Franca Helg Furniture

Desk with shaped top from the "TL 22" series, wooden structure, italian manufacture from the 1950s, crafted by Poggi and designed by Franco Albini. This office desk stands out with ...

Chrome-plated ceiling lamp from 1969 with two-piece metal arm, which can sprawl and rotate around the mounting. The bell is lacquered white inside. This lamp is one of Franco Albini'...

Elegant bar cart Model "Cr20" designed by Franco Albini and Franca Helg for Poggi in Italy, 1958. Published.

Extremely rare and huge Mid-Century Modern triple AM/AS Series chandelier or pendant lamp. Designed by Franco Albini & Franca Helg for Sirrah, 1969 in Italy. The lamp shades can be ...

A wooden serving table, model TN6 "Cicognino", manufactured in Italy by Poggi, design by Franco Albini, 1950s. Some objects embody the quintessence of great design. They possess per...

AS1C designed by Fanco Albini and Franca Helg for Sirrah is a table lamp with a structure made entirely of chrome-plated metal. The cup-shaped diffuser is made of white opaline glass.

Franco Albini and Franca Helg for Arteluce, 'Ochetta' wall lights model 141, metal, frosted glass, Italy, 1962 The 'Ochetta' wall lights were designed by Franco Albini and Franca He...

This plastic lamp can be switched on/off just by touching the triangle cover on the top of the lamp. It remains in good condition: light wear consistent ...

Franco Albini, Franc Helg and Antonio Piva for Sirrah, pendant lamp, chrome-plated metal, nickel-plated brass, Italy, 1969 This well-constructed pendant lamp is part of a series nam...

Italian Mid-Century Modern design dining table designed by Franco Albini and Franca Helg and produced by Poggi Pavia from 1958 with veneered walnut top with elliptical shaped longer ...

Wonderful midcentury bamboo and rattan coat hanger with integrated rattan shelf. Franco Albini and Franca Helg probably designed this fantastic piece for Pierantonio Bonacina in Ital...

LB7 bookcase, designed by Franco Albini and manufactured by Poggi in 1957. Modular bookstore composed by upholds, containers with flying and doors, shelve. The industrial standard for every product component allows permanent and different solutions, from the bearing structures to the elements. The structure does not need anchorages to the wall and can be placed in the middle of the space. This set is composed of 3 modules, ten shelves, and three containers. It is made of Rosewood, iron, and brass. Excellent vintage condition. Franco Albini was born in Robbiate in 1905, and after his childhood and part of his youth, he moved to Milan. He graduated at Politecnico of Milan, Faculty of Architecture, in 1929, and He collaborated for three years in Giò Ponti and Emilio Lancia’s office. He probably had his international contacts here, at The International Exposition of 1929 in Barcelona and Paris, where he visited le Corbusier’s office, as Franca Helg used to tell. Throughout these first three years, his works were undoubtedly related to XIXth Century. His meeting with Edoardo Persico marks an evident turnover towards rationalism and writers for “Casabella” magazine. Persico’s thoughtful and ironical comments on some of Albini’s drawings for office furniture caused him deep upsetting. “I spent days of real anxiety – tells Albini – I had to answer all questions. I had a long fever”. The new phase that the meeting provoked begins with opening his own first office at Via Panizza with Renato Camus and Giancarlo Palanti. The group of Architects starts taking care of social housing, participating in the competition for the Baracca neighborhood in 1932, and then realizing the Ifacp neighborhood: Fabio Filzi (1936/38), Gabriele D’Annunzio, and Ettore Ponti (1939). During those years, He also worked for his first private villa (Pestarini). It is mainly in the context of exhibitions that the Italian architect experiments the compromise between rigor and poetic fantasy that Pagano was talking about; He conceived all the elements that would become recurrent in all types of his work – Architecture, Interiors, Design. The 1933 opening of the new Triennale of Milano, in Palazzo dell’Arte, becomes an occasion to express the highly innovative character of rationalist thinking. In this place, to experiment with new materials and solutions, but most of all a “method”. Young rationalist architects cultivated the art of exhibiting as a communication lab, an open field to space solutions. Albini, with Giancarlo Palanti, sets the steel structure house (with R. Camus, G. Mazzoleni, G. Minoletti and coordination by G. Pagano) designing also its furniture. For the next Triennale in 1936, marked by Persico’s early death, Franco Albini, together with a group of young architects around Pagano, takes care of the exhibition of Dwelling, where he presented 3 types of lodgings. In the same year, Albini and Romano design the exhibition for Ancient Italian jewelry: vertical uprights, simple linear poles design space. This element is recurring in other works, like the Scipione exhibition (1941), Vanzetti stand (1942), and Olivetti shop in Paris (1956). The architectural space is readable through a grid, introducing a third dimension, the vertical one, with a sense of lightness and transparency. Upright is also used in design objects, such as the Veliero bookcase...