Etienne Henri Dumaige Lighting

Hare & Ballerina sculptural table lamp, hand crafted, moulded and cast. This whimsical table lamp features a playful hare dancing alongside a ballerina by a tree trunk, blending charm and function in a delightful piece of sculptural art. It brings warmth to any space and is sure to bring a smile to your face. The soft glow highlights gold leaf accents on the ballerina's dress and other parts of the lamp, creating a gentle sparkle when illuminated and adding elegance to its delightful design. Hand crafted Hare and Ballerina table...

Bronze Spot Table Lamp by Henry Wilson Dimensions: D 13 x H 21 cm Materials: Bronze Spot light is a direct, sculptural light cast in two parts from solid gunmetal bronze.   Each ca...

Beautiful Art Deco bronze table lamp signed by Fayral. Having female bronze on black marble base. The sculpture has two glass spheres on either side of her that illuminate.. Incredib...

Selection of bronze modernist lamps, American, circa 1950s-1990s. From left to right, they are: 1) Abstract solid bronze lamp, signed, numbered, and ...

Pair of Sculptural Black and Brass Swirl Lamps, American, circa 1950s. Rewired and ready to use.

Brutalist sculptural lamp with gilt surface. Angelic in shape and elegant in movement this sculpture is united with illumination. Heavy gilded sculptur...

Incredible lamps by world renown sculptor Gwen Lux whose commissions are in such historical sites as Radio City Music Hall, General Motors Technical Center, T...

Sculptural modern lamp, believed to be Italian, circa 1960s. It has been rewired and is ready to use. The lamp shade is not included.

A beautifully cast pair of French 19th century neoclassical patinated figural bronze nine arm candelabra after a model by Jaen Jacques Pradier They are signed J. Pradier and were converted into lamps in the 20th century. Each candelabra is cast as classically draped maiden with one representing Phyrne and the other unknown, standing on a circular stepped dark green marble socle base. There are no visible foundry marks on the bronzes. Born in Geneva in 1792 in Switzerland, Pradier was the son of a Protestant family from Toulouse. He left for Paris in 1807 to work with his elder brother, Charles-Simon Pradier, an engraver, and also attended the École des Beaux-Arts beginning in 1808. He won a Prix de Rome that enabled him to study in Rome from 1814-1818 at the Villa Médici. Pradier made his debut at the Salon in 1819 and quickly acquired a reputation as a competent artist. He studied under Jean-Auguste-Dominique Ingres in Paris. In 1827 he became a member of the Académie des beaux-arts and a professor at the École des Beaux-Arts. At the Salon of 1834, Pradier's Satyr and Bacchante...

Gorgeous table lamp with wooden base , made in France during the 1960s. In excellent condition (Original Patina) and in full working order And safe for usage in the World with Euro...

organic form sculptural glazed ceramic lamp by Arpad Rosti. Dark blue-green and grey in color. Best known for his remarkably inventive lamps, trays and vessels designed in organic, free form shapes, Arpad Rosti was a highly versatile artist, equally at home in both the ceramics and enameling fields. While most of his work was done in either clay or metal, in the late 1940s he also ventured into furniture design when he produced a group of tables in treated wood, mosaic, copper, and glass. His one-of-a-kind furniture was exhibited in 1949 at the Chinese Gallery in New York and written up in the New York Times. As further evidence of his wide-ranging talents, in 1972 he was commissioned to produce a stained glass window for a residence in North Caldwell, New Jersey which New York Times critic Joan Cook described as “a miracle of color and light.” Born in Subotica, Yugoslavia in 1909, Rosti studied architecture at the School of Industrial Arts in Budapest. In 1940, he moved with his wife Ilona to the United States and settled in New York where he became a naturalized citizen in 1945. In 1947 his work was featured in an exhibition organized by the Craftsmen’s Equity and presented at the Barbizon-Plaza Galleries in New York. The organization, of which he was President, aimed to “put craft on a business basis without sacrificing the individuality inherent in handmade articles.” Throughout the 1950s Rosti’s work was regularly chosen for the prestigious National Ceramic Exhibitions at the Syracuse Museum of Fine Arts (now known as the Everson Museum). It was included in seven of these exhibitions between 1946 and 1958 and in 1947 Rosti’s work was singled out by the New York Times critic Edward Alden...

The Paris based label has distinguished themselves since their launch, with their iconic use of shagreen mixed with brass and other exotic materials. All furniture is handcrafted by ...