Eric Rhein Sculptures

Artist: Kay Ritter Title: Janitor Medium: Painted Papier-mache on Metal Base, with mop, duster, scrubbing brush, and key chain Year: c. 1983 Size: 52 x 28 x 30 in. (132.08 x 71.12...

Artist: Kay Ritter Title: Florist Medium: Papier-mache with metal watering can, glasses, papier-mache flowers Year: 1995 Size: 57 x 24 x 14 in. (...

Slip is a stone sculpture by contemporary British artist Peter Brooke-Ball (Foundry: Pangolin Editions). Dimensions are 24 × 18 × 10 cm (9.4 × 7.1 × 3.9 in). The dimensions include t...

medium: aluminum (found cans), wire, blue Flashe paint Unique, open edition Available in multiple color/finish options (see second image on listing for options). Installations are made to order, sizes and shapes of butterflies vary and can be oriented leftward or rightward. Ships with installation template and loaner tool kit. Installation can be arranged with JONATHAN FERRARA GALLERY. Paul Villinski is a professional visual artist who has created studio and large-scale artworks for more than three decades. Villinski was born in York, Maine, USA, in 1960, son of an Air Force navigator. He has lived and worked in New York City since 1982. A scenic route through the educational system included stops at Phillips Exeter Academy and the Massachusetts College of Art, and a BFA with honors from the Cooper Union for the Advancement of Science and Art in 1984. He lives with his partner, the painter Amy Park, and their son, Lark, in their studios in Long Island City, NY. His work has been included in numerous exhibitions nationally, recently including the solo exhibition “Passage: A Special Project,” at the Blanton Museum, University of Texas, Austin; “Making Mends,” at the Bellevue Museum of Arts, Bellevue, WA; “Second Lives: Re-purposing the Ordinary,” at the Museum of Arts and Design, New York, NY; and “Prospect .1,” an international Biennial in New Orleans, LA. “Emergency Response Studio,” a FEMA trailer redesigned and rebuilt into a solar-and wind-powered mobile artist’s studio, was the subject of a solo exhibition at Rice University Art Gallery, Houston, TX; the exhibition also travelled to Ballroom Marfa, in Marfa, TX; Wesleyan University’s Zilkha Gallery, Middletown, CT; and the trailer was featured in the New Museum’s “Festival of Ideas for the New City”, in New York, NY. Villinski’s work is widely collected, including major public works created by commission. His studio is currently at work on “SkyCycles,” three full-scale “flying bicycles...

This piece titled "Hotel with Arrow" is original artwork made from paper, basswood, acrylic, anamel, watercolor, pastel by Drew Leshko. This piece measures approx. 12”h x 18”w x 6”d....

This piece titled "Lucky Restaurant" is original artwork made from paper, inkjet print, enamel, wire, chain, aluminum tube, and pastel by Drew Leshko. This piece measures 10"h x 0.75...

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...

Samuelle Green’s work has always been multidisciplinary. Throughout all her mediums; painting, drawing, sculpture, and installation, there is a common thread of subject matter – that...

This piece titled "Pink Panther" is original artwork made from paper, acrylic, enamel, pastel, wire, chain, aluminum, inkjet prints, pvc by Drew Leshko. This piece measures 15”h x 1”...

This piece titled "Fibber McGee's" is original artwork made from paper, acrylic, enamel, pastel, wire, chain, aluminum, inkjet prints, pvc by Drew Leshko. This piece measures 14”h x ...

medium: aluminum (found cans), wire, soot Unique, open edition Available in multiple color/finish options (see second image on listing for options). Installations are made to order, sizes and shapes of butterflies vary and can be oriented leftward or rightward. Ships with installation template and loaner tool kit. Installation can be arranged with JONATHAN FERRARA GALLERY. Paul Villinski is a professional visual artist who has created studio and large-scale artworks for more than three decades. Villinski was born in York, Maine, USA, in 1960, son of an Air Force navigator. He has lived and worked in New York City since 1982. A scenic route through the educational system included stops at Phillips Exeter Academy and the Massachusetts College of Art, and a BFA with honors from the Cooper Union for the Advancement of Science and Art in 1984. He lives with his partner, the painter Amy Park, and their son, Lark, in their studios in Long Island City, NY. His work has been included in numerous exhibitions nationally, recently including the solo exhibition “Passage: A Special Project,” at the Blanton Museum, University of Texas, Austin; “Making Mends,” at the Bellevue Museum of Arts, Bellevue, WA; “Second Lives: Re-purposing the Ordinary,” at the Museum of Arts and Design, New York, NY; and “Prospect .1,” an international Biennial in New Orleans, LA. “Emergency Response Studio,” a FEMA trailer redesigned and rebuilt into a solar-and wind-powered mobile artist’s studio, was the subject of a solo exhibition at Rice University Art Gallery, Houston, TX; the exhibition also travelled to Ballroom Marfa, in Marfa, TX; Wesleyan University’s Zilkha Gallery, Middletown, CT; and the trailer was featured in the New Museum’s “Festival of Ideas for the New City”, in New York, NY. Villinski’s work is widely collected, including major public works created by commission. His studio is currently at work on “SkyCycles,” three full-scale “flying...

This piece titled "Friendly Money Loan" is an original artwork made from paper, plaster, vinyl, acrylic, enamel, polyester, basswood, chain, wire, inkjet prints, and pastel by Drew Leshko. This piece measures 35"h x 16"w x 9"d. Drew Leshko is a Philadelphia, Pennsylvania-based artist. By carving, cutting, and layering varieties of paper and wood, Leshko creates documentary studies of architecture from his neighborhood in an attempt to create a three dimensional archive of buildings that are in transitional periods. The work examines gentrification and history, how historical relevance is determined, and most importantly, what is worth preserving. Working from observation and photographs, the artist painstakingly recreates building facades from his neighborhood at a 1:12 scale...