François Boucher Art
French, 1703-1770
The extraordinary career of Francois Boucher was unmatched by his contemporaries in versatility, consistency and output. For many, particularly the writers and collectors who led the revival of interest in the French rococo during the last century, his sensuous beauties and plump cupids represent the French eighteenth century at its most typical. His facility with the brush, even when betraying the occasional superficiality of his art, enabled him to master every aspect of painting – history and mythology, portraiture, landscape, ordinary life and, as part of larger compositions, even still life. He had been trained as an engraver, and the skills of a draftsman, which he imbued in the studio of Jean-Francois Cars (1661 – 1738), stood him in good stead throughout his career; his delightful drawings are one of the most sought-after aspects of his oeuvre. As a student of Francois Lemoyne (1688 - 1737), he mastered the art of composition. The four years he spent in Italy, from 1727-1731, educated him in the works of the masters, classics and history, that his modest upbringing had denied him. On his return to Paris in 1734, he gained full membership of the Royal Academy of Painting and Sculpture with his splendid Rinaldo and Armida (Paris, Musée du Louvre). Although, throughout his career, he occasionally painted subjects taken from the Bible, and would always have considered himself first as a history painter, his own repertoire of heroines, seductresses, flirtatious peasant girls and erotic beauties was better suited to a lighter, more decorative subject matter. His mastery of technique and composition enabled him to move from large scale tapestry cartoons (he worked throughout his career for both the Beauvais and Gobelins tapestry factories, becoming director of the latter in 1755), to intimate masterpieces such as Diana Resting (Paris, Louvre) or Leda and the Swan and the occasional scene from everyday life such as The Luncheon (Paris, Louvre), with its elegantly dressed figures grouped around a well-laid table.
Enormously successful and widely bought, Boucher’s output was prodigious. First patronized by the Crown in the 1730s, and appointed Premier Peintre du Roi in 1765, he executed numerous royal and princely commissions until his death in 1770, working particularly for Louis XV’s mistress, the Marquise de Pompadour in each of her several palaces. Always ready to utilize his talents in other fields, he designed stage sets for theatre and opera and supplied drawings to be used as designs for figures at the Vincennes (later Sèvres) porcelain factory. As a teacher, he was much loved by his many students, who included Fragonard, Le Prince, Deshays, Brenet, Baudouin, Lagrenee, and Madame de Pompadour herself.
In his earliest surviving works with their colourful rococo palette, even David, a distant cousin, was clearly influenced by Boucher. Not since Le Brun had a single French artist held such a monopoly on the imagery of a particular society or left such a mark on the art of his time.to
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Artist: François Boucher
Three drawings by François Boucher in a mounting by Jean-Baptiste Glomy
By François Boucher
Located in PARIS, FR
We would like to thank Juliette Parmentier-Courreau of the Custodia Foundation for her welcome and support during the consultation of Glomy’s Journal des Ouvrages.
This spectacularly large "feuille de desseins ajustés" commissioned by François Boucher from Jean-Baptiste Glomy is emblematic of the painter's art and mastery of rocaille. It is also fully representative of the taste of this period in the field of decorative arts. The largest of these three drawings, placed at the bottom of the composition, is particularly interesting: dating from around 1756, it constitutes a modello (apparently unpublished) for the frontispiece of the "Catalogue des tableaux de Monsieur de Julienne"), preserved in the Morgan Library in New York.
1. François Boucher, the master of French rocaille
The extraordinary career of Francois Boucher was unmatched by his contemporaries in versatility, consistency and output. For many, particularly the writers and collectors who led the revival of interest in the French rococo during the last century, his sensuous beauties and plump cupids represent the French eighteenth century at its most typical. His facility with the brush, even when betraying the occasional superficiality of his art, enabled him to master every aspect of painting – history and mythology, portraiture, landscape, ordinary life and, as part of larger compositions, even still life. He had been trained as an engraver, and the skills of a draftsman, which he imbued in the studio of Jean-Francois Cars (1661 – 1738), stood him in good stead throughout his career; his delightful drawings are one of the most sought-after aspects of his oeuvre.
As a student of Francois Lemoyne (1688 - 1737), he mastered the art of composition. The four years he spent in Italy, from 1727-1731, educated him in the works of the masters, classics and history, that his modest upbringing had denied him.
