Felice Zennaro Decorative Objects

Elizabeth O'Neil Verner framed dry point etching of St. Phillips Church Steeple, Charleston, SC. Early 20th Century

Oil on canvas, painting by Georges Picard, spring, early 20th century, Art Nouveau period. Painting, oil on canvas by Georges Picard representing an interpretation of spring, early ...

Silvio Gambini Italy, 1913 Art Nouveau Iron Gate Drawing on paper Wood Frame Artist Sign below on the right Size drawing: 27.5x39 Frame size: 77.5x61x2.5 cm Silvio Pellico Gamb...

This black and white etching by Almery -Lobel Riche is in a custom gold leaf frame with deep cut beveled silk mat. The etching is of woman leaning over cha...

Antique charcoal on paper, an unusually large depiction of a mythological couple with entwined tails, seated on stylized waves with marine flora and shells. The dramatic scale, anato...

Original charcoal drawing by Jules Chéret (1836–1932), portraying a cabaret dancer mid-movement, wearing a voluminous dress and elaborate hat. Cheret lived in Mont Martre in Paris an...

Antique charcoal on paper, a large-scale depiction of three intertwined figures rising from stylized waves, one figure with arm raised in a dramatic gesture. Below, fish and sea plan...

1900s Indian portrait on paper of man with turban. Part of a private collection.

An original watercolor design for a teacup and saucer, attributed to the Alt-Wiener Porzellan Fabrik, Vienna, circa 1840–1850. This finely executed drawing, used as a working prototy...

An original watercolor and gouache drawing for a porcelain cup and saucer design, attributed to the Alt-Wiener Porzellan Fabrik, Vienna, circa 1840–1850. This elaborate geometric sch...

Walter Shirlaw (1838-1909) Study for decorative panel Pencil and watercolor on paper mounted on paperboard Measures: 62.5 x 74 x 5 cm (with frame) 50.5 x 62 (without the frame) Signed in the circle lower right Born near Glasgow in Scotland, Walter Shirlaw settled with his family in New York in 1841, when he was two or three years old. As a young boy, he took night classes at the National Academy of Design, and first exhibited his work there in 1861. The first years of his career were spent as an engraver at the American Bank-Note Company, while at the same time attempting to establish himself as a painter. He later moved to Chicago, where he continued to work as an banknote engraver and also taught art at the Chicago Academy of Design. In 1870, at the relatively late age of thirty-two, Shirlaw travelled to Europe to study. Prevented from settling in Paris by the Franco-Prussian War, he instead studied in Munich, where he joined the small group of American painters working in the city, including Frank Duveneck and William Merrit Chase...

This portrait of a woman in red chalk was executed by Armand Point in 1905. A lover of Italy from 1893 onwards, Armand Point (1861-1932) was notably influenced by the Florentine Pri...