Etienne Labbe Art

This is a beautiful contemporary abstract cityscape photograph of the busy streets of Tokyo. The photograph was taken with a medium format Holga camera and the film is crossed-proces...

Rodrigo Katayama Nature Abstraction #17, Mendoza (Color Abstract Photography) 71 x 48 inches Edition of 5 Archival Pigment Print Unframed

Photographic paper incrusted in DIASEC plexiglass Edition 2/3 DIASEC is the registered trademark for the original method of face-mounting prints, such as photographs on acrylic sheet. The process was invented by Heinz Sovilla-Brulhart in 1969. Due to the light penetration and refraction of clear acrylic compared to normal glass, the colours are more brilliant and the image sharper than with standard glass in a picture frame. A DIASEC mounted is usually of a high gloss finish. Because the print is glued to the acrylic glazing, the result is a completely flat mount of the image. The print is also protected against ultraviolet (UV) light. DIASEC contains an UV light inhibitors to help protect the image from UV light. Bruno Paget...

Rodrigo Katayama Rainforest, Brazil, 2018 41 x 27.5 inches Edition of 13 60 x 40 inches Edition of 9 71 x 48 inches Edition of 5 Archival Pigment Print

Rodrigo Katayama Nature Abstraction #16, Mendoza (Color Abstract Photography) 71 x 48 inches Edition of 5 Archival Pigment Print Unframed

Sergio Ranalli Caribbean Sea, Aerials, 2017 44 x 60 inches Edition of 10 Archival Pigment Print Unframed Ask us for framing options.

Alessandro Puccinelli Mare #345, 2018 Seascape 20 x 20 inches Edition of 15 32 x 32 inches Edition of 10 40 x 40 inches Edition of 5 Archival Pigment Print

Rodrigo Katayama Nature Abstraction #3, Rainforest (Color Abstract Photography) 71 x 48 inches Edition of 5 Archival Pigment Print Framed

Photographic paper incrusted in DIASEC plexiglass Edition 1/5 DIASEC is the registered trademark for the original method of face-mounting prints, such as photographs on acrylic...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images. In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination. Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance. Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future. From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs. --- RIOUX started the Renaissance project in 2016. Renaissance further develops themes explored by RIOUX in his earlier series Turquoise Default. It is not merely a progression however, but also a contrast. This new series poses questions about hope, which is perhaps now more relevant than ever. “Renaissance invokes in us a sense of uncertainty and a self-awareness of our limits, of an infinity made apparent by the horizon line, the vanishing point, the moment in any spatial or temporal projection beyond which we can no longer see, but from which, nonetheless, we know the universe carries on. At the same time it poses a choice to us: do we accept the openness of abstraction or do we insist on imposing a (false) certainty of representation in what we see in these images. Hope is a faith made possible by uncertainty and the unknown, by an understanding that history and the future are creative acts, works of art in which we all participate.” Neal Rockwell There are 18 pieces in the RENAISSANCE collection. Each archival pigment print is produced under the supervision of the artist. The print is mounted under a single piece of 1/4"/ 6 mm gallery...

Rodrigo Katayama Nature Abstraction #10, 2018 71 x 48 inches Edition of 5 Archival Pigment Print Framed

Alessandro Puccinelli Nazare, Portugal, Waves, Seascape Photography, 2019 Seascape - From the Mare series - Framed 27 x 40 inches Edition of 10 ...