On his return to Paris in 1734, he gained full membership of the Royal Academy of Painting and Sculpture with his splendid Rinaldo and Armida (Paris, Musée du Louvre). Although, throughout his career, he occasionally painted subjects taken from the Bible, and would always have considered himself first as a history painter, his own repertoire of heroines, seductresses, flirtatious peasant girls and erotic beauties was better suited to a lighter, more decorative subject matter. His mastery of technique and composition enabled him to move from large scale tapestry...
Category
1750s Old Masters François Boucher Art
Materials
Chalk, Ink
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CG0004
-ARTIST STATEMENT-
I depict my person in multiplicity with different selves representing dramatis
personae. My likeness is both implicit and symbolic in the portrayal of my
narrative; the drama involved in creating art and the artist’s role in society. I
use realism to invite the viewer into mysterious inner worlds that are layered
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-BIO-
Christopher Ganz grew up in Northeast Ohio and from early on had a fertile imagination and an interest in art. Christopher's artistic education truly began at the University of Missouri, where his love of the human form led to many figure drawing classes and his exposure to the wonders of printmaking. Christopher's then went onto graduate school at Indiana University and a summer abroad program in Italy was a dream realized. Christopher then grasped charcoal with a renewed vigor and large, sfumato-laden drawings ensued. Christopher's artistic influences are many; from a seminal exposure to Dore's engravings of the Divine Comedy, to Rembrandt, Caravaggio, Goya, and up to Lucian Freud, Mark Tansey, and Michael Mazur. Christopher is now an associate professor of printmaking and drawing at Indiana-Purdue University Fort Wayne. Christopher drawings are represented by Ann Nathan Gallery in Chicago, and he shows his prints across the nation.
-CV-
EDUCATION
MFA 2001 Printmaking Indiana University-Bloomington
BFA 1995 Drawing and Printmaking University of Missouri-Columbia
TEACHING/PROFESSIONAL EXPERIENCE
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the production of an intaglio edition, Bloomington, IN
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By Christopher Ganz
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Christopher Ganz
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CG0013
-ARTIST STATEMENT-
I depict my person in multiplicity with different selves representing dramatis
personae. My likeness is both implicit and symbolic in the portrayal of my
narrative; the drama involved in creating art and the artist’s role in society. I
use realism to invite the viewer into mysterious inner worlds that are layered
reflections of the outer. Dehumanizing environments are imbued with art
historical references as a critique of power structures. The artist is an
Everyman who is at odds with society and his self.
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overlooked absurdities. I use charcoal and printmaking media as their
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-BIO-
Christopher Ganz grew up in Northeast Ohio and from early on had a fertile imagination and an interest in art. Christopher's artistic education truly began at the University of Missouri, where his love of the human form led to many figure drawing classes and his exposure to the wonders of printmaking. Christopher's then went onto graduate school at Indiana University and a summer abroad program in Italy was a dream realized. Christopher then grasped charcoal with a renewed vigor and large, sfumato-laden drawings ensued. Christopher's artistic influences are many; from a seminal exposure to Dore's engravings of the Divine Comedy, to Rembrandt, Caravaggio, Goya, and up to Lucian Freud, Mark Tansey, and Michael Mazur. Christopher is now an associate professor of printmaking and drawing at Indiana-Purdue University Fort Wayne. Christopher drawings are represented by Ann Nathan Gallery in Chicago, and he shows his prints across the nation.
