Erik Gunnar Asplund Furniture

The Gothenburg chair designed by Erik Gunnar Asplund was a 1930s design for the furniture of Gothenburg City Hall. Reissued by Cassina in 1983, the model shows a homage to the histor...

This exceptional pair of armchairs, designed by Gunnar Asplund for the Göteborg Law Courts (1934-37), exemplifies his masterful approach to functional elegance. Asplund, renowned for...

“Senna” Chair by Erik Gunnar Asplund Italy circa 1980 Designed in 1925 for the Swedish Pavilion at the International Exhibition of Decorative Arts in Paris, and reissued in 1980 by C...

The "Parachute" pendant, designed by the eminent architect Erik Gunnar Asplund for Atelje Lyktan in Sweden during the vibrant 1960s, is a captivating embodiment of mid-century modern design ethos. Crafted from frosted opaline glass adorned with chains of matte green metal, this luminaire stands as a testament to Asplund's ingenuity in merging industrial materials with innovative forms. At first glance, the pendant's name, "Parachute," evokes notions of weightlessness and suspension, echoing the graceful descent of a parachute in mid-air. This choice of nomenclature subtly hints at the design's intention to evoke a sense of airy elegance and fluidity. The pendant's material composition is crucial to its aesthetic appeal and functionality. The frosted opaline glass diffuses light...

Large wall lamps by Gunnar Asplund for ASEA, 1950s. These lamps feature a large frosted opaline glass shade, resting on a frame of brass. Condition: Very good original condition wit...

In the annals of mid-century modern design, the Swedish designer and architect, Gunnar Asplund stood out as a luminary, and his delicately sculptural creations, such as this pair of wall lamps from the 1950s, epitomize the era's sophistication and functional beauty. Swedish architect and designer, Erik Gunnar Asplund is celebrated as the godfather of functionalist design in Sweden. Asplund's meticulous attention to detail and penchant for marrying form with function is evident in these wall lamps, combining materials just as ingeniously as forms and shapes. Crafted in the 1950s, these wall lamps feature circular brass mounts that gracefully extend two brass arms, holding both the light bulbs and the large, sculptural opaline glass diffusers. The geometric precision of the design reflects Asplund's architectural background, where clean lines and balanced proportions reign supreme. The lamps serve as great examples of the enduring quality of mid-century Swedish craftsmanship. Swedish mid-century modern design, marked by its emphasis on simplicity and functionality, sought to bring beauty into everyday life. Asplund's pieces encapsulate this ethos, transcending mere utilitarianism to become objets d'art that enhance living spaces. Manufactured by ASEA, a Swedish powerhouse in electrical engineering and industrial design, these lamps embody the marriage of aesthetics and utility. ASEA, founded in 1883, played a pivotal role in shaping Sweden's industrial landscape. Their foray into lighting design seamlessly blended technological innovation with artistic sensibility, making them a prominent player in the mid-century modern movement. The choice of brass and opaline glass as primary materials in these lamps speaks to the enduring appeal of this combination in mid-century modern lighting design. Brass, with its warm and timeless lustre, complements the opulence of mid-century interiors, while opaline glass diffusers disperse light with a soft, ethereal glow. This harmonious pairing endures as a hallmark of sophistication, blending seamlessly into contemporary design aesthetics. Swedish lighting design, deeply rooted in the country's commitment to quality craftsmanship and functional elegance, continues to influence global trends. The enduring popularity of mid-century modern design, exemplified by these Erik Gunnar Asplund lamps...

“GA9” appears to be inspired by a droplet, floating upward the wall. The mouth blown glass with bubbles creates an intricate play between light and shadow, giving the appearance of light travelling through water. Swedish architect and designer, Erik Gunnar Asplund, is celebrated as the godfather of functionalist design in Sweden. Like his celebrated Stockholm City Library, this lamp emphasizes geometric simplicity and clarity of form. The construction of this model is ingenious, with a bent arm holding the glass in place, with yet another arm holding the light source in the centre of the luminaire. The black lacquered metal bends organically into sinuous forms, while the backplate has a polygon shape. Pairing the geometric elements with the more organic one shows Asplund’s great eye for design that was ahead of his time. The large, mushroom-like mouth blown glass shades have distinctive “drops” on their surface, creating a beautiful effect that becomes even more apparent when the light is on. The atmospheric light it creates is not measurable, nor is it functional in the traditional sense. It is easily forgotten, but nevertheless important when creating a space of wellbeing. It is the most basic and fundamental of all lighting principles, one that has been with us since the dawn of time. Asplund’s life and work served as inspiration to a number of Scandinavian design luminaries, such as lifelong friend and mentee Alvar Aalto, as well as Erik Bryggman...

