Felice Zennaro Bowls and Baskets

This pair of Italian academic charcoal drawings captures the grace and disciplined form of classical male nudes. One portrays an artist's model, his pose reflective and studied, whil...

Elizabeth O'Neil Verner framed dry point etching of St. Phillips Church Steeple, Charleston, SC. Early 20th Century

Silvio Gambini Italy, 1913 Art Nouveau Iron Gate Drawing on paper Wood Frame Artist Sign below on the right Size drawing: 27.5x39 Frame size: 77.5x61x2.5 cm Silvio Pellico Gamb...

Oil on canvas, painting by Georges Picard, spring, early 20th century, Art Nouveau period. Painting, oil on canvas by Georges Picard representing an interpretation of spring, early ...

This black and white etching by Almery -Lobel Riche is in a custom gold leaf frame with deep cut beveled silk mat. The etching is of woman leaning over cha...

Antique charcoal on paper, an unusually large depiction of a mythological couple with entwined tails, seated on stylized waves with marine flora and shells. The dramatic scale, anato...

Charcoal Drawing Inspired by the Mano dell Davide, Venice.Overall, charcoal drawing is a dynamic and expressive medium that offers artists a wide range of creative possibilities. It'...

Original charcoal drawing by Jules Chéret (1836–1932), portraying a cabaret dancer mid-movement, wearing a voluminous dress and elaborate hat. Cheret lived in Mont Martre in Paris an...

Walter Shirlaw (1838-1909) Study for decorative panel Pencil and watercolor on paper mounted on paperboard Measures: 62.5 x 74 x 5 cm (with frame) 50.5 x 62 (without the frame) Signed in the circle lower right Born near Glasgow in Scotland, Walter Shirlaw settled with his family in New York in 1841, when he was two or three years old. As a young boy, he took night classes at the National Academy of Design, and first exhibited his work there in 1861. The first years of his career were spent as an engraver at the American Bank-Note Company, while at the same time attempting to establish himself as a painter. He later moved to Chicago, where he continued to work as an banknote engraver and also taught art at the Chicago Academy of Design. In 1870, at the relatively late age of thirty-two, Shirlaw travelled to Europe to study. Prevented from settling in Paris by the Franco-Prussian War, he instead studied in Munich, where he joined the small group of American painters working in the city, including Frank Duveneck and William Merrit Chase...

1900s Indian portrait on paper of man with turban. Part of a private collection.

An original watercolor design for a teacup and saucer, attributed to the Alt-Wiener Porzellan Fabrik, Vienna, circa 1840–1850. This finely executed drawing, used as a working prototy...

An original watercolor and gouache drawing for a porcelain cup and saucer design, attributed to the Alt-Wiener Porzellan Fabrik, Vienna, circa 1840–1850. This elaborate geometric sch...