-CV-
EDUCATION
MFA 2001 Printmaking Indiana University-Bloomington
BFA 1995 Drawing and Printmaking University of Missouri-Columbia
TEACHING/PROFESSIONAL EXPERIENCE
2002-13 Associate Professor, Printmaking and Drawing
Indiana University–Purdue University Fort Wayne (IPFW), Fort Wayne, IN
2002 Adjunct Professor: Lithography (instructor of record)
Indiana University-Bloomington
1998-00 Associate Instructor: Beginning Drawing (instructor of record)
Indiana University-Bloomington
1998 Artist’s Assistant, Assisted Distinguished Professor Emeritus Rudy Pozzatti in
the production of an intaglio edition, Bloomington, IN
SOLO OR SMALL GROUP EXHIBITIONS
2013 Multiplicities: Drawings and Prints by Christopher Ganz, Franklin College, Franklin, IN
Feb. 5 – Feb. 21
2012 Dramatis Personae: Drawings and Prints by Christopher Ganz,
University of South Carolina-Columbia, Jan 16. – Feb. 16, 2012
2011 Christopher Ganz; Prints and Drawing
Hendrix College, Hendrix, Arkansas, March 5 - 18
2009 Fall Season Exhibition, six drawings displayed
Ann Nathan Gallery, Chicago. Oct 16 – Nov. 24
South Bend Museum of Art Biennial 25 - regional juried exhibition for artists in all media,
six large drawings displayed; 14 artists selected from over 200 submissions; May 30-Aug. 23
Juror: William Lieberman, Director of Zolla/Lieberman Gallery, Chicago
2007 Christopher Ganz: Drawings, The Carnegie Visual and Performing Arts Center
Covington, KY, March 9 - April 6
Alter Egos: Drawings and Prints by Christopher Ganz
Trisolini Gallery, Ohio University, Athens, OH, Jan. 9 - Feb.17
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2004 Works on Paper: Christopher Ganz and Paul Schumann
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2002 Images by Christopher Ganz - Visual Arts Gallery
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2001 M.F.A. Thesis Exhibition - School of Fine Arts Gallery
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Cultural Baggage, Invitational Print Portfolio
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Council’s National Conference, University of Minnesota Minneapolis, MN, Chicago, Oct.
13-16
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Drawing, The Cyclops on display in Ann Nathan Gallery space, April 29 - May 2
30th Annual National Print Exhibition at Artlink - National Juried Exhibition
Artlink Gallery, Fort Wayne, IN, April 16 – May 26
Juror: Claudia Berlinski, Senior Lecturer of Printmaking at Akron University, Akron, OH
2009
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Color lithograph, Open and Shut, displayed at IMPACT 6: International Print Conference
Centre for Fine Print Research, University of the West of England, Bristol, Sept. 16 – 19
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Drawing, Self-Checkout on display in Ann Nathan Gallery space, May 1 – 4
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Arts, Ohio University
2007
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Artlink Gallery, Fort Wayne, IN, May 26 - July 5; two pieces accepted
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State University
Boston Printmakers 2007 North American Print Biennial – National juried
printmaking exhibition
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Juror: Judith B. Hecker, Assistant Curator, Department of Prints and Illustrated Books,
The Museum of Modern Art, New York
2006
The Printed Image: The First Biennial Midwestern Graphics Juried Exhibition
National Juried Printmaking Exhibition
Alice C. Sabatini Gallery, Topeka & Shawnee County Public Library, Topeka, KS
Aug. 11 - Sept 15
Juror: Karen Kunc, Professor of Printmaking/Book Arts, University of Nebraska- Lincoln
2006 National Contemporary American Realism: Fort Wayne Museum of Art's 2006
Biennial, Fort Wayne, IN, June 10 - Aug. 20; two pieces accepted
26th Annual National Print Exhibition at Artlink - National Juried Exhibition
Artlink Gallery, Fort Wayne, IN, May 26 - July 5; two pieces accepted
Award Selector: Carolyn Autry, artist and Associate Professor of Art and Art History
at the University of Toledo
19th University of Dallas Print Invitational - Traveling national invitational exhibition
Haggerty Gallery, University of Dallas, Irving TX, Jan. 28 – March 6 three pieces accepted
Texas A&M University – Corpus Christi, TX, Feb. 1 – March 9, 2007
Juror: Juergen Strunck, Professor of Art, University of Dallas
A Mammalian Future? - Invitational Portfolio
Intaglio print Jonas Ark displayed at Southern Graphics Council National Conference
University of Wisconsin-Madison, University of Wisconsin-Madison, April 5 – 9
Paper in Particular - National Juried works on paper exhibition
Larson Gallery, Columbia College, Columbia, MO, Feb. 5 - March 5; two pieces
accepted. Juror: David Morrison, Professor of Printmaking, Herron School of Art and
Design, Indianapolis, IN
19th Parkside National SmallPrint Exhibition - National Juried Exhibition
University of Wisconsin-Parkside, Kenosha, WI, Jan.15 - Feb. 16
Juror: Rudy Pozzatti, Professor Emeritus, Indiana University - Bloomington
2005
18th Parkside National Small Print Exhibition - National Juried Exhibition
University of Wisconsin-Parkside, Kenosha, WI, Jan.14 - Feb. 22
Juror: Karen Kunc, Professor of Printmaking/Book Arts, University of Nebraska-Lincoln
2004
Exchange! A Survey of International and National Exchange Print Portfolios
Visual and Performing Arts Center, Main Gallery, Purdue University, Feb. 1 - 15
Juror: Kathryn Reeves, P rofessor of Art, Purdue University
2003
23rd Annual National Print Exhibition at Artlink - National Juried Exhibition
Artlink Gallery, Fort Wayne, IN, May 16 - July 2, 2003
Border to Border – National Juried Drawing Exhibition
Trahern Gallery, Austin Peay State University, Clarksville, TN, March 3 - 30
Juror: Jim Cantrell, independent studio artist, Bardstown, KY
On/Of Paper – National Juried Exhibition
Clyde Snook Gallery, Adams State College, Alamosa, CO, March 3 - April 11
Juror: Dale Leys, Professor of Drawing, Murray State University, Murray, KY
Emerging Artists 2003 – National Juried Exhibition
Limner Gallery, New York, NY, Feb.12 – March 1
Jurors: Tim Slowinski...
