Francisco Goya Furniture

Three Dogs – Antique Etching by Samuel Howitt from 'Miscellaneous Etchings', 1812 This charming early 19th-century etching by Samuel Howitt (1756–1822) depicts three dogs in a momen...

A pair of circa 1930's English prints with gilt frames. Measurements: Height: 9.5" Width: 7.5" Depth: 1"

Large Framed French Etching of Versailles – Le Bassin d’Encelade Pair of Versailles themed prints available. From Mis en Demeure, Paris.

A fantastic set of twenty 19th century framed etchings of Roman and Greek emperors, statesmen, and philosophers including Julius Caesar, Augustus Caesar, Cicero, Marcus Brutus...

The dramatic large, almost 4 foot tall etching is framed with a green ground and gold double border with cream French matting. Copper-plate engraving by Italian artist Giovanni Piran...

The original etching on paper depicts old stone bridge leading to the traditional old English cottages, surrounded by hills with fields and trees in the timeless English countryside ...

This framed Seymour Rosenthal etching, titled "Elder with Torah," beautifully captures the reverence of tradition. The detailed artwork and elegant framing make it a meaningful addit...

Expert and high end framing done for these 4 armorial plates. Continental “earls”. Stunning presentation.

This is a mid 19th century etching entitled "Rade de Bordeaux, Janvier" (Port Of Bordeaux In Winter), Maxime Lalanne in London in 1868. The etching depicts many boats in the busy harbor of Bordeaux, including small sailboats, as well as tall ships. Another harbor is seen in the distance across the river on the left. Snow covered buildings are on the left and extending long distances in the distant background. Many people occupy the road and ground centrally and on the left along with some horses or mules attached to carts. The sky is a wintery gray. It is signed in the plate in the lower left, the title and date are in the center and Bordeaux and the year are included in script along the top of a wall in the lower left of the engraving. This etching is held by many museums and institutions, including The National Gallery of Art, Washington, D.C. François Antoine Maxime Lalanne (1827-1886) was a leading French etcher and painter of landscapes and urban views, who was at the forefront of the French revival of etching during the 1860's. He grew up in Bordeaux, but he refined his artistic skills and worked in Paris. His art was first exhibited at the Paris Salon in 1852 and he continued to regularly show both etchings and paintings there until the mid 1880's. He was also the author of several important books on the subjects of etching and other graphic arts. He was a founding member of the Societe des Aquafortistes, along with Auguste Delatre, Cadart, Ribot and Bracquemond. Lalanne created over one hundred and fifty fine etchings. Lalanne's unique style of art influenced many French and English artists in the twentieth century. Philip Gilbert Hamerton (1834-1894) was a British artist, art critic and author. He was particularly focussed on contemporary graphic art and printmaking techniques. He frequently wrote about the theory of the English Etching Revival, contributing to the establishment of etching as an original and major art medium. He was the editor of The Portfolio (1870-1893), a major arts publication dealing extensively with the art of etching. His most influential book was "Etching and Etchers", which detailed the creative and technical aspects of etching and engraving. The first edition was published in 1868 and included original etchings by Jongkind, Haden and Palmer, as well later states of 17th century Dutch masters. He published a second edition in 1876 without any original etchings. A third edition was published in 1880 in a large paper edition, limited to one thousand copies, which included twenty original etchings from contemporary artists Whistler, Haden, Palmer, Israels, Jacque, Jacquemart, Lalanne, Appian, Legros, Herkomer. including this original Lalanne etching...

Large framed etching of a massive urn Francesco Piranesi in the style of his father, Giovanni Battista Piranesi, plate 549 #43, signed lower left on plate Cavalier Piranesi Delin, ed...

Interesting intaglio etching by German artist Inanger; the imagery features a man--possibly a prisoner--and the severed head and tail of a lobster. Good representation of value chang...

Plate #106 from Giovanni Battista Piranesi's Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegnati ed incisi dal Cav. Gio. Batt. Piranesi, Vol. I (Vases, candelabra, grave stones, sarcophagi, tripods, lamps, and ornaments designed and etched by Cavalieri Giovanni Battista Piranesi), first printed in 1778-1780. Inscribed: At top center: Alla Sig. ra Margherita Earle Dama Inglese / amatrice delle belle arte / In Segno d'Ossequio il Cavalier Gio Batta...