Franca Helg Tables

LB7 bookcase, designed by Franco Albini and manufactured by Poggi in 1957. Modular bookstore composed by upholds, containers with flying and doors, shelve. The industrial standard for every product component allows permanent and different solutions, from the bearing structures to the elements. The structure does not need anchorages to the wall and can be placed in the middle of the space. This set is composed of 3 modules, ten shelves, and three containers. It is made of Rosewood, iron, and brass. Excellent vintage condition. Franco Albini was born in Robbiate in 1905, and after his childhood and part of his youth, he moved to Milan. He graduated at Politecnico of Milan, Faculty of Architecture, in 1929, and He collaborated for three years in Giò Ponti and Emilio Lancia’s office. He probably had his international contacts here, at The International Exposition of 1929 in Barcelona and Paris, where he visited le Corbusier’s office, as Franca Helg used to tell. Throughout these first three years, his works were undoubtedly related to XIXth Century. His meeting with Edoardo Persico marks an evident turnover towards rationalism and writers for “Casabella” magazine. Persico’s thoughtful and ironical comments on some of Albini’s drawings for office furniture caused him deep upsetting. “I spent days of real anxiety – tells Albini – I had to answer all questions. I had a long fever”. The new phase that the meeting provoked begins with opening his own first office at Via Panizza with Renato Camus and Giancarlo Palanti. The group of Architects starts taking care of social housing, participating in the competition for the Baracca neighborhood in 1932, and then realizing the Ifacp neighborhood: Fabio Filzi (1936/38), Gabriele D’Annunzio, and Ettore Ponti (1939). During those years, He also worked for his first private villa (Pestarini). It is mainly in the context of exhibitions that the Italian architect experiments the compromise between rigor and poetic fantasy that Pagano was talking about; He conceived all the elements that would become recurrent in all types of his work – Architecture, Interiors, Design. The 1933 opening of the new Triennale of Milano, in Palazzo dell’Arte, becomes an occasion to express the highly innovative character of rationalist thinking. In this place, to experiment with new materials and solutions, but most of all a “method”. Young rationalist architects cultivated the art of exhibiting as a communication lab, an open field to space solutions. Albini, with Giancarlo Palanti, sets the steel structure house (with R. Camus, G. Mazzoleni, G. Minoletti and coordination by G. Pagano) designing also its furniture. For the next Triennale in 1936, marked by Persico’s early death, Franco Albini, together with a group of young architects around Pagano, takes care of the exhibition of Dwelling, where he presented 3 types of lodgings. In the same year, Albini and Romano design the exhibition for Ancient Italian jewelry: vertical uprights, simple linear poles design space. This element is recurring in other works, like the Scipione exhibition (1941), Vanzetti stand (1942), and Olivetti shop in Paris (1956). The architectural space is readable through a grid, introducing a third dimension, the vertical one, with a sense of lightness and transparency. Upright is also used in design objects, such as the Veliero bookcase...

Midcentury Italian round coffee table with handwoven bamboo and rattan base with circular glass top, 1950s. This beautiful organic bamboo and rattan coffee table would compliment any...

Mid-Century Modern round coffee table. Influenced by the work of the French Modernists, this table features figured walnut veneer, in a radial slip match pattern. Legs are solid waln...

Space Age vintage serving cart or bar cart or gueridon in a happy making color tone red orange from laminate and metal. The bar cart shows a foldable feature. For a good mobility th...

Italian Midcentury Serving Cart or Trolley in Cesare Lacca Style, 1960s Beautiful bar cart or trolley, which can be used also as side table. Made in Italy in the mid-century in the ...

Midcentury beautiful round coffee table in bamboo, rattan and wicker with lower shelf. Made in Italy in the 1960s.

Tito Agnoli for Pierantonio Bonacina modernist round coffee table model BT 2 composed of woven bamboo and rattan ending in four sculptural curved legs, Lurago D'Erba, Italy, 1960s. T...

Prices vary dependent on the size and chosen material of the table. The base is available in solid ash wood or American walnut. The table is available in a rectangular or round version (the latter measures 130 cm in diameter and 75 cm in height) Table designed by Franco Albini in 1953. Relaunched in 2013. Manufactured by Cassina in Italy. Franco Albini designed this table using the strut element that he had already employed in the design of the Veliero and Infinito bookshelves. In this instance, the legs serve as the vertical elements, solid, turned along their entire surface except for the square section onto which the horizontal table...

Measuring 41" W x 41" D x 19" H, this stunning piece combines natural beauty with functional design, making it a perfect centerpiece for any room. Crafted with high-quality rattan,...

This exquisite Cicognino side table, designed by Franco Albini and produced by Poggi Pavia in the 1970s, is a timeless piece of Italian design. Crafted from high-quality wood, this t...

Organic Riviera Style vintage bar cart or serving trolley from rattan 1950s Italy. A stunning bar cart or serving trolley from rattan with beautiful details like big wheels with wove...

Jules Leleu Round Coffee Table, wood, brass and glass, France, 1955 Designed in 1955, this round coffee table distills Jules Leleu’s mature language into a quiet, composed gesture. ...