Ewa Bathelier Art

The present work of art titled "Urban Abstraction (ripped off posters)" is part of a series of paintings that the artist composed in the 1980s and 1990s inspired by the observation of the urban reality of those years. The artist take the cue from his walks in Florence, both in the center and in the suburbs, and by the observation of billboards and posters scattered throughout the city. The mass of information, colors, messages and words were carried on the canvas with acrylic colors, ideally reconstructing the tears and overlaps of all the information and advertising contained on these huge sheets of paper that invade our cities. The geometric lines are overlaid with jagged lines, overlaps and color dripping and also the choice in the color palette, with different shades of white, gray, rose, orange red and blue helps in rendering the result of the tears and ripped paper. The result is a beautiful multicolored modern abstract canvas, both aesthetically and ethically, with many rich layers of color, texture and expression in which the artist leaves his own message. The painting is housed in a simple modern white lacquer wood frame. Andrea Spinelli...

CARLOS MERCADO ABSTRACT Inspired in the work of Franz and Ives Klein This body of work was produced during the initial months of the lock down due to the pandemic. This tragedy crea...

Retna's art is critiqued as a unique, transcultural visual language blending calligraphy, graffiti, and hieroglyphs, offering a meditative, rhythmic experience that challenges viewer...

Diane Ayott’s abstractions on paper, canvas, and panel are luxuriously physical objects resulting from the accrual of layer after layer of paint, color, and pattern, launched by imag...

Acrylic paint on canvas Hand-signed lower right « Here the barbaric or savage ceremonies of New Guinea take on the air of Rio carnival. Here the vitality bursts and the colors dance...

Acrylic paint on canvas Hand-signed lower right by the artist THE IMAGINARY LAND OF ZAHRA ZEINALI “Over time Zahra Zeinali develops her universe, which evolves slowly according to ...

Acrylic paint on canvas Hand-signed low in the center « Here the barbaric or savage ceremonies of New Guinea take on the air of Rio carnival. Here the vita...

This edge filled canvas illustrates a dichotomy of calmness and chaos utilizing an intentionally limited palette, primarily of gold and deep purple. “Hearts Ablaze” invites the eye t...

Acrylic paint on canvas Hand-signed lower right « Here the barbaric or savage ceremonies of New Guinea take on the air of Rio carnival. Here the vitality bursts and the colors dance the jig while thundering. A charivari of African masks, children's drawings and neon colors invades the meticulously meshed backdrops with volcanic overflows. It seems that within a kindergarten class, merry feathered wizards have joined together to cover the canvas or the paper with totemic figures strewn with the most inventively unexpected graffiti, in a creative frenzy so bubbling that the anarchy that threat recovers as in spite of itself a semblance of balance. The graphic design performs an enveloping and virtuoso dance that passes from the most wisely academic exercise to the most exuberant and Dionysian lyrical expressionism. It's flamboyant, paroxysmal and wonderfully joyful. Should we detect here any influence of the spirit of "outsider art", today widespread worldwide? Perhaps, but then it is undeniable that the personal temperament of Mohammad ARIYAEI...

Acrylic paint on paper Hand-signed lower right « Here the barbaric or savage ceremonies of New Guinea take on the air of Rio carnival. Here the vitality bursts and the colors dance ...

Acrylic paint on canvas Hand-signed and dated lower right

This painting by Roger Martin (1925–2015) depicts the "Dry Salvages," rock formations off the coast of Rockport MA made famous in T. S. Eliot's poetry. The...