Emile Diffloth Furniture

Early 19th century transfer ware Adams dish in a leaf shaped mold in the famous "Blue Willow" pattern. Marked on the underside Adams Tunstall.

Late 19th century English majolica oyster plate with pink and turquoise wells, a blue center for lemon wedges and a brown background.

19th century Majolica leaf dish from England with a lovely fern overlay on a bed of leaves. The white fern leaf is in stark contrast with the bed of green leaves underneath, and sur...

Antique Barbotine majolica ceramic plate - medium size with crescent edge - hand painting featured over raised decoration of birds and flora - unsigned - France - late 19th century. ...

A beautiful English antique Wedgwood Jasperware blue and white oblong jewelry dish in the Neoclassical Style, circa late-19th century, Engl...

A Royal Crown Derby Square Imari ‘383’ Dish, 19th Century Provenance: Private Australian Collection. Description: The chamfered square dish applied with the ‘383’ design, otherwi...

Fabulous piece of late 19th century Satsuma depicting the 5 warriors in excellent antique condition with no issues to speak of. Finely detailed. interior. Have not cleaned the unders...

19th century Italian Majolica dish with Renaissance figures Superb highly decorated Italian Majolica plate with hand a hand painted scene of Roman mythology; The abduction of Sabine...

This decorative ceramic canister showcases a hand-painted grape motif inspired by classic Italian artistry. Designed with a fitted lid, it offers practical storage while serving as a...

A fantastic and rare ceramic charger by Eugenio Pattarino. Vibrant red color and Classic Italian Mid-Century style is represented very well in this piece. Eugenio Pattarino was born in 1885 and passed away in 1971. He was a master sculptor and model maker and taught in art schools in both Venice and Frankfort, Germany. In the late 1940s he opened his own studio in Florence. His factory used both “EPF” and “CAPEF” (Artistic Ceramics Professor Eugene Pattarino) to mark his pieces. His studio is best known for its large religious statutes, many of which reside in a number of churches in Italy and the U.S. In the 1950s Pattarino had more than fifty artists working for him and some among them were considered the best ceramists in Italy. At this time Eugenio was joined by his son, Ranier, and the company began concentrating on more eclectic themes. These pieces, when new, were quite expensive when they were purchased but almost never garner anywhere near their original cost at today's auctions. The factory claimed that the Vatican used Pattarino’s ceramics as gifts to famous visitors, including President John Kennedy, Andre Gide and Paul Sartre. Unfortunately there is no proof to back these claims. As a matter of fact I have discovered that the Pattarino name is almost generally unknown in Italy and even lesser known in Florence. His name is, however, recognized here in the United States and most of the factory’s output can be found in the U.S. where it was imported. In November 1966 the Arno River flooded its bank and inundated most of Florence. Work to restore damaged art...

Ming dynasty celadon glazed charger having fluted interior with plain well center.

A vintage celadon ceramic charger plate with crackled texture. This elegant vintage ceramic charger plate features a delicate celadon glaze that enhances the simplicity and purity of...