Etienne Ret Art

Work on paper Gilded wood frame with glass pane 78 x 59 x 3 cm

The work is mostly black and white to indicate that this is a night scene. On closer inspection, you will see areas of magenta and ivory throughout The publisher's label on verso ide...

Original oil pastel and gouache figure drawing by celebrated, twentieth-century California landscape painter, Ronald Shap. Sketch of nude man bent over. 24x18 inches. Signed. Some p...

Life's journey twists and turns, Ups and downs, joys and burns. Moments sweet, moments sour, Such is life, in every hour. Dreams bloom, dreams fade away, Hopes rise, hopes fade to g...

This lovely impressionist painting portrays what appears to be a family outing or picnic. There are many beautifully dressed women with their children in a park setting. Oddly, what appears to be missing are men, or their husbands. Perhaps it’s a women’s organization that included their young children. The scene must depict late spring or summer, given the foliage and their beautiful dresses. The colors are bright and cheerful and the late impressionist style is clearly evident. The artist appears to have signed the painting lower left, but it is very difficult to completely decipher. The date, 1925, seems to be clearer. All in all, this work is a one-of-a-kind period painting that will enhance any sophisticated room or setting. The frame is a soft lemon gold period cove frame that may be just a bit older than the work by about 10 years. This work has been recently professionally repaired, cleaned and varnished. Both the painting and the frame are in very good condition. There are a few professional repairs to the canvas, only visible from the patches shown on the backside. The frame has a few minor blemishes here and there, expected with its age. The canvas measures 18” x 22” and the overall framed dimensions are 24 1/2” x 28 1/2”. Visible on the reverse side is a vintage label that reads “Art...

Painting measures 10 ½" x 16" and framed 20 ½" x 26" x 4"

Hamilton Hamilton (American, 1847-1928) A large and impressive oil on canvas "Othello and Desdemona" after the William Shakespeare's play "Othello", depicting a young Desdemona pleading with an enraged Othello, and perhaps Iago is the seated figure, within a giltwood craquelure finished frame. Signed (l/r): H. Hamilton, 1921 . Canvas Height: 67 inches (170.2 cm) Canvas Width: 48 inches (121.9 cm) Frame Height: 75 inches (190.5 cm) Frame Width: 57 inches (144.8 cm) Frame Depth: 2 inches (5.1 cm) Hamilton Hamilton (1 April 1847 – 4 January 1928) was a painter and etcher, known mostly for his landscapes of the American West. Born in Oxford, England, he lived most of his life in the Eastern United States. He painted landscapes in New York, Connecticut, the American West, England, and France. He also painted portraits and drew illustrations. Artistic career Hamilton Hamilton was born in Oxford, England, on 1 April 1847. While young, he was a protégé of John Ruskin. In 1872, he began his mostly self-taught career as a portrait artist in Buffalo, New York. He created 47 landscape paintings during an 1873 expedition to Colorado which were chosen to be part of the 1876 Centennial Exposition in Philadelphia. He spent 1878 and 1879 painting in Pont-Aven, Brittany, alongside Barbizon School painters. He moved to New York City in 1881 and shortly after began to practice genre painting and etching.[6] He became an associate member of the National Academy of Design in 1886 and a National Academician in 1889. Until the end of the century, he and his family resided alternately in upstate New York, Long Island, Colorado, and England.[6] In 1907 and 1908, Hamilton spent two years painting landscapes in Southern California. In 1912 he and his family permanently moved to Norwalk, Connecticut. There he became involved with the Silvermine group of artists led by Solon Borglum...

At the heart of "Shadows and Diamonds," we encounter the theme of shadows. John ingeniously uses shadows to represent the obscured aspects of our individuality, the parts of ourselves that are hidden from the outside world. These shadows can be seen as the unexplored depths of our personality, our fears, or our secrets. The young man in the artwork seems to embrace his shadows, suggesting a willingness to acknowledge and confront those hidden aspects of his being. By portraying shadows as an integral part of the artwork, John challenges us to embrace our own shadows and accept them as essential components of our identity. The shadows in "Shadows and Diamonds" serve as reminders that the multifaceted nature of human existence is not limited to what is visible on the surface but extends far beyond, into the realm of the intangible and the mysterious. While shadows represent the hidden aspects of self, diamonds in the artwork symbolize the facets that shine through, the qualities and characteristics that we choose to reveal to the world. Diamonds are known for their brilliance and sparkle, and in "Shadows and Diamonds," they represent the positive attributes that we proudly display to others. They symbolize our achievements, our talents, and the qualities that make us unique and valuable. Through the juxtaposition of shadows and diamonds, John invites us to reflect on the delicate balance between revealing and concealing different aspects of our identity. The young man's beaded necklace, adorned with diamonds, suggests a celebration of self-discovery and the courage to embrace and showcase the diverse elements that constitute our true selves. In addition to the symbolism present within the artwork, Makama John...

Original oil pastel and gouache figure drawing by celebrated, twentieth-century California landscape painter, Ronald Shap. Sketch of a nude man. 18x24 inch...

Original oil pastel and gouache figure drawing by celebrated, twentieth-century California landscape painter, Ronald Shap. Sketch of woman sitting with...

Pointillist Reclining Male Nude by Louis Bellon (French 1908-1998) initialled lower right gouache painting on paper, unframed measurements: 5.5 x 10 inches (overall the sheet measures 8.25 x 11.9 inches) provenance: private collection of the artists work, Provence, France Condition report: very good, colour strong, thin paper, margins of sheet show light marks but image is clean Beautiful Neo-Impressionist 1940's French pointillist...

Woman in a garden. Oil sketch on cardboard. Unsigned. This work will be recorded in the catalogue raisonné of the work of the artist currently in preparation. Jules Van Biesbroeck was the son of Jules Evariste van Biesbroeck, a painter of Ghent, but was born in Italy, in Portici, near Naples, while his parents were staying there. (In the 19th century many artists made educational trips to Italy). It was a long visit: the child was two years old by the time the family returned to Ghent.[1] After a short period of practice with his father, van Biesbroeck was enrolled in the Academy of Fine Arts in Ghent. His first painting, "The Shepherd" (French: Le pâtre), was sold at the Triennale in Ghent. In 1888, when he was only 15 years old, he made his debut at the "Salon des Champs-Elysées" in Paris with his monumental work "The Launch of the Argo" (French: Le lancement...