François Pompon Abstract Sculptures

Cast resin polar bear sculpture by Francois Pompon for the MOMA Collection, circa 1980s. The piece is a minature reproduction of the famous work by Po...

François Pompon. Atelier Valsuani, edited by. Sculpture entitled “White Bear”. Bronze with brown patina, lost wax casting. Stamp of the Foundry “cire perdue C. Valsuani”. Reproduct...

Hippolyte Francois Moreau (1832 - 1927) French. "Mignon" young girl with mandolin. Rich brown patina. Signed original 19th century Bronze. Br...

A wonderful large Lalique France frosed and clear crystal Grand Ducs owl vase. This thick clear crystal vase is set on a pedestal embellished with four owls on a square base. Etched ...

Condition: Good vintage condition, unaltered, some imperfections (Verdigris around horses’ ears and some dust) Material: Bronze (sculpture) with wood base that swivels 360 degrees "Deep Catch" Bronze by Herb Mignery...

This charming 19th century French bronze sculpture showcases a young lad, safe & secure, with man's (& his) best friend, a dog! The sculptor creates this invitation for all viewers t...

François Pompon, signed. Atelier Valsuani, edited by. Sculpture entitled “Poule”. Bronze with brown patina, lost wax casting. Stamp of the Foundry “cire perdue C. Valsuani”, on the...

hand-made resin bear with International Klein Blue (IKB) pigment acrylic box: 10.63 x 7.48 x 19.29 inches edition size: 999 with 199 APs individual number inlaid under the right hind leg signed, numbered, and with two stamped COAs published by Artémus Éditions (2022) mint condition This limited edition is the result of a collaboration between the estates of two renowned French artists, Yves Klein and François Pompon. It is based on the original mould for Pompon’s L’Ours blanc, a cast sculpture of a white polar bear first shown in Paris at the Autumn Salon in 1922. Pompon created this bear a a few times using different media, however the most famous one, created in stone, can be seen at the Musée d'Orsay in Paris. This edition, titled L’Ours Pompon, transforms the bear with Klein's iconic International Klein Blue (IKB) pigment which Klein associated with the immaterial values beyond what can be seen or touched. L’Ours Pompon carries on the tradition in Klein's oeuvre of notable limited edition sculptures of classic historical forms like Victoire de Samothrace...

This is a Lalique Crystal “Grand Ducs” Owl flower vase. It depicts a large round bowl that is supported by the frosted crystal heads of four owls. Then, they are attached to a clear crystal square base...

This very fine life-size patinated bronze figural torchere modeled as a classically clad female musician holding a mandolin and a torch. This symbolic representation of Music, falls within Coutan’s allegorical work. The sculpture stands on a period carved wood pedestal. Inscribed on base: Coutan, Thiébaut Frères, Fondeurs. Total Height: 101″ (259 cm) Bronze height: 67″ (170.1 cm) Pedestal Height: 34" (86.3 cm) Jules-Félix Coutan (22 September 1848 – 23 February 1939) is considered to be one of the most gifted French sculptors and designers of the 19th and early 20th centuries Coutan studied under the renowned Pierre-Jules Cavelier at the Ecole des Beaux-Arts in Paris, and was awarded the Prix de Rome in 1872; after his return to Paris he executed the fountain group France Bearing the Torch of Civilization for the Exposition Universelle (1889), one of the two prominent sculptural commissions for the Exposition grounds.[1] Later he taught at the École des Beaux-Arts from 1900, where he expressed his disdain for the researches of Rodin— fumiste—[2] and the Impressionist sculptors who followed him. Coutan was elected to the Académie des Beaux-Arts in 1905.[3] Coutan is best known in the United States for the sculptural group above the entrance to Grand Central Terminal in New York City. For Grand Central Terminal, Coutan was contracted to provide a quarter-size scale plaster model of the three-figure allegorical Transportation group, which he developed from 1911 through 1914. The carving was performed by the William Bradley & Son of Long Island City.[4] Among Coutan's students were Hippolyte Lefèbvre, Raymond Delamarre...

François Pompon, signed. Atelier Valsuani, edited by. Sculpture titled “Oie”. Bronze with green patina, lost wax casting. Stamp of the Foundry “cire perdue C. Valsuani“, on the pli...

François Pompon. Valsuani, edited by. Sculpture entitled “Hippopotame”. Bronze with brown patina, lost wax casting. Stamp of the Foundry “cire perdue C. Valsuani” on the terrace. R...