“GA9” appears to be inspired by a droplet, floating upward the wall. The mouth blown glass with bubbles creates an intricate play between light and shadow, giving the appearance of light travelling through water. Swedish architect and designer, Erik Gunnar Asplund, is celebrated as the godfather of functionalist design in Sweden. Like his celebrated Stockholm City Library, these lamps emphasize geometric simplicity and clarity of form. The construction of this model is ingenious, with a bent arm holding the glass in place, with yet another arm holding the light source in the centre of the luminaire. The black lacquered metal bends organically into sinuous forms, while the backplates have a polygon shape. Pairing the geometric elements with the more organic one shows Asplund’s great eye for design that was ahead of his time. The large, mushroom-like mouth blown glass shades have distinctive “drops” on their surface, creating a beautiful effect that becomes even more apparent when the light is on. The atmospheric light it creates is not measurable, nor is it functional in the traditional sense. It is easily forgotten, but nevertheless important when creating a space of wellbeing. It is the most basic and fundamental of all lighting principles, one that has been with us since the dawn of time. Asplund’s life and work served as inspiration to a number of Scandinavian design luminaries, such as lifelong friend and mentee Alvar Aalto, as well as Erik Bryggman...

“GA9” appears to be inspired by a droplet, floating upward the wall. The mouth blown glass with bubbles creates an intricate play between light and shadow, giving the appearance of light travelling through water. Swedish architect and designer, Erik Gunnar Asplund, is celebrated as the godfather of functionalist design in Sweden. Like his celebrated Stockholm City Library, these lamps emphasize geometric simplicity and clarity of form. The construction of this model is ingenious, with a bent arm holding the glass in place, with yet another arm holding the light source in the centre of the luminaire. The black lacquered metal bends organically into sinuous forms, while the backplates have a polygon shape. Pairing the geometric elements with the more organic one shows Asplund’s great eye for design that was ahead of his time. The large, mushroom-like mouth blown glass shades have distinctive “drops” on their surface, creating a beautiful effect that becomes even more apparent when the light is on. The atmospheric light it creates is not measurable, nor is it functional in the traditional sense. It is easily forgotten, but nevertheless important when creating a space of wellbeing. It is the most basic and fundamental of all lighting principles, one that has been with us since the dawn of time. Asplund’s life and work served as inspiration to a number of Scandinavian design luminaries, such as lifelong friend and mentee Alvar Aalto, as well as Erik Bryggman and Arne Jacobsen. An acronym for Allmänna Svenska Elektriska Aktiebolaget (“General Swedish Electrical Limited Company”), ASEA was a Swedish manufacturer of electrical products and industrial infrastructure. The company endures in the hearts of design lovers for their mid-century interior lighting collections produced in collaboration with venerated designers like Gunnar Asplund. Condition: In good vintage condition. Wear consistent with age and use. The metal structure has some marks and scratches. Dimensions: 10.23 in W x 15.74 in D x 10.62 in H 26 cm W x 40 cm D x 27 cm H About the designer: Erik Gunnar Asplund, born in Stockholm in 1885, was a Swedish architect, mostly known as a key representative of the Nordic classicism...

Erik Gunnar Asplund & Asea - Scandinavian Modern An exquisite pair of large vintage wall lamps , designed by Erik Gunner Asplund, brass and decorated frosted and clear glass i str...

Chair designed by Erik Gunnar in 1934-1937. Relaunched in 1983. Manufactured by Cassina in Italy. The Göteborg chair is Erik Gunnar Asplund’s poetic in...

Large wall lamps by Gunnar Asplund for ASEA, 1950s. These lamps feature a large frosted opaline glass shade, resting on a frame of brass. ...