Ferruccio Laviani Cabinets

Cabinet Carpus shelves with structure in varnished solid walnut root and with 1 door in solid brass in vintage finish. With 4 shelves in clear glass. With LED light system turning...

Hand crafted in Normandy, northern France circa 1870, and built in two sections, the antique oak and glass cabinet stands on a thick bottom plinth, and dressed at the pediment with a large carved decorative cornice. Each section features side glass panels and dressed with a central glass door decorated with hand carved floral and leaf motifs, opening to adjustable shelving (one glass shelf in each cabinet, but could accommodate 3 or 4). The elegant tall and narrow vitrine...

The Bastone case piece collection, which consists of a cabinet and a sideboard, is designed by the master cabinet maker and designer Antrei Hartikainen for Poiat Furniture. Somewhere...

Large Vittorio Dassi Credenza in Wood, Glass and Brass from Italy, ca the 1950s. This is a true eye-catcher. It has five doors with shelves behind it and three original keys availabl...

Paolo Buffa (1903-1970) architect, designer Paolo Buffa was the son of artist Giovanni Buffa, long-considered a modern innovator of early 20th century applied arts. The elder Buffa was renowned for his studio works in stained glass, often collaborating with Eugenio Quarti and other important architects. After graduating in 1927 from Politecnico di Milano, Paolo began training in the studio of Gio Ponti and Emilio Lancia. The following year he opened his own studio with the architect Cassi Ramelli, designing private villas and residential buildings with a strong focus on fine furniture done in the neoclassical style of the Milanese School and its luminaries: Ponti, Lancia, Buzzi, Marellin, and Albini. His designs (which included lighting and textiles) were characterized by perfect execution, for homes of the wealthy middle class with a taste for modern design, that blended functionality and comfort with quality materials. His pieces were primarily executed by the highly skilled artisans of the Mario Quarti studio in Milan, by Serafino Arrighi, and later by the Angelo Marelli workshop. In 1930 Buffa and Cassi Remelli participated in The International Exhibition of Decorative Arts,which would later become the Triennale di Milano. At this time he also began his first collaboration with Gio Ponti's Domus magazine, to which he would contribute many writings in the years to follow. The 1933 Triennale, "Mostra dell Arredamento," presented a solo exhibition on Buffa, as well as a group show that featured his textile designs alongside works by Buzzi, Albini, and Pollini in the display hall of the government institution National Crafts and Small Industries (ENAPI). By the time of his participation in the 1936 VI Triennale, Buffa was considered one of the elite arbiters of modern taste and style. The painter Roberto Aloi, director of “L’Arredamento Modern” (the Hoepli periodic review of modern design) dedicated more space to Buffa in his publication than to any other Italian architect in future editions. 1940 saw an intense collaboration with the acclaimed Mario Quarti furniture studio in Milan, in which Buffa created the furnishings for the Royal Palace of King Zog, in Tirana, Albania. In 1945 Ico Parisi organized the exhibition "Prima Mostra dell Arredamento" in Como. Together he and Buffa designed 12 environments, displayed as real rooms in a home. The following year the show travelled to Milan as “Mostra Mercato per la Reconstruzione” (Exhibition of Reconstruction). In addition to Buffa and Parisi, among the participants were Cassi Ramelli, Gio Ponti, and Guillermo Ulrich, all working under an objective to foster a profound collaboration between architect and expert craftsman. In 1947 Buffa was invited by esteemed textile designer Fede Cheti to participate in the exhibition “Lo Stile nell Arredamento Moderno” (The Style of Modern Furniture), celebrating the rebirth of quality execution and technical perfection in the reinvention of classic Italian furniture...

This striking cabinet was designed and produced by Ulf Ekdahl in Nybro, Sweden in 1979. The design is marked by the double doors, each panelled with eight ...

"BELMONDO" mark was used for high class furniture in 1970s in Czechoslovakia. Made by Novy domov in Spisska Nova Ves, marked. Lightly used high gloss finish is still in a very good ...

A Barbara Barry for Henredon wooden bow front vitrine cabinet from the late 20th century with oval motifs, glass doors and glass shelves. Designed by Barbara Barry for Henredon during the later years of the 20th century, this wooden cabinet features a thin curving cornice sitting above two bow-front glass doors, adorned with thin oval motifs and fitted with a single brass pull. These doors open to reveal four glass in wooden frames inner shelves offering convenient display opportunities. The ensemble is raised on four short tapered feet. The décor on the side shows great restraint as it is left bare and the back is simply planked. With its clean lines and modern design, this Barbary Barry for Henredon vintage vitrine...

Malcolm bar cabinet is a high quality product by Mambo Unlimited Ideas, crafted in carved wood veneer, brass applications and a marble top. It feat...

Circa late 19th Century, Moroccan bone inlay cabinet with two drawers and storage cabinet below. It is highly decorative with floral bone inlay des...

True to its name, this unique cabinet boasts a stunning carved decoration that reinterprets the complex geometric structure of the rose windows in Gothic churches with a contemporary...

French Art Deco Design style chrome and black lacquered wooden sideboard.