched by Cavalieri Giovanni Battista Piranesi), first printed in 1778-1780. Inscribed: At top center: Alla Sig. ra Margherita Earle Dama Inglese / amatrice delle belle arte / In Segno d'Ossequio il Cavalier Gio Batta...

A striking vintage print by celebrated American artist Thomas McKnight, known for his dreamlike architectural interiors and vibrant use of color. Created in the late 1980s to early 1...

A lovely hand-colored etching showing the perspective plan of Venice, taken from the work Il Fiore di Venezia, a portfolio of Venetian paintings, monuments, views, and customs repres...

A late-18th century Italian hand-colored copper engravings, original Italian etchings by Remondini, from Bassano dating back to 1770 circa. The set of four etchings...

The dramatic large, almost 4 foot tall etching is framed with a green ground and gold double border with cream French matting. Copper-plate engraving by Italian artist Giovanni Piran...