Erberto Carboni Armchairs

Erberto Carboni 'Delfino' Lounge Chair + Ottoman 1954 for Arflex, Italy. New, Current production. Delfino armchair by Erberto Carboni is a significant example of the so-called "organic" furniture, which develops in the 1950s and draws inspiration from the forms of nature. The Delfino armchair has a strong personality, with a very evident graphic sign, that makes it perfect for both home and hospitality space. This wonderful chair and ottoman are available in a wide range of upholstery options. Please ask us about the possibilities. Designed by Erberto Carboni: Graphic designer, poster designer and illustrator (Parma 1899 - Milan 1984). Graduated in architecture at the Accademia di Belle Arti in Parma (in 1921, earning an honorary diploma), he immediately started working as a graphic designer, opening a studio in his hometown (he developed advertising material for some local companies). He also began to work as an illustrator, collaborating with some publishing houses in setting up the iconography of volumes of consumer fiction and beginning to work with some magazines, such as "Lidel", "Novella", "Dramma", "Emporium", "Le Grandi Firme". In 1932 he moved to Milan, where he came into contact with Studio Boggeri and Olivetti Advertising...

An exquisite pair of Lady lounge chairs, originally designed by the renowned Marco Zanuso for Arflex, Italy in 1951. These remarkable chairs have undergone meticulous reupholstering,...

Gustavo Pulitzer for Arflex, 'Albenga' armchair, suede and hand stitched leather, enameled steel. A streamlined design by Italian designer and architect Gustavo Pulitzer, which wit...

Marco Zanuso "Square" Armchair for Arflex, camel velvet, Italy, 1962. The design of Marco Zanuso's "Square" armchair, produced for Arflex in 1960s, reflects his commitment to modern...

Studio BBPR "Urania" Armchair for Arflex, Italy, 1954 reupholstered in bright curry yellow fabric.

Rare, exceptional pair of 1950s Italian lounge chairs, attributed to Guglielmo Ulrich. Newly upholstered in a premium, brown / grey 100% Alpaca fabric. Very comfortable chairs. If y...

Marco Zanuso for Arflex, lounge chair, black leather, steel, Italy, 1964 This lounge chair by Zanuso remains among the best examples of armchairs designed by the architect. It is no...

Armchair "Fiorenza," designed by Franco Albini in 1952 for Arflex, Italy. A highly collectible model produced for only one year by Arflex. This stunning pair of armchairs features sc...

The continuous search for elegance and simplicity has brought the architect Carlo Colombo to the realization of Katrin Armchair, conceived as a body to be dressed with an elegant and luxurious dress...

Iconic so called 'Lady chair' designed by Marco Zanuso and manufactured by Arflex, Italy, 1951. This lady chair has chrome-plated legs and original upholstery in grey. The upholstery...

Elegant pair of armchairs designed by Maurice Calka for Arflex in the 1960s, model Grand Prix, one of the most iconic Italian design classics of the period. Le sedute presentano la...

Erberto Carboni 'Delfino' Lounge Chair designed in 1954 for Arflex, Italy. New, Current production. Delfino armchair by Erberto Carboni is a significant example of the so-called "organic" furniture, which develops in the 1950s and draws inspiration from the forms of nature. The Delfino armchair has a strong personality, with a very evident graphic sign, that makes it perfect for both home and hospitality space. This wonderful chair is available in a wide range of upholstery options. Please ask us about the possibilities. Designed by Erberto Carboni: Graphic designer, poster designer and illustrator (Parma 1899 - Milan 1984). Graduated in architecture at the Accademia di Belle Arti in Parma (in 1921, earning an honorary diploma), he immediately started working as a graphic designer, opening a studio in his hometown (he developed advertising material for some local companies). He also began to work as an illustrator, collaborating with some publishing houses in setting up the iconography of volumes of consumer fiction and beginning to work with some magazines, such as "Lidel", "Novella", "Dramma", "Emporium", "Le Grandi Firme". In 1932 he moved to Milan, where he came into contact with Studio Boggeri and Olivetti Advertising...