Felice Zennaro Decorative Objects

Pannello decorativo disegno Astratto ceramica 1960s Pannello decorativo astratto anni 60 Descrizione: Pannello decorativo in ceramica con motivo astrattista realizzato in Ita...

Silvio Gambini Italy, 1913 Art Nouveau Iron Gate Drawing on paper Wood Frame Artist Sign below on the right Size drawing: 27.5x39 Frame size: 77.5x61x2.5 cm Silvio Pellico Gamb...

Elizabeth O'Neil Verner framed dry point etching of St. Phillips Church Steeple, Charleston, SC. Early 20th Century

Antique charcoal on paper, an unusually large depiction of a mythological couple with entwined tails, seated on stylized waves with marine flora and shells. The dramatic scale, anato...

A charcoal drawing of an art model male nude in custom modern frame. During the Art Nouveau period emphasizing natural forms and structures.

Charming original charcoal drawing of a nude woman by the renowned French artist Jean-Louis Forain. This drawing is imbued with the finesse of his line and his sensitivity to capture...

1900s Indian portrait on paper of man with turban. Part of a private collection.

A beautiful charcoal drawing of a seated male nude in a modern custom frame. Signed upper right (illegible).

Walter Shirlaw (1838-1909) Study for decorative panel Pencil and watercolor on paper mounted on paperboard Measures: 62.5 x 74 x 5 cm (with frame) 50.5 x 62 (without the frame) Signed in the circle lower right Born near Glasgow in Scotland, Walter Shirlaw settled with his family in New York in 1841, when he was two or three years old. As a young boy, he took night classes at the National Academy of Design, and first exhibited his work there in 1861. The first years of his career were spent as an engraver at the American Bank-Note Company, while at the same time attempting to establish himself as a painter. He later moved to Chicago, where he continued to work as an banknote engraver and also taught art at the Chicago Academy of Design. In 1870, at the relatively late age of thirty-two, Shirlaw travelled to Europe to study. Prevented from settling in Paris by the Franco-Prussian War, he instead studied in Munich, where he joined the small group of American painters working in the city, including Frank Duveneck and William Merrit Chase...

This turn-of-the-century French academic charcoal drawing captures a standing nude figure from behind, evoking a quiet introspection. The figure’s pose...

The drawing is a pastel work from the late 19th or early 20th century and it features a female nude seated in a chair smoking a cigarette. It is titled "Gisele." The artist's signature on the piece is "M. van Bever de la Quintinie." The technique used here is pastel drawing, a medium where artists use sticks of pigment to create various hues on paper. The nature of pastel allows for soft textures and subtle blending of colors, which is evident in the gentle gradations on the figure's skin and the velvet texture of the seat. The model used named 'Gisele' could potentially refer to the remarkable lady by the name of Gisèle d'Estoc. Gisèle d’Estoc was the pseudonym of a nineteenth-century French woman writer and, it turns out, artist who, among other things, was accused of being a bomb-planting anarchist, the cross-dressing lover of writer Guy de Maupassant, and the fighter of at least one duel with another woman, inspiring Bayard’s famous painting on the subject. The true identity of this enigmatic woman remained unknown and was even considered fictional until recently, when Melanie C...

This beautiful pencil drawing, created in 1905 by Théophile Alexandre Steinlen (1859–1923), depicts a delicate female nude. The work is monogrammed "ST" in the lower right corner and...