Category
21st Century and Contemporary Contemporary François Boucher Art
Materials
Paper, Chalk, Ink
H 19.5 in W 13.5 in D 0.1 in
Frank Dobson, Study of a nude, sanguine chalk
By Frank Dobson
Located in Harkstead, GB
Frank Dobson (1888-1963)
Study of a nude viewed from behind
Signed
Sanguine chalk on paper
10 x 13½ inches
21¼ x 24¼ inches with frame
A wonderful exam...
Category
Mid-20th Century Cubist François Boucher Art
Materials
Paper, Chalk
Louis-Félix de La Rue (1730-1777) A Mythological scene, drawing
By Louis-Félix Delarue
Located in Paris, FR
Louis-Félix de La Rue (1730-1777)
A Mythological scene
Pen and black ink on paper
Bears an old inscription with the name of the artist on the lower left bo...
Category
1770s Old Masters François Boucher Art
Materials
Ink
French School, Academic Study (Male Nude)
Located in London, GB
Charcoal on paper, 60cm x 42cm, (74cm x 60cm framed). The picture is framed behind museum quality non-reflective UV glass.
Drawings and paintings of the nude were central to academ...
Category
19th Century Old Masters François Boucher Art
Materials
Paper, Carbon Pencil
Leaning Nude Man (recto); Kneeling Man, Hands Tied Behind His Back (verso)
By Giovanni Francesco Barbieri (Il Guercino)
Located in Paris, Île-de-France
GIOVANNI FRANCESCO BARBIERI, known as GUERCINO
(1591-1666)
Leaning Nude Man (recto); Kneeling Man, Hands Tied Behind His Back (verso)
Black chalk heightened with white on light blu...
Category
1620s Old Masters François Boucher Art
Materials
Chalk, Charcoal
Previously Available Items
François Boucher - "Three Young Ladies in a Forest" - Pencil Engraving - N° 346
By François Boucher
Located in Winterswijk, NL
Pencil-style engraving by Demarteau no. 346 A Paris Rue de la Pelterie à la Cloche.
Titled: "Trois Demoiselles dans une Forêt".
Engraving is mounted in passe-partout.
Category
18th Century Rococo François Boucher Art
Materials
Pencil, Engraving, Paper
Paysanne en buste de profil
By François Boucher
Located in Petworth, West Sussex
Francois Boucher (French, 1703 – 1770)
Paysanne en buste de profil
Black crayon, heightened with white on paper
8.5/8 x 6.7/8in. (22 x 17.3cm.) (to mount edge)
Provenance: The auth...
Category
Early 17th Century Rococo François Boucher Art
Materials
Paper, Crayon
François Boucher art for sale on 1stDibs.
Find a wide variety of authentic François Boucher art available for sale on 1stDibs. You can also browse by medium to find art by François Boucher in chalk, ink and more. Much of the original work by this artist or collective was created during the 18th century and is mostly associated with the Old Masters style. Not every interior allows for large François Boucher art, so small editions measuring 12 inches across are available. Customers who are interested in this artist might also find the work of Sheila Querre, TURPIN, P[ierre Jean Francois], and Lucien Philippe Moretti. François Boucher art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $36,000 and tops out at $36,000, while the average work can sell for $36,000.
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