Felix Ziem Landscape Paintings

Félix ZIEM Beaune 1821 - Paris 1911 Moonlight, View of the Bay of Nice from Saint- Hélène Oil on panel Signed, dated and dedicated in pen lower right “Hommage à Madame Madinier Zie...

Signed orientalist landscape oil on canvas circa 1875 by French impressionist painter Felix Francois Georges Philbert Ziem. The work depicts a view of a town beside the River Nile. A...

Signed orientalist landscape oil on canvas circa 1875 by French impressionist painter Felix Francois Georges Philbert Ziem. The work depicts the Santa Maria della Salue - an important Roman Catholic church - which stands on The Grand Canal in Venice. In the distance the Campanile can be seen on the far left hand side of the canal. Gondola's can be seen travelling down the blue water of the vast canal. Signature: Signed lower right Dimensions: Framed: 33"x39" Unframed: 26"x32" Provenance: This work appears under reference 1236 in Pierre Miquel's catalogue raisonne of Felix Ziem. This work was exhibited at the American Art Association in New York - 1917 The authenticity of this work has been confirmed by the Association Felix Ziem (Mr. David Pluskwa & Mr. Ary Jan) and will be included in the forthcoming update to the catalogue raisonne of Felix Ziem. A certificate of authenticity from the Association Felix Ziem is available on request. Private collection United States. Félix Ziem's father was a Croat who settled in Bourgogne in 1814, and his mother was from the same region. He studied at the École d'Architecture et des Beaux-Arts in Dijon, which had been founded and was run by the painter Anatole Devosge, a pupil of David. He received a second prize in drawing and architecture in 1839. In 1841, after a long journey on foot, he settled in Nice, where he began to receive commissions from the city's bourgeoisie. From 1842, he travelled in Italy, visiting Rome, before discovering Venice, which became his second home. Between 1845 to 1892 he visited Venice regularly, often for several months in the year; he worked from his boat, which served as his studio as well as his living quarters. Ziem was a complete painter, at ease in portraits, still-lifes, flower painting and genre scenes, of both history and contemporary subjects. Nevertheless, he is most known for his landscapes. His body of work includes numerous watercolours. In his drawings, and especially in his travel journals, while showing his taste by his selection and composition of subjects, he left a precious testament of his times. After Guardi and Canaletto, he affirmed a new vision of Venice...

Signed bottom-right.

Félix-François Georges Ziem 1821-1911 French View of Venice Signed “Ziem” (lower right) Oil on canvas The city of Venice was a favorite subject for French artist Félix-François G...

"Soir de Fete - Venice" A fascinating impressionist oil on panel circa 1870 by Felix Francois Georges Philbert Ziem depicting a gathering of people having a nighttime celebration on ...

A lovely oil on panel circa 1885 by Felix Ziem depicting a gondola on the water in Venice as the sun sets behind. Signed lower right. Dimensions: Framed: 11.25"x15.25" Unframed: 8.2...

Oil on panel circa 1880 by Felix Ziem depicting a gondola on the canal in Venice at twilight, the crescent moon reflecting in the dark water below. Stamped with the cachet of the artist's Atelier verso. Dimensions: Framed: 9"x12" Unframed: 7"x10" Provenance: This work has come directly from the artist's Atelier and is stamped with Ziem's cachet verso and numbered 584. The work is further numbered 584 recto on the lower right of the panel. Félix Ziem's father was a Croat who settled in Bourgogne in 1814, and his mother was from the same region. He studied at the École d'Architecture et des Beaux-Arts in Dijon, which had been founded and was run by the painter Anatole Devosge, a pupil of David. He received a second prize in drawing and architecture in 1839. In 1841, after a long journey on foot, he settled in Nice, where he began to receive commissions from the city's bourgeoisie. From 1842, he travelled in Italy, visiting Rome, before discovering Venice, which became his second home. Between 1845 to 1892 he visited Venice regularly, often for several months in the year; he worked from his boat, which served as his studio as well as his living quarters. Ziem was a complete painter, at ease in portraits, still-lifes, flower painting and genre scenes, of both history and contemporary subjects. Nevertheless, he is most known for his landscapes. His body of work includes numerous watercolours. In his drawings, and especially in his travel journals, while showing his taste by his selection and composition of subjects, he left a precious testament of his times. After Guardi and Canaletto, he affirmed a new vision of Venice...

Market Place, Venise Signed “Ziem” (lower left) Oil on canvas The city of Venice was a favorite subject for French artist Félix-François Georges Ziem. I...

Oil on board circa 1880 by Felix Ziem depicting a gondola in Venice as the moonlight from the night's sky reflects on the water. Signed lower right. Accompanied by a Certificate of Authenticity from L'Association Felix Ziem - David Pluskwa / Matthias Ary Jan. Félix Ziem's father was a Croat who settled in Bourgogne in 1814, and his mother was from the same region. He studied at the École d'Architecture et des Beaux-Arts in Dijon, which had been founded and was run by the painter Anatole Devosge, a pupil of David. He received a second prize in drawing and architecture in 1839. In 1841, after a long journey on foot, he settled in Nice, where he began to receive commissions from the city's bourgeoisie. From 1842, he travelled in Italy, visiting Rome, before discovering Venice, which became his second home. Between 1845 to 1892 he visited Venice regularly, often for several months in the year; he worked from his boat, which served as his studio as well as his living quarters. Ziem was a complete painter, at ease in portraits, still-lifes, flower painting and genre scenes, of both history and contemporary subjects. Nevertheless, he is most known for his landscapes. His body of work includes numerous watercolours. In his drawings, and especially in his travel journals, while showing his taste by his selection and composition of subjects, he left a precious testament of his times. After Guardi and Canaletto, he affirmed a new vision of Venice...

Signed, lower left: Ziem Provenance: Private Collection, North Carolina With its expressively painted features and vivid palette, this mesmerizing view of the Bacino di San Marco...

A fascinating 19th century oil on panel circa 1870 by Felix Ziem. An extraordinary and intense image of a group enjoying the Soir de fête (party night), this piece is an exceptional ...