Erik Gunnar Asplund Furniture

The Gothenburg chair designed by Erik Gunnar Asplund was a 1930s design for the furniture of Gothenburg City Hall. Reissued by Cassina in 1983, the model shows a homage to the histor...

This exceptional pair of armchairs, designed by Gunnar Asplund for the Göteborg Law Courts (1934-37), exemplifies his masterful approach to functional elegance. Asplund, renowned for...

“Senna” Chair by Erik Gunnar Asplund Italy circa 1980 Designed in 1925 for the Swedish Pavilion at the International Exhibition of Decorative Arts in Paris, and reissued in 1980 by C...

The "Parachute" pendant, designed by the eminent architect Erik Gunnar Asplund for Atelje Lyktan in Sweden during the vibrant 1960s, is a captivating embodiment of mid-century modern design ethos. Crafted from frosted opaline glass adorned with chains of matte green metal, this luminaire stands as a testament to Asplund's ingenuity in merging industrial materials with innovative forms. At first glance, the pendant's name, "Parachute," evokes notions of weightlessness and suspension, echoing the graceful descent of a parachute in mid-air. This choice of nomenclature subtly hints at the design's intention to evoke a sense of airy elegance and fluidity. The pendant's material composition is crucial to its aesthetic appeal and functionality. The frosted opaline glass diffuses light...

Large wall lamps by Gunnar Asplund for ASEA, 1950s. These lamps feature a large frosted opaline glass shade, resting on a frame of brass. Condition: Very good original condition wit...

“GA9” appears to be inspired by a droplet, floating upward the wall. The mouth blown glass with bubbles creates an intricate play between light and shadow, giving the appearance of light travelling through water. Swedish architect and designer, Erik Gunnar Asplund, is celebrated as the godfather of functionalist design in Sweden. Like his celebrated Stockholm City Library, this lamp emphasizes geometric simplicity and clarity of form. The construction of this model is ingenious, with a bent arm holding the glass in place, with yet another arm holding the light source in the centre of the luminaire. The black lacquered metal bends organically into sinuous forms, while the backplate has a polygon shape. Pairing the geometric elements with the more organic one shows Asplund’s great eye for design that was ahead of his time. The large, mushroom-like mouth blown glass shades have distinctive “drops” on their surface, creating a beautiful effect that becomes even more apparent when the light is on. The atmospheric light it creates is not measurable, nor is it functional in the traditional sense. It is easily forgotten, but nevertheless important when creating a space of wellbeing. It is the most basic and fundamental of all lighting principles, one that has been with us since the dawn of time. Asplund’s life and work served as inspiration to a number of Scandinavian design luminaries, such as lifelong friend and mentee Alvar Aalto, as well as Erik Bryggman...

“GA9” appears to be inspired by a droplet, floating upward the wall. The mouth blown glass with bubbles creates an intricate play between light and shadow, giving the appearance of light travelling through water. Swedish architect and designer, Erik Gunnar Asplund, is celebrated as the godfather of functionalist design in Sweden. Like his celebrated Stockholm City Library, these lamps emphasize geometric simplicity and clarity of form. The construction of this model is ingenious, with a bent arm holding the glass in place, with yet another arm holding the light source in the centre of the luminaire. The black lacquered metal bends organically into sinuous forms, while the backplates have a polygon shape. Pairing the geometric elements with the more organic one shows Asplund’s great eye for design that was ahead of his time. The large, mushroom-like mouth blown glass shades have distinctive “drops” on their surface, creating a beautiful effect that becomes even more apparent when the light is on. The atmospheric light it creates is not measurable, nor is it functional in the traditional sense. It is easily forgotten, but nevertheless important when creating a space of wellbeing. It is the most basic and fundamental of all lighting principles, one that has been with us since the dawn of time. Asplund’s life and work served as inspiration to a number of Scandinavian design luminaries, such as lifelong friend and mentee Alvar Aalto, as well as Erik Bryggman...

“GA9” appears to be inspired by a droplet, floating upward the wall. The mouth blown glass with bubbles creates an intricate play between light and shadow, giving the appearance of light travelling through water. Swedish architect and designer, Erik Gunnar Asplund, is celebrated as the godfather of functionalist design in Sweden. Like his celebrated Stockholm City Library, these lamps emphasize geometric simplicity and clarity of form. The construction of this model is ingenious, with a bent arm holding the glass in place, with yet another arm holding the light source in the centre of the luminaire. The black lacquered metal bends organically into sinuous forms, while the backplates have a polygon shape. Pairing the geometric elements with the more organic one shows Asplund’s great eye for design that was ahead of his time. The large, mushroom-like mouth blown glass shades have distinctive “drops” on their surface, creating a beautiful effect that becomes even more apparent when the light is on. The atmospheric light it creates is not measurable, nor is it functional in the traditional sense. It is easily forgotten, but nevertheless important when creating a space of wellbeing. It is the most basic and fundamental of all lighting principles, one that has been with us since the dawn of time. Asplund’s life and work served as inspiration to a number of Scandinavian design luminaries, such as lifelong friend and mentee Alvar Aalto, as well as Erik Bryggman and Arne Jacobsen. An acronym for Allmänna Svenska Elektriska Aktiebolaget (“General Swedish Electrical Limited Company”), ASEA was a Swedish manufacturer of electrical products and industrial infrastructure. The company endures in the hearts of design lovers for their mid-century interior lighting collections produced in collaboration with venerated designers like Gunnar Asplund. Condition: In good vintage condition. Wear consistent with age and use. The metal structure has some marks and scratches. Dimensions: 10.23 in W x 15.74 in D x 10.62 in H 26 cm W x 40 cm D x 27 cm H About the designer: Erik Gunnar Asplund, born in Stockholm in 1885, was a Swedish architect, mostly known as a key representative of the Nordic classicism...

Erik Gunnar Asplund & Asea - Scandinavian Modern An exquisite pair of large vintage wall lamps , designed by Erik Gunner Asplund, brass and decorated frosted and clear glass i str...

Chair designed by Erik Gunnar in 1934-1937. Relaunched in 1983. Manufactured by Cassina in Italy. The Göteborg chair is Erik Gunnar Asplund’s poetic in...

Large wall lamps by Gunnar Asplund for ASEA, 1950s. These lamps feature a large frosted opaline glass shade, resting on a frame of brass. ...

Lounge chair in black leather upholstery, model GA-2, designed by Erik Gunnar Asplund and produced by Källemo in Sweden, late 20th century. This lounge chair features a magnificent ...