Fiona Hamilton Art

This print of a pine tree uses kitakata chine collé to depict the warmth and colour of early autumnal light. This body of work is based on the book by Suzanne Simard, Finding the Mo...

Scots Pine drypoint etching printed onto Japanese gampi tissue and backed onto German Hahnemule printmaking paper. This print depicts a mature pine tree, standing proud from the rest...

This print of a tree uses litho printed kitakata chine collé to depict the warmth and colour of early autumnal sunlight. The depth of the blacks along with the layering, allude to th...

This print considers how we view the contemporary sublime landscape and how easy it can be to experience when we take the time to look. We often don’t have to travel far: parks in cities, the coastline and stars in the night sky. The mature Scots Pine tree pictured...

A very detailed drypoint etching of a Pine tree printed onto gampi Japanese tissue and backed onto Hahnemule printmaking paper. This print considers how we view the contemporary sublime landscape and how easy it can be to experience when we take the time to look. We often don’t have to travel far: parks in cities, the coastline and stars in the night sky. The mature Scots Pine tree pictured...

This print depicts a mature pine tree, standing proud from the rest of the tree line. The use of gampi chine collé with it's delicate sheen, helps to give an ethereal glow to the maj...

Drypoint print onto photolitho printed kitakata with subtle gold ink and mounted onto Hahnemule printmaking paper. This print of a tree uses litho printed kitakata chine collé to dep...

This print considers how we view the contemporary sublime landscape and how easy it can be to experience when we take the time to look. We often don’t have to travel far: parks in ci...

This print of a chestnut tree depicts the harsh light and dark light and shadow on a bright winters day, highlighting the curve of the bark and the scars of time and age. This body ...

Scots Pine drypoint etching printed onto Japanese gampi tissue and backed onto German Hahnemule printmaking paper. This print depicts a mature pine tree, standing proud from the rest...

Scots Pine drypoint etching printed onto Japanese gampi tissue and backed onto German Hahnemule printmaking paper. This print depicts a mature pine tree, standing proud from the rest...

Scots Pine drypoint etching printed onto Japanese gampi tissue and backed onto German Hahnemule printmaking paper. This print depicts a mature pine tree, standing proud from the rest...

This print is part of a small series of works to investigate the use of layering, colour blends and texture in screen print to elicit an ethereal, eerie and potentially dizzying sens...

This print of a pine tree uses kitakata Japanese tissue chine collé to depict the warmth and colour of early autumnal light. It is then backed onto Hahnemule printmaking paper. The subject matter is from Ashton Court Estate in Bristol. This body of work is based on the book by Suzanne Simard, 'Finding the Mother Tree'. Trees communicate via mycorrhizal fungi to trade water and other nutrients. Ancient and mature trees nurture their offspring via these networks, as well as trading nutrients between other species. Botanist Simard has spent years working on this theory as part of a wider body of work, discovering what it means for forests, the climate and the wider Anthropocene. My work explores the ecological sublime and an appreciation of the majesty of nature. I use detailed intaglio etching, drypoint, lithography and chine collé to draw the viewer into an ethereal landscape that has an impact on our sense of place in relation to the natural world. I use primarily black and white with natural tones of chine collé and sometimes layers of lithographic texture to introduce warmth to the stark palette and to invoke a sublime emotional connection. I work from sketches, photographs, notes and memory to create my prints. ADDITIONAL INFORMATION: Black & White, Chine Collé, Drypoint, Drypoint print, Etching, Etching print on Paper Edition of 20 44 H x 32 W x 1 D cm (17.32 x 12.60 x 0.39 in) Sold unframed Image size: Height: 30cm (11.81 in) Width: 20cm (7.87 in) Complete size of sheet Height: 44cm (17.32 in) Width: 32cm (12.60 in) Depth: 1cm (0.39 in) ARTIST BIOGRAPHY: Fiona Hamilton is a printmaker based in Bristol. Interested in process she uses a combination of mediums, both traditional and contemporary, to produce unique imagery, often as one off pieces or in small limited editions. She currently works in silkscreen, cyanotype and foil. Fiona’s artwork draws on a lot of natural themes such as plants, leaves, trees and creatures including lots of birds. She mostly works directly from nature or from photographs she has taken. She regularly lugs a heavy telephoto lens about to get photos of birds...

Black Headed Gull by Fiona Hamilton [2019] limited_edition Screen print on paper Edition number 50, 2nd edition Image size: H:25 cm x W:35 cm Complete Size of Unframed Work: H:25 cm x W:35 cm x D:0.1mmcm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Fiona Hamilton Black Headed Gull Original limited edition screen print Silkscreen on Fabriano Rosaspina Sheet/Canvas Size: 25cm x 30cm Sold unframed Free Shipping Please note that in situ images are purely an indication of how a piece may look. Fiona Hamilton is a printmaker based in Bristol. Interested in process she uses a combination of mediums, both traditional and contemporary, to produce unique imagery, often as one off pieces or in small limited editions. She currently works in silkscreen, cyanotype and foil. Fiona’s artwork draws on a lot of natural themes such as plants, leaves, trees and creatures including lots of birds. She mostly works directly from nature or from photographs she has taken. She regularly lugs a heavy telephoto lens about to get photos of birds...

Meerkat by Fiona Hamilton [2018] limited_edition Screen print on paper Edition number 20 Image size: H:35 cm x W:25 cm Complete Size of Unframed Work: H:35 cm x W:25 cm x D:0.1mmcm ...