Enzio Wenk More Art

Small paintings can make a big statement. Loose, expressive brushstrokes and spontaneous scribbles are accented by a touch of barely-there blue. A quiet sense of mystery invites the ...

Berry Bowen abstract blue and orange painting on canvas. The work is signed, titled, and dated by the artist on the back of the canvas. Artis...

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

Los Angeles artist Marc Raphael's abstract expressionism paintings are influenced by New York's abstract expressionist movement. After encountering Jackson Pollock’s work for the fir...

This abstract painting exudes a sense of fluidity and energy, evoking the impression of light filtering through water or reflections on a shimmering surface. The composition is domin...

Larry Zox Lexington, 1973 Acrylic on canvas 61 x 49 inches Provenance: Andre Emmerich Gallery, New York Janie C. Lee Gallery, Houston, Texas Private Collection, Greenwood Village, Colorado Exhibited: New York, Andre Emmerich Gallery, Larry Zox: New Paintings, March 10 - 28, 1973. Houston, Texas, Janie C. Lee Gallery, Larry Zox, February - April, 1974. A painter who played an essential role in the Color Field discourse of the 1960s and 1970s, Larry Zox is best known for his intensely and brilliantly colored geometric abstractions, which question and violate symmetry. Zox stated in 1965: “Being contrary is the only way I can get at anything.” To Zox, this position was not necessarily arbitrary, but instead meant “responding to something in an examination of it [such as] using a mechanical format with X number of possibilities." What he sought was to “get at the specific character and quality of each painting in and for itself,” as James Monte stated in his introductory essay in the catalogue for Zox’s 1973–74 solo exhibition at the Whitney Museum of American Art. Zox also at times used a freer, more intuitive method, while maintaining coloristic autonomy, which became increasingly important to him in his later career. Zox began to receive attention in the 1960s, when he was included in several groundbreaking exhibitions of Color Field and Minimalist art, including Shape and Structure (1965), organized by Henry Geldzahler and Frank Stella for Tibor de Nagy, New York, and Systemic Painting (1966), organized by Lawrence Alloway for the Guggenheim Museum. In 1973–74, the Whitney’s solo exhibition of Zox’s work gave recognition to his significance in the art scene of the preceding decade. In the following year, he was represented in the inaugural exhibition of the Hirshhorn Museum, which acquired fourteen of his works. Zox was born in Des Moines, Iowa. He attended the University of Oklahoma and Drake University, and then studied under George Grosz at the Des Moines Art Center. In 1958, Zox moved to New York, joining the downtown art scene. His studio on 20th Street became a gathering place for artists, jazz musicians, bikers, and boxers. He occasionally sparred with visiting fighters. He later established a studio in East Hampton, a former black smithy used previously by Jackson Pollock. Zox’s earliest works were collages consisting of pieces of painted paper stapled onto sheets of plywood. He then produced paintings that were illusions of collages, including both torn- and trued-edged forms, to which he added a wide range of strong hues that created ambiguous surfaces. Next, he omitted the collage aspect of his work and applied flat color areas to create more complete statements of pure color and shape. He then replaced these torn and expressive edges with clean and impersonal lines that would define his work for the next decade. From 1962 to 1965, he produced his Rotation series, at first creating plywood and Plexiglas reliefs, which turned squares into dynamic polygons. He used these shapes in his paintings as well, employing white as a foil between colors to produce negative spaces that suggest that the colored shapes had only been cut out and laid down instead of painted. The New York Times noted in 1964: “The artist is hip, cool, adventurous, not content to stay with the mere exercise of sensibility that one sees in smaller works.” In 1965, he began the Scissors Jack series, in which he arranged opposing triangular shapes with inverted Vs of bare canvas at their centers that threaten to split their compositions apart. In several works from this series, Zox was inspired by ancient Chinese water vessels...

John von Wicht (German American, 1888-1970) "On Blue" 1964 Oil and acrylic on canvas Hand signed lower right "V. Wicht", Hand signed, titled, and dated on the stretcher "1964-66" D...

Los Angeles artist Marc Raphael's abstract expressionism paintings are influenced by New York's abstract expressionist movement. After encountering Jackson Pollock’s work for the fir...

Abstract Floral painting with geometric vase by Stephanie Marrott (American, 20th Century). Original acrylic on artists board. Signed lower right "Stephanie Workman Marrott" in pen. ...

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express emotions akin to silent poetry while drawing inspiration for her palette from the layered world around her. Her artworks include layered textures and playful details along the surfaces. This original graffiti-inspired painting measures 24 inches high by 30 inches wide. The sides are painted grey and it does not require framing. It is wired and ready to hang. This painting is signed and titled by the artist on the back. Convenient local Los Angeles area delivery. Affordable Continental U.S. and worldwide shipping. A certificate of authenticity issued by the art gallery is included. Amber Goldhammer is best known for creating vibrant abstract paintings with a street art edge. She originally started painting with pigments, powders, and waxes and went on to experiment with different mediums and processes to keep evolving her artworks. As love and joy are paramount emotions in life, Goldhammer hopes her series incorporating the “I Love You” message expands to reach a wide audience. Connecting people through public art is one way she believes her street murals can impact lives, as it is impossible to view her work and not feel a sense of joy and love. Painting a convergence of color and emotion, she builds and layers bold colors organically, allowing the process to determine the outcome. There is no analyzing, conceptualizing, or judging that takes place. It all happens in the moment, as a union between her, the canvas, and the paint. Amber Goldhammer frequently draws inspiration for her palette from the colors of the ocean, saying, “I get to take in the essence of the ocean every day, which fuels my creativity and brings me peace.” A worldwide collected young artist with ongoing concurrent exhibitions in galleries throughout the United States and Switzerland, Goldhammer's artworks have also been exhibited at major international art fairs. Her original paintings have been showcased in print and online publications, and on such TV series as “Million Dollar Listing,” “Being Mary Jane,” “The Catch” as well as both multi-Emmy® nominated series, “Crazy Ex-Girlfriend”, and “Scandal.” Goldhammer’s art is also featured on Netflix’s original series, “G.L.O.W.” by “Weeds” creator, Jenji Kohan. Artspace Warehouse has been representing and exhibiting Amber Goldhammer's original artworks since 2011. The gallery has been a 1stdibs partner since 2014 with consistently excellent reviews from clients worldwide. The gallery exhibits a large selection of affordable original artworks from established and emerging international artists with diverse backgrounds at high standards. Artspace Warehouse is known to provide accurate descriptions, images, reliable services, communication, and delivery. REPRESENTATION Artspace Warehouse, Los Angeles, California SOLO EXHIBITIONS 2022 Christopher Martin...

Abstract artist Paul Kirley creates visual experiences that connect people to place as though they were dreaming. Links between reality and contemporary abstraction are created as a ...

The Way Home is an original abstract painting by Janet Keith. The Way Home is an expressive, gestural painting evoking a feeling of movement, light and fresh air. The painting is bui...